Results for ILAC

Wouldn't it be great if you could quickly increase your Spanish proficiency through an intensive immersion experience right here at Stanford? Wouldn't you love to gain the cultural and historical knowledge necessary to begin taking literature and culture courses generally reserved for advanced students? This intensive Spanish immersion course is designed to help students who have completed a year of Spanish to move forward quickly toward greater linguistic and cultural competence. nnAfter a year of Spanish, students tend to be able to handle straightforward interactions related to basic needs and personal information, but they generally lack the ability to handle more abstract discussions or to combine short utterances into longer presentations of their ideas. Most students likewise have little knowledge of the rich and complex history that surrounds the Spanish language or the central role that Spanish has played in the cultural and political life of California. nnIn this course, a team of experienced instructors will help students to improve their Spanish through intensive lessons that incorporate film, literature, and social issues. Through a focused discussion of the themes of immigration and democracy in Spain, Latin America, and the United States, as well as excursions and guest lectures by Stanford faculty and community leaders, this course will immerse students in Spanish and help them to gain advanced proficiency much more quickly.

Open to undergraduates with an interest in 21st Century Film and the social reality of Spain nowadays. Explores how Spain has evolved from being one of the most undeveloped European countries to become a first mover in social issues such as gay marriage or women's public role. Topics include racism, migration, the reconstruction of the past and the vision of the other. Themes are analyzed through movies directed by Spanish and American filmmakers such as: Cesc Gay, Bollain, Bigas-Luna, González-Iñárritu and Woody Allen. Class taught in Spanish, readings both in Spanish and English.

A basic introduction to the elements of lyric poetry--image, metaphor, symbol, connotation, denotation, irony, rhyme and meter-drawing upon a selection of poems from major poets of the Hispanic World, including, G. A. Bécquer, Rosalía de Castro, Rubén Darío, Miguel de Unamuno, Antonio Machado, Juan Ramón Jiménez, Garcia Lorca, Pablo Neruda, and Gabriela Mistral. Prerequisites: Two years of college-level Spanish. This is a bilingual course, taught both in English, and Spanish, with an emphasis on Spanish.

A survey of Iberian cinema in the second half of the 20th century. Traces the slow making of an international success with directors like Saura, Almodóvar, Amenábar,Medem, Pons, Bollaín and Villaronga. Starting with the early Buñuel, the course examines cinema's shaping of the national imaginary and its articulation of collective memories suppressed during the Franco dictatorship, as well as the challenges of cultural continuity. Taught in Spanish.

Short stories, poetry, and theater. What analytical tools do the "grammars" of different genres call for? What contact zones exist between these genres? How have ideologies, the power of patronage, and shifting poetics shaped their production over time? Authors may include Arrabal, Borges, Cortázar, Cernuda,García Márquez, Lorca, Neruda, Rivas. Taught in Spanish.

Strategies and tactics for research and writing in the humanities; focus is on the Spanish-speaking world. Objectives: how to write a funding proposal; how to conduct research online and in the library; annotated bibliographies; literature reviews; a book review; primary research and archive skills. Students will learn how to conduct research in Iberian and Latin American Studies, improve their written skills and learn how to think in the discipline. The emphasis of the course is on skill-building while exploring topics of interest to each student. (Meets Writing-in-the-Major requirement)

A comparison between the different roles played by writers as members of the intellectual establishment in Catalonia, Spain and Italy. Focus on the relation between intellectuals and politics in shaping national identity. We will give especially consideration to the role played by intellectuals during the Fascist and Francoist dictatorships and during Spain's transition to democracy. Taught in English.

The historical dynamics, linguistic plurality, and social complexity of the Iberian world. Topics include: empire, independence Civil war; republicanism; the crisis at the end of the century: the year 98; the civil war; dictatorships, Franco, and Salazar. Major figures include Larra, Esproceda, Béquer, Rosalía de Castro, Verdaguer, Galdós, Maragall, Unamuno, Valle-Inclán, Machado, and Lorca. Taught in Spanish.

Major theoretical debates about the construction of Latin American identities, from the 19th Century to the present. Readings by writers, poets, philosophers, and historians, including Rodo, Retamar, O'Gorman, Vasconcelos, Henríquez-Ureña, Ramos, Paz, Carpentier, Lezama Lima, Borges, and Fuentes.

Survey on modern Iberian literatures (Spanish, Catalan, Basque, Galician and Portuguese) through major canonical authors. Community building, tolerance, the ethics of memory, the value of human purpose as a tool for survival are some of the issues explores in key works by Eca de Queiros, Miguel de Unamuno, García Lorca, Fernando Pessoa, Antonio Machado, Mercé Rodoreda, Maria Angels Anglada, Ramón Sainzarbitoria and Manuel Rivas. SPANLANG 13 or equivalent, SPANLANG 102 Recommended

Focus on how images and narratives of migration are depicted in recent Latin American film. It compares migration as it takes place within Latin America to migration from Latin America to Europe and to the U.S. We will analyze these films, and their making, in the global context of an evergrowing tension between "inside" and "outside"; we consider how these films represent or explore precariousness and exclusion; visibility and invisibility; racial and gender dynamics; national and social boundaries; new subjectivities and cultural practices. Films include: El niño pez, Bolivia, Ulises, Faustino Mayta visita a su prima, Copacabana, Chico y Rita, Sin nombre, Los que se quedan, Amador, and En la puta calle. Films in Spanish, with English subtitles. Discussions and assignments in Spanish.

Discusses the different artistic avatars exercised by Latin American modernistas at the turn of the 19th Century in the context of growing capitalism, technological innovation and social transformation. We focus on how modernistas as poets, journalists and collectors explored and transgressed the limits of the individual and his/her situation. We consider topics like cosmopolitanism, dandysm, autonomy of art, and the aesthetic cultivation of the self. Authors include: Delmira Agustini, Rubén Darío, Julián del Casal, Leopoldo Lugones, José Martí, Manuel Gutierrez Nájera, José Enrique Rodó, José Asunción Silva, and Abraham Valdelomar. Spanish proficiency required.

Survey of major literary works (in Catalan, Portuguese, and Spanish) from the thirteenth through the seventeenth centuries. Topics include manuscript culture; lyric poetry and performance; cultural/linguistic contact and exchange; gender; empire; and the rise of the novel. Authors may include Alfonso X, Llull, Arcipreste de Hita, Zurara, Ausias March, Gil Vicente, Garcilaso de la Vega, Camoes, Gongora, Soror Violante do Ceu, Lope de Vega, Calderon de la Barca, and Antonio Vieira. Taught in Spanish.

From independence to the present. Topics include romantic allegories of thennation; modernism and postmodernism; avant-garde poetry; regionalism versus cosmopolitanism; indigenous and indigenist literature; magical realism and the literature of the boom; Afro-Hispanic literature; and testimonial narrative. Authors may include: Bolívar, Bello, Gómez de Avellaneda, Isaacs, Sarmiento, Machado de Assis, Darío, Martí­, Agustini, Vallejo, Huidobro, Borges, Cortázar, Neruda, Guillon, Rulfo, Ramos, Garcí­a Marquez, Lispector, and Bolaño. Taught in Spanish.

The manners in which a country is perceived and defines itself is a result of many complex forces, and involves the reproduction of social relations and complex social constructions both on the part of those who live there and those who see it from a distance. The perceptions of what Brazil is and what defines the country has changed throughout times, but has conserved some clear pervasive defining traits. This course is an introduction to the history, culture, politics and artistic production of Brazil as seen through feature films, documentaries and some complementary readings. Movies include, among others, Banana is my Business, Black Orpheus, Olga, They Don't Use Black-Tie, City of God, Central Station, Gaijin, and Four Days in September-among others. In English.

Open only to students in the department, or by consent of instructor.

Major works of Iberian pastoral lyric poetry and narrative fiction.nnWhat made this classical mode so popular during the Renaissance andnnbeyond? What are its essential characteristics? What does it tell usnnabout early modern theories of humanity's relation to nature? Was itnnmerely a form of erotic escapism or is something darker and morenntroubling lurking between its lines? What can it teach us today aboutnnnature, eros, ethics, death, and love? Authors include: Theocritus;nnVirgil; Sannazaro; Garcilaso de la Vega; Montemayor; Ribeiro; Camões;nnand Cervantes. Readings in English, Portuguese, and Spanish.nnDiscussion in English.

Focus on the representation of non-normative sexualities and genders in films by Pedro Almodóvar, one of the most recognizable auteur directors in Europe today. Analysis of his hybrid and eclectic visual style complemented by critical and theoretical readings in queer studies. Taught in English.

During the long period considered, the relationship between Spain and Catalonia has passed from aversion and misunderstanding to acceptance and understanding, hardly to sympathy. Emphasis on giving students a "longue durée" viewpoint on Spanish-Catalan relations in a European and Mediterranean framework. Political concerns, especially in the Romantic period, are largely mediated by literature, the arts and other cultural venues. Will emphasize cross-cultural references while considering the following topics: 1. Maragall and the Iberianist tradition, 2. "Modernisms" in and out the Iberian peninsula, 3. Avant-Garde movements in Spain and Catalonia, 4. Meditating in a desert: Catalan culture under Franco. Taught in Spanish. Readings in English and Spanish.

The rapid social and cultural changes in which 19th-century novelists wrote; the anti-clerical stance as marker of society's attempts to modernize. Why were monks and priests reviled by many Spanish novelists? How and why did they re-write Spanish history around these figures? What was the role of the church and religious men in modern society? Questions of individualism, property, and labor in novels by major Iberian prose realists. In Spanish.

Ramón del Valle-Inclán and Federico García Lorca. The avant garde nature of their major plays and their engagement with social and political issues of the times including feudalism, the emerging liberal state, women's protest, class struggle, and civil war. Symbolism, expressionism, and realism.

Enrollment limited. Spanish and Spanish American short stories approached through narrative theory and craft. Assignments are creative in nature and focus on the formal elements of fiction (e.g. character and plot development, point of view, creating a scene,etc.). Students will write, workshop, and revise an original short story throughout the term. No previous experience with creative writing is required. Readings may include works by Ayala, Bolaño, Borges, Clarín, Cortázar, García Márquez, Piglia, Rodoreda, and others. Prerequisite: SPANLANG 102 or permission from instructor.

Between 2000 and 2012, a young Spanish American novel emerges, taking at times a minimalist point of view to narrate individual stories with a subjective tone, or continuing a tradition of the historical panorama to present national tragedies that occurred in the last two or three decades. Focus is on this new type of novel from different countries, with such titles as "El cuerpo en que nací" by Guadalupe Entel; "Las teorías salvajes" by Pola Oloixarac; "El ruido de las cosas al caer" by Juan Gabriel Vazquez; and "Bonsai" by Alejandro Zambra, among others.

Brazilian culture through its lyrics, rythms and songs: samba, bossa nova, tropicalia, MPB and its contemporary variations. Readings and class discussions in Portuguese. Assignments in English or in Portuguese.

Latin American literary theory through the works of José Carlos Mariátegui, José Enrique Rodó, Alfonso Reyes, Antonio Candido, Roberto Schwartz, Angel Rama, Roberto Fernández Retamar, Antonio Cornejo Polar, Josefina Ludmer, Flora Sussekind. This course will focus on the concepts of "the lettered city", "hybridization", "psychoanalysis", "marxist theory", "class struggle", "literary politics", "latinamericanism". In sum: Literary theory from the inside of Latin American culture, considering also its Western influences. Taught in Spanish.

Focus on Pinochet coup, the Falkland Islands, the prison Libertad in Uruguay, the "Plan Condor." How literature, journalism and cinema denounced and revisited the worst political times in Latin America. Taught in Spanish.

Brazilian Literary canon. Novels and short stories from independence to the present. Topics include romanticism and realism; regionalism; modernism and postmodernism. Authors may include: José de Alencar, Machado de Assis, Oswald de Andrade, Graciliano Ramos, Guimarães Rosa, Lispector, Hilda Hilst, Silviano Santiago. Readings in Portuguese; Class discussions in English; Assignments in Portuguese or in English.

What visions and images of the Andes circulate in contemporary Latin American literature? How are they constructed? How is their value accrued? An exploration of the visual economy of the Andes in representative literary texts of the 20th century, vis-à-vis critical discourses about Andean culture. Topics: visual culture and identity, iconography and the word/image tension, nature vs. culture, debates on utopia, indigenismo, mestizaje, and hibridez. Authors may include: Pablo Neruda, Gabriela Mistral, Martín Chambi, José Carlos Mariátegui, César Vallejo, José María Arguedas, Mario Vargas Llosa, Raúl Salmón, Aurelio Arturo. Spanish proficiency required.

Emphasis is on the documentation and analysis of the use of Spanish in real-world contexts. Readings include representative scholarship from linguistic anthropology, sociolinguistics, psychology, and sociology. Topics include fieldwork methods, the ethnography of communication, conversational narrative, body language, and language ideologies and politics. Students will conduct their own ethnographic fieldwork and present findings to class. Taught in English (with fieldwork component in Spanish).

Major works of Antonio Machado, Juan Ramón Jiménez, and Federico García Lorca will be examined, with special emphasis on the historical context of the first three dacades of the 20th century and their contribuitions to the development of 20th century Spanish lyric poetry.

20th Century Latin American novels, short stories, and Literary theories. Authors may include: J-L Borges, J.J.Saer, Machado de Assis, Graciliano Ramos, Guimarães Rosa, Lispector. Literary criticism by Gonzales Echevarria, Antonio Candido, H.Campos, M. Lienhard. Readings and class discussions in Spanish. Assignments in Spanish, English or Portuguese.

Examines a diverse set of narratives by U.S. Latin@s of Mexican, Puerto Rican, Cuban, Guatemalan, and Dominican heritage through the lens of latinidad. All share the historical experience of Spanish colonization and U.S. imperialism, yet their im/migration patterns differ, affecting social, cultural, and political trajectories in the US and relationships to "home" and "homeland," nation, diaspora, history, and memory. Explores how racialization informs genders as well as sexualities. Emphasis on textual analysis. Taught in English.

Open to department advanced undergraduates or graduate students by consent of professor. May be repeated for credit.

Focus is on the notion of rhythm as a theoretical frame for the analysis of medieval and early modern Iberian poetry. Topics include Ancient Greek and modern conceptions of rhythm and the links between poetics and ethics in the medieval period and beyond. Authors include: Aeschylus, Plato, Aristoxenus, Maurice Blanchot, Paul Celan, EmmanuelnnLevinas, Arcipreste de Hita, Ausiås March, Garcilaso de la Vega, and Luís de Camões. Taught in English.

A survey of Iberian cinema in the second half of the 20th century. Traces the slow making of an international success with directors like Saura, Almodóvar, Amenábar,Medem, Pons, Bollaín and Villaronga. Starting with the early Buñuel, the course examines cinema's shaping of the national imaginary and its articulation of collective memories suppressed during the Franco dictatorship, as well as the challenges of cultural continuity. Taught in Spanish.

An analysis of the literature written in Spain during the nineteenth and twentieth centuries dealing with the empire post 1808. Authors discussed include Blanco White, Baroja, Avellaneda, and Rusiñol, among others

What is productive life? How is life aesthetically and politically valued? This course explores the inscription of life in changing political and aesthetic regimes of the Andean South in the turbulent decades of the 1920s-1940s. Based on theories of biopower and soveregnity, we explore topics such as domination, domestication, appropriation, exclusion, facism, solidarity, tellurism, race, mestizaje, and human/nature relations. We will consider poetry, narrative, journals, and the visual arts. Authors include: Gabriela Mistral, Pablo Neruda, Pablo de Rokha, Alcides Arguedas, Augusto Céspedes, Franz Tamayo, Leopoldo Marechal, Roberto Artl, Jorge Luis Borges, César Vallejo, José Carlos Mariátegui, Ciro Alegría, and José María Arguedas. Spanish proficiency required.

What visions and images of the Andes circulate in contemporary Latin American literature? How are they constructed? How is their value accrued? An exploration of the visual economy of the Andes in representative literary texts of the 20th century, vis-à-vis critical discourses about Andean culture. Topics: visual culture and identity, iconography and the word/image tension, nature vs. culture, debates on utopia, indigenismo, mestizaje, and hibridez. Authors may include: Pablo Neruda, Gabriela Mistral, Martín Chambi, José Carlos Mariátegui, César Vallejo, José María Arguedas, Mario Vargas Llosa, Raúl Salmón, Aurelio Arturo. Spanish proficiency required.

Combines primary texts of Chican@ literature with a metacritical interrogation of key concepts informing Chican@ literary criticism, the construction of Chican@ literary history, and a Chican@ literary canon. Interrogates the resistance paradigm and the "proper" subject of this literature, and critiques established genealogies and foundational authors and texts, as well as issues of periodization, including the notion of "emergence" (e.g. of feminist voices or dissident sexualities). Considers texts, authors and subjects that present alternatives to the resistance paradigm.

Examines a diverse set of narratives by U.S. Latin@s of Mexican, Puerto Rican, Cuban, Guatemalan, and Dominican heritage through the lens of latinidad. All share the historical experience of Spanish colonization and U.S. imperialism, yet their im/migration patterns differ, affecting social, cultural, and political trajectories in the US and relationships to "home" and "homeland," nation, diaspora, history, and memory. Explores how racialization informs genders as well as sexualities. Emphasis on textual analysis. Taught in English.

Examines major questions and issues that arise in considering race, sex, and gender together. Focus on critical and theoretical texts queering ethnic and diaspora studies and bringing race and ethnicity into queer studies. Close reading of texts in a variety of media negotiating racialized sexualities and sexualized identities. How is desire racialized? How is racial difference produced through sex acts? How to reconcile pleasure and desire with histories of imperialism and (neo)colonialism and structures of power?

For Spanish and Portuguese department graduate students only. Prerequisite: consent of instructor.

Proposes a space of articulation between theoretical reflection and analytical practice that allows to address, from language, the symbolic plot of the constitution of subjects and identities in diverse auto/biographical registers--texts, images, representations, testimonies, narratives; the affirmation of their voices: the search for senses, memories and values. Through a trans-disciplinary perspective, prominence will be given to cultural objects, debates and issues of great relevance in the current Latin American scene.

An exploration of women's novels as an intellectual counterculture of the male-dominated Latin American literary canon. Latin American women's writing and thought will be considered in a regional and global context of feminism and feminist theory. Authors include Gómez de Avellaneda, Bombal, Castellanos, Lispector, Eltit, Oloixarac, de Beauvoir, Kristeva, Engels, Cixous, and Butler. Course discussion in Spanish. Prerequisite: SPANLANG 3 or equivalent.

A survey of Iberian theater from the sixteenth and seventeenth centuries. Topics include evolving concepts of reality and selfhood, empire, comparisons between early modern and contemporary media ecologies, and the materiality of performance. Themes analyzed in plays by Gil Vicente, Miguel de Cervantes, Lope de Vega, Tirso de Molina, and Pedro Calderón de la Barca. Some video versions of the films used to complement the readings. Class taught in Spanish, and readings in Spanish and English.

Preference for graduate students, majors are welcome. Course will focus on six major authors (Unamuno, Baroja, A. Machado, J. R. Jiménez, Valle-Inclán, García Lorca) and representative works, written between 1898 and 1930, dealing with an historical period of crisis and transition, and displaying major aesthetic innovations in both poetry and theater. Fundamental themes include the decline of feudal Galicia, the Spanish-Amrican War of 1898, the emergence and social activism of new social forces, and the struggle for and betrayal of democracy, expressed through the various genres of the novel, poetry, and theater. Major works of Antonio Machado, Juan Ramón Jiménez, and Federico García Lorca will be examined, with special emphasis on the historical context of the first three decades of the 20th century and their contributions to the development of 20th century Spanish lyric poetry. Taught in either English or Spanish, depending on course enrollment.

Surrealism, realism, dark comedy, film genres transformed by Spanish director, Luis Bunuel in Spain, France and Mexico during the second half of the XX century. An examination of Bunuel's work from his Surrealist beginnings (L´Age d´Or, Un Chien Andalou), subsequent realistic films in Mexico (Los Olvidados, Nazarin), and a mixture of Surrealism and Realism (Viridiana, Exterminating Angel, Simon del Desierto), as well his work with dark comedy (Archibaldo de la Cruz, Belle de Jour, Le charme discret de la bourgeoisie). In Spanish.

Proposes a space of articulation between theoretical reflection and analytical practice that allows to address, from language, the symbolic plot of the constitution of subjects and identities in diverse auto/biographical registers--texts, images, representations, testimonies, narratives; the affirmation of their voices: the search for senses, memories and values. Through a trans-disciplinary perspective, prominence will be given to cultural objects, debates and issues of great relevance in the current Latin American scene.

This course will study the development of the dominant trends of early Iberian 20th-century lyric poetry, against the background of Restoration Spain (1875-1930), and the forces of resistance and opposition to its oligarchical and archaic social and political structure. We will concentrate on the major works of the three most important poets: Antonio Machado, Juan Ramón Jiménez, and Federico García Lorca. Symbolist-modernist poetry, the creation of symbolic systems, and the brief appearance of surrealism all define key aspects of this avant-garde during the first three decades. Special attention will be given to close stylistic analysis and to the historical and social conditions out of which arose the progressive intellectual and educational movement that gave rise to this renaissance of brilliant lyric poetry. Taught in either English or Spanish depending on class enrollment.