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This course investigates the relationship between culture, revolutionary decolonization, and post-colonial trajectories. It probes the multilayered development of 20th and 21st-century African literature amid decolonization and Cold War cultural diplomacy initiatives and the debates they generated about African literary aesthetics, African languages, the production of history, and the role of the intellectual. We will journey through national cultural movements, international congresses, and pan-African festivals to explore the following questions: What role did writers and artists play in shaping the discourse of revolutionary decolonization throughout the continent and in the diaspora? How have literary texts, films, and works of African cultural thought shaped and engaged with concepts such as "African unity" and "African cultural renaissance"? How have these notions influenced the imaginaries of post-independence nations, engendered new subjectivities, and impacted gender and generational dynamics? How did the ways of knowing and modes of writing promoted and developed in these contexts shape African futures?

Today, almost one-third of Americans identify with a racial/ethnic minority group, and more than 9 million Americans identify with multiple races. What are the implications of such diversity for American politics and culture? This course approaches issues of race from an interdisciplinary perspective, employing research in the social sciences and humanities to assess how race shapes perceptions of identity as well as political behavior in 21st-century U.S. Issues surrounding the role of multiculturalism, immigration, acculturation, racial representation, and racial prejudice in American society. Topics include the political and social formation of race; racial representation in the media, arts, and popular culture; the rise and decline of the "one-drop rule" and its effect on political and cultural attachments; the politicization of census categories and the rise of the multiracial movement. If you have any questions about enrollment or need a permission number, please contact Farrah Moreno (farrahm@stanford.edu).

This seminar will explore the impact and relative salience of racial/ethnic identity on select issues including: discrimination, social justice, mental health and academic performance. Theoretical perspectives on identity development will be reviewed, along with research on other social identity variables, such as social class, gender and regional identifications. New areas within this field such as the complexity of multiracial identity status and intersectional invisibility will also be discussed. Though the class will be rooted in psychology and psychological models of identity formation, no prior exposure to psychology is assumed and other disciplines-including cultural studies, feminist studies, and literature-will be incorporated into the course materials. Students will work with community partners to better understand the nuances of racial and ethnic identity development in different contexts. (Cardinal Course certified by the Haas Center)

This course examines the history of gender and sexuality in twentieth and twenty-first century Africa. It explores how concepts, identities, and practices of gender and sexuality have changed in shifting social, cultural, political, and economic contexts across the continent and in connection with global currents. This historical journey encompasses European colonialism, independence, postcolonial nation-building, and current times. Course materials include African novels, films, material culture and multinational scholarly research and primary sources. We will also engage multidisciplinary perspectives, methodologies, and theories as tools for critical thinking, writing and varied modes of producing knowledge. Gender and sexuality(ies) as examined in this course act as gateways to explore transformations in : selfhood, peoplehood, and life stage; health, medicine, reproduction, and the body; law and criminality; marriage, kinship, family, and community; politics, power and protest; feminism(s); popular culture; religion and belief; LGBTQI+ themes; and the history of emotions, including love, joy, desire, pain, and trauma.

In 2013, CaShawn Thompson devised a Twitter hashtag, #blackgirlmagic, to celebrate the beauty and intelligence of black women. Twitter users quickly adopted the slogan, using the hashtag to celebrate everyday moments of beauty, accomplishment, and magic. The slogan offered a contemporary iteration of an historical alignment: namely, the concept of "magic" with both Black people as well as "blackness." This course explores the legacy of Black magic--and black magic--through performance texts including plays, poetry, films, and novels. We will investigate the creation of magical worlds, the discursive alignment of magic with blackness, and the contemporary manifestation of a historical phenomenon. We will cover, through lecture and discussion, the history of black magic representation as well as the relationship between magic and religion. Our goal will be to understand the impact and history of discursive alignments: what relationship does "black magic" have to and for "black bodies"? How do we understand a history of performance practice as being caught up in complicated legacies of suspicion, celebration, self-definition? The course will give participants a grounding in black performance texts, plays, and theoretical writings. *This course will also satisfy the TAPS department WIM requirement.*

From Sally Hemings to Michelle Obama and Beyonce, this course explores the ways that racial identity has been experienced, represented, and contested throughout American history. Engaging historical, legal, and literary texts and films, this course examines major historical transformations that have shaped our understanding of racial identity. This course also draws on other imaginative modes including autobiography, memoir, photography, and music to consider the ways that racial identity has been represented in American culture.

Despite the systemic inequalities of the Hollywood system, there is a robust, stylistically diverse cohort of African-American writer/directors at work, including Barry Jenkins, Ava DuVernay, and Ryan Coogler. Jenkins' films (Moonlight, If Beale Street Could Talk), are aesthetically lush, intimate, and understated. DuVernay (When They See Us) foregrounds racial history and injustice in her feature films, television, and documentary work. Coogler followed his realist Fruitvale Station with two powerful genre films with black protagonists (Creed, Black Panther - this last the highest-grossing film by a black director).

From the rave reviews garnered by Angelina Weld Grimke's lynching play, Rachel to recent work by Lynn Nottage on Rwanda, black women playwrights have addressed key issues in modern culture and politics. We will analyze and perform work written by black women in the U.S., Britain and the Caribbean in the 20th and 21st centuries. Topics include: sexuality, surrealism, colonialism, freedom, violence, colorism, love, history, community and more. Playwrights include: Angelina Grimke, Lorriane Hansberry, Winsome Pinnock, Adrienne Kennedy, Suzan- Lori Parks, Ntozake Shange, Pearl Cleage, Sarah Jones, Anna DeVeare Smith, Alice Childress, Lydia Diamond and Zora Neale Hurston.)

China's engagement with Africa during the last decade has generated media attention that generally portrays China as either Africa's economic saviour or as its new imperial overlord. This course will both survey these analyses but also suggest that the China-Africa phenomenon needs to be understood as a series of engagements ? economic, political, but also social and cultural ? between a range of Chinese and African actors that have both potential benefits and costs for all those involved. Interdisciplinary in nature, the course will explore the history of China's relationship with Africa and the continuities and breaks in this relationship. Instead of producing a monolithic picture for the whole African continent, the course will focus on various African countries such as Tanzania, Kenya, Zambia, Ethiopia, Congo, South Africa, Sudan, Ghana and Mali for more contextualised discussions. It will also problematise the idea of 'China' as solely representative of the People's Republic of China (PRC). It will begin with an overview of the literature in order to familiarise the students with the historiography. Then it will run in a chronological order, first discussing China's ancient connections with the African continent the before moving to the more crucial period of intense interactions in the mid-20th century. We will pay particular attention to questions such as socialist ideology, Afro-Asianism, economic competition, revolution, and liberation movements. The rest of the course will deal with China's political, economic and social activities on the African continent since early 2000 until today. The class will analyse economic relations in the form of mineral extraction, the extent and form of China's engagement with political change on the continent, and the ways in which Chinese migrants have interacted with African societies. It will also explore how Africans are seeking to shape their unequal relationship with Chinese influences and to negotiate advantages for themselves in both Chinese-influenced Africa and in China itself. The course will seek to locate China's recent engagement with Africa in the context of the continent's many centuries of interaction with global flows of goods, peoples, and ideas.