Results for DLCL 121

Through an analysis of medieval courtly love, religious, satirical, and Crusade lyrics, we will study the rise of a new subjectivity; the female voice; the roles of poet, audience, and patron; oral and manuscript transmission; and political propaganda. Special attention will be given to performance as a reimagining of self and social identity. Authors include Bertran de Born, Marie de France, Hildegard von Bingen, Walther von der Vogelweide, Dante, and Chaucer. Students will have the opportunity to produce a creative project that brings medieval ideas about performance into dialogue with modern conceptions. Taught in English, all texts in translation. NOTE: for AY 2018-19 FRENCH 166 Food, Text, Music: A Multidisciplinary Lab on the Art of Feasting counts for DLCL 121.

The course examines the medieval love lyric tradition, including the troubadours, trouvères, and the Italian dolce stil nuovo. Focus on how to understand this tradition in the context of other non-Western lyric and its performative and material contexts such as manuscripts. Study of female lyrics, secondary readings on voice, lyric theory, and medieval textuality. Will be taught in English. FRENCH 205 fulfills DLCL 121: Performing in the Middle Ages core course.

The course examines the medieval love lyric tradition, including the troubadours, trouvères, and the Italian dolce stil nuovo. Focus on how to understand this tradition in the context of other non-Western lyric and its performative and material contexts such as manuscripts. Study of female lyrics, secondary readings on voice, lyric theory, and medieval textuality. Will be taught in English. FRENCH 205 fulfills DLCL 121: Performing in the Middle Ages core course.

The course examines the medieval love lyric tradition, including the troubadours, trouvères, and the Italian dolce stil nuovo. Focus on how to understand this tradition in the context of other non-Western lyric and its performative and material contexts such as manuscripts. Study of female lyrics, secondary readings on voice, lyric theory, and medieval textuality. Will be taught in English. FRENCH 205 fulfills DLCL 121: Performing in the Middle Ages core course.

The course examines the medieval love lyric tradition, including the troubadours, trouvères, and the Italian dolce stil nuovo. Focus on how to understand this tradition in the context of other non-Western lyric and its performative and material contexts such as manuscripts. Study of female lyrics, secondary readings on voice, lyric theory, and medieval textuality. Will be taught in English. FRENCH 205 fulfills DLCL 121: Performing in the Middle Ages core course.

The course examines the medieval love lyric tradition, including the troubadours, trouvères, and the Italian dolce stil nuovo. Focus on how to understand this tradition in the context of other non-Western lyric and its performative and material contexts such as manuscripts. Study of female lyrics, secondary readings on voice, lyric theory, and medieval textuality. Will be taught in English. FRENCH 205 fulfills DLCL 121: Performing in the Middle Ages core course.