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1 - 10 of 13 results for: ITALIAN ; Currently searching autumn courses. You can expand your search to include all quarters

ITALIAN 75N: Narrative Medicine and Near-Death Experiences (FRENCH 75N)

Even if many of us don't fully believe in an afterlife, we remain fascinated by visions of it. This course focuses on Near-Death Experiences and the stories around them, investigating them from the many perspectives pertinent to the growing field of narrative medicine: medical, neurological, cognitive, psychological, sociological, literary, and filmic. The goal is not to understand whether the stories are veridical but what they do for us, as individuals, and as a culture, and in particular how they seek to reshape the patient-doctor relationship. Materials will span the 20th century and come into the present. Taught in English.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II, WAY-SI | Grading: Letter or Credit/No Credit
Instructors: Wittman, L. (PI)

ITALIAN 127: Inventing Italian Literature

An introduction to the study of literature in Italian, especially short prose fiction and poetry. Attention will be given to building a vocabulary and critical tool-set for the interpretation of literary texts from the Middle Ages to the contemporary period. Taught in Italian. Prerequisites: ITALLANG 22A or equivalent (2 years of Italian)
Terms: Aut | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II | Grading: Letter or Credit/No Credit

ITALIAN 143: Favorite Italian Films

In this course we will view and discuss 9 beloved & critically acclaimed Italian films, primarily from the 1980¿s and 90¿s, including Cinema paradiso, Il postino, Mediterraneo, and La vita e¿ bella. This course is especially intended for returnees from the Florence program who want to maintain and develop their spoken Italian. A film screening time will be scheduled during the first week of class. Taught in Italian. Prerequisites: ITALLANG 21 or equivalent (4 quarters of Italian)
Terms: Aut | Units: 2 | Grading: Letter or Credit/No Credit
Instructors: Springer, C. (PI)

ITALIAN 199: Individual Work

Terms: Aut, Win, Spr, Sum | Units: 1-12 | Repeatable for credit | Grading: Letter or Credit/No Credit

ITALIAN 255: Literature and Death: An Existential Constellation in its Historical Unfolding (COMPLIT 257A, COMPLIT 355A, FRENCH 256)

This seminar will pursue the intuition that literary texts, due to their status as ¿fiction,¿ have always been intensely related to Death as the ultimate horizon of individual existence, a horizon that is only available to our ¿imagination.¿ We will concentrate on this ¿ largely unexplored ¿ link as an existential constellation of concrete historical and of challenging philosophical complexity. The discussions will begin with a detailed analysis of the canonical passages in Martin Heidegger¿s ¿Being and Time¿ from 1927 that try to understand the difference between Death ¿as seen from outside¿ and Death in its ¿Jemeinigkeit,¿ that is Death as the absolute end-horizon of individual existence which necessarily causes ¿Angst¿ because it is followed by ¿Nothingness.¿nnOn this basis and supplemented by an introduction into several present-day theories and reflections on ¿imagination¿ as a distinct potential of the human mind, we will dedicate the weekly seminar sessions to specific historical moments and different literary (and perhaps artistic) forms that have articulated the connection between Death and Literature (with the final choice of texts and paradigms being open to the participants¿ interests and area of competence). Topics and textual materials may include:nn- fifth century Greek Tragedy,n- Roman Stoicism,n- Medieval Epic in the context of Christian cosmology,n- Death as a horizon of individual existence in early Modernity (¿Don Quijote¿),n- the invisible presence of Death in baroque artn- the bracketing of Death in the context of the Enlightenment mentality,n- Death and suicide as gestures of Romantic self-stylization,n- the presence of Death in Classical and Romantic conception of musicn- Death and ¿the absence of God¿ in nineteenth century novels and philosophy,n- the experience of World War I and a new intensity in the experience of Death,n- Death and grand abstraction in artn- Death in mid-twentieth century Existentialismn- Death and its place in the ¿¿Anthropocene¿ as an early twenty-first century frame of mind.nnEmphasizing weekly the reading assignments and intense participation in the seminar discussions, this course is laid out for two units (no final paper) but open for the participation of auditors (including undergraduate students with specific areas of competence) who are willing to work through the full range of philosophical texts, literary texts, and artworks on the syllabus. Students interested in this topic should begin with a reading of Heidegger¿s ¿Being and Time¿ and try to remember own readings and forms of experiences that seem pertinent to this topic. Contact with the instructor during the summer months is encouraged (sepp@stanford.edu).
Terms: Aut | Units: 2-3 | Grading: Letter or Credit/No Credit

ITALIAN 327: Giambattista Vico & Claude Lévi-Strauss (FRENCH 230, FRENCH 330, ITALIAN 227)

An intensive reading of Vico's New Science with special emphasis on Vico's theory of anthropogenesis, myth, and the poetic origins of human consciousness. Vico's thought will be placed in relation to Lévi-Strauss's theories of myth and so-called "primitive thought". Readings include Vico's New Science and Lévi-Strauss's "The Structural Study of Myth", and the first chapters of his book The Savage Mind. Taught in English.
Terms: Aut | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Harrison, R. (PI)

ITALIAN 328: Literature, Narrative, and the Self (COMPLIT 328, FRENCH 328)

The role of narrative in the well-lived life. Are narratives necessary? Can they, and should they, be literary? When might non-narrative approaches, whether literary or otherwise, be more relevant? Is unity of self something given, something to be achieved, or something to be overcome? Readings from Aristotle, Montaigne, Schopenhauer, Nietzsche, Camus, Sartre, MacIntyre, G. Strawson, Velleman; Ricoeur, Brooks; Shakespeare, Stendhal, Musil, Levi, Beckett, Morrison; film. Taught in English.
Terms: Aut | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Landy, J. (PI)

ITALIAN 345: In Defense of Poetry (FRENCH 343)

Beginning with the account of the quarrel between philosophy and poetry in Plato's Republic, we will read definitions and defenses of poetry by authors such as Cicero, Horace, Petrarch, Boccaccio, Sidney, Shelley, and Pound, among others. While we will try to historicize these authors' defenses as much as possible, we will also read them from the perspective of contemporary efforts to defend literature and the humanities. Topics of central concern will be the connection between poetry and ethics, the conflict between poetry and the professions of business, law, and medicine, poetry's place in the university, the political role of the poet, questions of poetic language and form, and the relevance of defenses of poetry to literary theory.
Terms: Aut | Units: 3-5 | Grading: Letter or Credit/No Credit
Instructors: Lummus, D. (PI)

ITALIAN 369: Introduction to the Profession of "Literary Studies" for Graduate Students (COMPLIT 369, DLCL 369, FRENCH 369, GERMAN 369)

A history of literary theory for entering graduate students in national literature departments and comparative literature.
Terms: Aut | Units: 1-2 | Grading: Letter (ABCD/NP)
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