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671 - 680 of 817 results for: all courses

PHIL 170: Ethical Theory (ETHICSOC 170, PHIL 270)

How should we live our lives? Should you love your neighbour as yourself? Should you be digging wells rather than taking philosophy classes? Is taxation just? What obligations do we have to the not-yet-born, and to the dead? And says who? Are there really any answers to these questions? If so, what explains why they are one way rather than another? The will of God? Perhaps we need rules to ensure mutual benefits. But then, can I break them if no-one will find out? Can it be appropriate to blame you for doing something that you thought was the right thing to do (perhaps rejecting a blood transfusion)? Or to praise you for doing something you thought was the wrong thing to do (like Huck Finn)? By the end of this semester, you will be developing answers to these questions and many more.nnA more challenging version of Phil 2 designed primarily for juniors and seniors (may also be appropriate for some freshmen and sophomores - contact professor). Fulfills the Ethical Reasoning requirement. Graduate section (270) will include supplemental readings and discussion, geared for graduate students new to moral philosophy, as well as those with some background who would like more.
Terms: Spr | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-EthicReas, WAY-A-II, WAY-ER | Grading: Letter or Credit/No Credit
Instructors: Maguire, B. (PI)

PHIL 170B: Metaphor (PHIL 270B)

In metaphor we think and talk about two things at once: two different subject matters are mingled to rich and unpredictable effect. A close critical study of the main modern accounts of metaphor's nature and interest, drawing on the work of writers, linguists, philosophers, and literary critics. Attention to how understanding, appreciation, and pleasure connect with one another in the experience of metaphor. Consideration of the possibility that metaphor or something very like it occurs in nonverbal medial: gesture, dance, painting, music.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II | Grading: Letter or Credit/No Credit

PHIL 172: History of Modern Moral Philosophy (PHIL 272)

A critical exploration of some of the main forms of systematic moral theorizing in Western philosophy from Hobbes onward and their roots in ancient ethical thought. Prerequistes are some prior familiarity with utilitarianism and Kantian ethics and a demonstrated interest in philosophy.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ER | Grading: Letter or Credit/No Credit

PHIL 172B: Recent Ethical Theory: Moral Obligation (PHIL 272B)

Some moral obligations are "relational," "directional," or "bipolar" in structure: in promising you to act in a certain way, for example, I incur an obligation to you to so act and you acquire a corresponding claim or right against me that I so act. This entails that if I violate my obligation to you, I will not merely be doing something that is morally wrong, but will be wronging you in particular. What does explain this? Do all moral obligations have this structure? We will discuss how different moral theories (consequentialist, deontological, contractualist) try to account for such obligations. Readings include Adams, Anscombe, Darwall, Feinberg, Hart, Parfit, Raz, Scanlon, Skorupski, Thompson, Thomson, Wallace, and Wolf.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ER | Grading: Letter or Credit/No Credit

PHIL 173W: Aesthetics (PHIL 273W)

This course will investigate a cluster of varied but related philosophical issues concerning the arts - music, painting, literature, poetry, photography, theater, film, etc.- issues most of which are, at the same time, problems in philosophy of mind or language, value theory, or epistemology. We will address questions like the following (though probably not all of them): What, if anything, is distinctive about art and aesthetic experience?, What is aesthetic value, and how do aesthetic values relate to and interact with moral values and values of other kinds?, What is fiction and why are people interested in it?, In what ways are works of art expressive of feelings or emotions? What similarities and differences are there in the expressive qualities of music, literature, painting, poetry? How might we learn from works of art of one or another kind, and how might they work to change people's perspectives or attitudes?, In what ways do artworks serve as vehicles of communication? Are the more »
This course will investigate a cluster of varied but related philosophical issues concerning the arts - music, painting, literature, poetry, photography, theater, film, etc.- issues most of which are, at the same time, problems in philosophy of mind or language, value theory, or epistemology. We will address questions like the following (though probably not all of them): What, if anything, is distinctive about art and aesthetic experience?, What is aesthetic value, and how do aesthetic values relate to and interact with moral values and values of other kinds?, What is fiction and why are people interested in it?, In what ways are works of art expressive of feelings or emotions? What similarities and differences are there in the expressive qualities of music, literature, painting, poetry? How might we learn from works of art of one or another kind, and how might they work to change people's perspectives or attitudes?, In what ways do artworks serve as vehicles of communication? Are the values of works of art fundamentally different from those of beautiful natural objects? Along the way, we will bump into more specific questions such as: Why and in what ways is photography more (or less) 'realistic' than painting and drawing, or more or less revealing of reality? Does (instrumental) music have cognitive or semantic content? Is music representational in anything like the ways literature and figurative painting are?, Do all literary works have narrators? Is there ever (or always?) anything like narrators in paintings, films, music? Prerequisite: One course in philosophy, or permission of the instructor.
Terms: not given this year | Units: 4 | UG Reqs: WAY-A-II | Grading: Letter or Credit/No Credit

PHIL 174A: Moral Limits of the Market (ETHICSOC 174A, PHIL 274A, POLISCI 135P)

Morally controversial uses of markets and market reasoning in areas such as organ sales, procreation, education, and child labor. Would a market for organ donation make saving lives more efficient; if it did, would it thereby be justified? Should a nation be permitted to buy the right to pollute? Readings include Walzer, Arrow, Rawls, Sen, Frey, Titmuss, and empirical cases.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-EthicReas, WAY-A-II, WAY-ER | Grading: Letter or Credit/No Credit

PHIL 175: Philosophy of Law

This course will explore foundational questions about the nature of law, including questions about the relationship between law and morality. Topics to be discussed include the following: a) the foundations of legal authority, b) legal reasoning and argument, and c) the nature of persistent legal disputes (e.g., disputes about how to best interpret the US constitution). We will focus on contemporary work on these topics, including work by Scott Shapiro, Joseph Raz, Ronald Dworkin, David Enoch, Connie Rosati, and Mark Greenberg. Prerequisite: PHIL 80.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ER | Grading: Letter or Credit/No Credit

PHIL 176: Political Philosophy: The Social Contract Tradition (PHIL 276, POLISCI 137A, POLISCI 337A)

(Graduate students register for 276.) Why and under what conditions do human beings need political institutions? What makes them legitimate or illegitimate? What is the nature, source, and extent of the obligation to obey the legitimate ones, and how should people alter or overthrow the others? Study of the answers given to such questions by major political theorists of the early modern period: Hobbes, Locke, Rousseau, and Kant.
Terms: not given this year | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ER | Grading: Letter or Credit/No Credit

PHIL 176A: Classical Seminar: Origins of Political Thought (CLASSICS 181, CLASSICS 381, PHIL 276A, POLISCI 230A, POLISCI 330A)

(Formerly CLASSHIS 133/333.) Political philosophy in classical antiquity, focusing on canonical works of Thucydides, Plato, Aristotle, and Cicero. Historical background. Topics include: political obligation, citizenship, and leadership; origins and development of democracy; and law, civic strife, and constitutional change.
Terms: Win | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-ER | Grading: Letter or Credit/No Credit
Instructors: Ober, J. (PI)

PHIL 179A: Feminist and Queer Theories and Methods Across the Disciplines (FEMGEN 103, FEMGEN 203, PHIL 279A)

(Graduate Students register for PHIL 279A or FEMGEN 203) This course is an opportunity to explore the difference feminist and queer perspectives make in creative arts, humanities, and social science research.nPrerequisites: Feminist Studies 101 or equivalent with consent of instructor.nNOTE: This course must be taken for a letter grade and a minimum of 3 units to be eligible for WAYS credit. The 2 unit option is for graduate students only.
Terms: Win | Units: 2-5 | UG Reqs: GER:EC-Gender, WAY-A-II, WAY-ED | Grading: Letter or Credit/No Credit
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