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1 - 10 of 35 results for: REES

REES 84: Zionism (CSRE 84, HISTORY 84, JEWISHST 84)

(Same as HISTORY 184. History majors and others taking 5 units, register for 184.) Hotly contested still, this course will open up the movement's ideas, practices, achievements and crises in such a way as to allow students to hear the fullest range of voices - Jewish, Arab, religious, secular, etc. It will track the movement from its appearance in the late nineteenth century until the establishment of State of Israel in 1948, and beyond.
Terms: Spr | Units: 3 | UG Reqs: WAY-ED, WAY-SI | Grading: Letter or Credit/No Credit

REES 145D: Jewish American Literature (JEWISHST 155D)

Fiction of Jewish-American writers across the 20th and into the 21st centuries, both immigrants and subsequent generations of native-born Jews, to show how the topic of assimilation is thematized in the literature and to evaluate the distinctiveness of Jewish-American literature as a minority literature.
Terms: not given this year | Units: 5 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II, WAY-ED | Grading: Letter or Credit/No Credit

REES 18: Understanding the Jews of Russia and Poland

A preparatory course, for field trip to Moscow and Warsaw, that would cover Russian and Polish History, former Soviet Jewry, international relations, and current social realities
Terms: not given this year | Units: 1 | Grading: Credit/No Credit

REES 184: Zionism (CSRE 184C, HISTORY 184, JEWISHST 184)

(Same as History 84.) Hotly contested still, this course will open up the movement's ideas, practices, achievements and crises in such a way as to allow students to hear the fullest range of voices - Jewish, Arab, religious, secular, etc. It will track the movement from its appearance in the late nineteenth century until the establishment of State of Israel in 1948, and beyond.
Terms: Spr | Units: 5 | UG Reqs: WAY-ED, WAY-SI | Grading: Letter or Credit/No Credit

REES 208C: Architecture, Acoustics and Ritual in Byzantium (ARTHIST 208C, ARTHIST 408C, CLASSICS 175, MUSIC 208C, MUSIC 408C, REES 408C, RELIGST 208C, RELIGST 308C)

Onassis Seminar "Icons of Sound: Architecture, Acoustics and Ritual in Byzantium". This year-long seminar explores the creation and operations of sacred space in Byzantium by focusing on the intersection of architecture, acoustics, music, and ritual. Through the support of the Onassis Foundation (USA), nine leading scholars in the field share their research and conduct the discussion of their pre-circulated papers. The goal is to develop a new interpretive framework for the study of religious experience and assemble the research tools needed for work in this interdisciplinary field.
Terms: not given this year | Units: 1-3 | UG Reqs: WAY-A-II | Repeatable for credit | Grading: Letter or Credit/No Credit

REES 227: All Quiet on the Eastern Front? East Europe and Russia in the First World War (HISTORY 227D, HISTORY 327D, REES 327)

Until recently history has been comparatively quiet about the experience of World War I in the east. Far from being a peripheral theater of war, however, the experiences of war on the Eastern Front were central to shaping the 20th century. Not only was the first shot of the war fired in the east, it was also the site of the most dramatic political revolution. Using scholarly texts, literature and film, this course combines political, military, cultural and social approaches to introduce the causes, conduct and consequences of World War I with a focus on the experiences of soldiers and civilians on the Eastern Front. Topics include: the war of movement, occupation, extreme violence against civilians, the Armenian genocide, population exchanges, the Russian Revolution and civil war, and the disintegration of empires and rise of nation-states.
Terms: not given this year | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Knezevic, J. (PI)

REES 23: Issues in Global Health: Russia and Eastern Europe

Activity course features Stanford faculty and researchers who lecture weekly on their experiences working international health issues. Focus this year will be on the global region including Russia, and East Europe.
Terms: not given this year | Units: 1-2 | Repeatable for credit | Grading: Satisfactory/No Credit

REES 240: Post-Socialist Heritages: memorialisation, past mastering and nostalgia in Eurasia (ARCHLGY 140, ARCHLGY 240)

The post-Soviet story is far from resolved! While national identities and geopolitical alliances are being (re)negotiated across Eurasia, unresolved atrocities continue to reopen old wounds. Within this process the past is skillfully embraced to support and sustain conflicting political discourses. Drawing on a variety of highly topical case studies this course will explore the main dynamics and historically entrenched structures that define how the past plays out in the present since the disintegration of the Soviet Empire.
Terms: Spr | Units: 3-5 | Grading: Letter (ABCD/NP)
Instructors: Plets, G. (PI)

REES 247A: Folklore, Mythology, and Islam in Central Asia (ANTHRO 147A)

Central Asian cults, myths, and beliefs from ancient time to modernity. Life crisis rites, magic ceremonies, songs, tales, narratives, taboos associated with childbirth, marriage, folk medicine, and calendrical transitions. The nature and the place of the shaman in the region. Sources include music from the fieldwork of the instructor and the Kyrgyz epoch Manas. The cultural universe of Central Asian peoples as a symbol of their modern outlook.
Terms: not given this year | Units: 3-5 | Grading: Letter or Credit/No Credit

REES 301B: History and Politics in Russian and Eastern European Cinema (FILMSTUD 245B, FILMSTUD 445B)

From 1945 to the mid-80s, emphasizing Polish, Hungarian, Czech, Slovak, and Yugoslav contexts. The relationship between art and politics; postwar establishment of film industries; and emergence of national film movements such as the Polish school, Czech new wave, and new Yugoslav film. Thematic and aesthetic preoccupations of filmmakers such as Wajda, Jancso, Forman, and Kusturica.
Terms: Aut | Units: 5 | Grading: Letter (ABCD/NP)
Instructors: Levi, P. (PI)
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