printer friendly pageFILMPROD 305: Script Analysis (FILMPROD 105)
Analysis of screenplay and film from the writer's perspective, with focus on ideation, structure, and dramatic tension in narrative features. Sources include screenplays and screenings.
Terms: Aut
| Units: 4
Instructors:
Tobin, A. (PI)
FILMPROD 400: Film/Video Writing and Directing
Restricted to M.F.A. documentary students. Emphasis is on the development of the research, conceptualization, visualization, and preproduction skills required for nonfiction filmmaking. Prerequisite: consent of instructor.
Terms: Aut
| Units: 4
Instructors:
Meltzer, J. (PI)
FILMPROD 401: Nonfiction Film Production
Restricted to M.F.A documentary students. 16mm production techniques and concepts. Final project is a short black-and-white film with multitrack sound design. Prerequisite: consent of instructor.
Terms: Aut
| Units: 4
Instructors:
Krawitz, J. (PI)
FILMPROD 402: Digital Video
Restricted to M.F.A. documentary students. Fundamentals of digital storytelling. Working with small format cameras, interviewing techniques, and nonlinear editing skills. Prerequisite: consent of instructor.
Terms: Win
| Units: 4
Instructors:
Krawitz, J. (PI)
FILMPROD 404: Advanced Film and Video Production
Restricted to M.F.A. documentary students. Techniques of visual storytelling and observational shooting. Final quarter of professional training in 16mm motion picture production. Prerequisite: consent of instructor.
Terms: Spr
| Units: 4
Instructors:
Meltzer, J. (PI)
FILMPROD 405: Producing Practicum
Restricted to M.F.A. documentary students. Advanced producing principles through the preproduction of the M.F.A. thesis project, including development of a professional film proposal. Practical training in fundraising. Prerequisite: consent of instructor.
Terms: Aut
| Units: 4
Instructors:
Symons, J. (PI)
FILMPROD 406A: Documentary M.F.A. Thesis Seminar I
Restricted to M.F.A. documentary students. Production of film or video project. Focus is on shooting strategies, ethical challenges, and practical production issues. Prerequisite: consent of instructor.
Terms: Win
| Units: 4
Instructors:
Meltzer, J. (PI)
FILMPROD 406B: Documentary M.F.A.Thesis Seminar II
Restricted to M.F.A. documentary students. Editing and post-production of film or video project. Emphasis is on aesthetic choices (structure, narration, music), distribution, contracts, and audience. Prerequisite: consent of instructor.
Terms: Spr
| Units: 4
Instructors:
Krawitz, J. (PI)
FILMPROD 403: Advanced Documentary Directing
Restricted to M.F.A. documentary students. Further examination of structure, empasizing writing and directing nonfiction film. Prerequisite: consent of instructor.
Instructors:
Symons, J. (PI)
FILMSTUD 4: Introduction to Film Study
Formal, historical, and cultural issues in the study of film. Classical narrative cinema compared with alternative narrative structures, documentary films, and experimental cinematic forms. Issues of cinematic language and visual perception, and representations of gender, ethnicity, and sexuality. Aesthetic and conceptual analytic skills with relevance to cinema.
Terms: Win
| Units: 5
| UG Reqs: GER:DB-Hum, WAY-A-II
Filter Results: