Results for FEMGEN

This course explores the cultural and historical overlap of two marginal categories - the queer, the musical - with a focus on what these critical concepts can teach us much about identity, identification, and belonging. We will discuss genres including classical, musical theater, rap, pop, country, and punk as well as queer socialities formed in and through these musical scenes. We will think critically about the subtleties of musical language and queer affect, the circulation of gay rumors, and the diva as an object of queer obsession while asking how race, gender, and class as well as elitism, status, and taste inform such inquiries.

This course is a required training for student leaders of the Seeds of Change initiative. This initiative takes an interdisciplinary approach to STEM education, infusing students' technical training with leadership training through a lens of gender inequality - bringing together key components of feminist pedagogy, service-learning, and experiential education to create a transformational learning experience. In this three-quarter course (Fall, Winter, Spring), student leaders will: learn the core content featured in the Seeds of Change curriculum, reflect on their experiences as both learners and teachers of this content, hone their own leadership and group facilitation skills, and engage as researchers in the initiative's evaluation efforts. NOTE: Instructor Consent Required. Please email kpedersen@stanford.edu *Cardinal Course certified by the Haas Center. See syllabus for adjusted course schedule and times.

(Formerly FILMSTUD101. If you have taken this course before, please reach out to the instructor) India is the world's largest producer of films in over 20 languages, and Bollywood is often its most visible avatar, especially on US university curricula. This course will introduce you to a range of media from the Indian subcontinent across commercial and experimental films, documentaries, streaming media, and online cultures. We will engage in particular with questions of sexuality, gender, caste, religion, and ethnicity in this postcolonial context and across its diasporas, including in the Caribbean. Given this course's emphasis on close cinematic analysis, we will analyze formal aspects of cinematography, editing, mise-en-scene, and performance, and how these generate spectatorial pleasure, star and fan cultures, and particular modes of representation. This course fulfills the WIM requirement for Film and Media Studies majors. Note: Screenings will be held on Thursdays at 5:30 PM. Screening times will vary from week to week and may range from 90 to 180 minutes.

Preference to and required of Feminist Studies majors; others require consent of instuctor. Feminist experiential learning projects related to critical studies in gender and sexuality. Identifying goals, grant proposal writing, and negotiating ethical issues in feminist praxis. Developing the relationship between potential projects and their academic focus in the major.

Required for Feminist Studies majors. Non-majors enrolled with consent of instructor. Students develop oral reports on their practicum and its relationship to their academic work, submit a report draft and revised written analysis of the practicum, and discuss applications of feminist scholarship. May be repeated once for credit.

For honors students who are doing independent work with faculty advisors.

Supervised field, community, or lab experience in law offices, medical research and labs, social service agencies, legislative and other public offices, or local and national organizations that address issues related to gender and/or sexuality. One unit represents approximately three hours work per week. Required paper. May be repeated for credit. Service Learning Course (certified by Haas Center). Feminist, Gender, and Sexuality Majors may not receive 108 credit for their required practicum, as they are to sign up for FEMGEN 104 A & B instead. Prerequisites: Course work in Feminist, Gender, and Sexuality Studies, written proposal and application form submitted for approval by program office, written consent of faculty sponsor. Course may be taken 3 times total, for a max of 15 units.

Campus internships are crucial forms of community-building that provide students hands-on experience with organizing, outreach, and community care. Moving from theory to praxis, the FGSS department in partnership with the Women's Community Center offers the ¿Enacting Community Liberation¿ internship.nnIn accordance with the mission of the WCC, this internship will focus on addressing issues of gender, identity, equity, and justice through a lens of intersectionality. The WCC strives to center the most marginalized, and create programming, projects, and services that serve said populations - understanding that when the needs of the most marginalized are met, everyone will be cared for.nnThis is a year-long internship, with the ability to receive one unit of course credit per quarter for up to 3 quarters of the academic year.

This course will look at notable Native American Women in Native American history starting with Native American oral tradition narratives about important women in specific tribal narratives including origin narratives used in Native American tribal history. Native American history is not required in any national curriculum and as a result, Native American people(s) encounter many stereotypes and false beliefs about indigenous peoples of the United States. This course will focus on the role of women in Native American history including historic narratives in oral tradition as maintained in specific Native American histories (as told from a Native American perspective).

In this course, we will explore the ways archaeology and disability relate to each other, including both the ways archaeologists interpret disability in the past and how ableism shapes the practice of archaeology in the present. We will examine a variety of theoretical frames drawn from Disability Studies and other disciplines and consider how they can be usefully applied to archaeology. Case studies from a variety of geographic and temporal contexts will provide the basis for imagining an anti-ableist archaeology. By the end of the quarter, students will be able to: 1. Articulate several major ideas from disability studies and apply them to archaeological case studies; 2. Explain how disability studies and disabled self-advocates are reshaping the practice of archaeology; 3. Demonstrate improvement in the research and writing skills that they have chosen to develop through the flexible assignment structure of the course.

How can a feminist lens help us understand technology? What can technology teach us about gender? This course explores the mutual shaping of gender and technology using an intersectional feminist approach. We will draw on theories from feminist science and technology studies (STS) to examine contemporary and historical case studies with attention to how race, sexuality, disability, and class impact the relationship between gender and technology. Topics include the history of computing, digital labor and the gig economy, big data and surveillance, bias and algorithms, reproductive technologies, videogames, and social media.

Outlaw sensibilities, self-made kinships, chosen lineages, utopic futurity, exilic commitment, and rage at institutions that police the borders of the normal these are among the attitudes that make up queer in its contemporary usage. -David J. Getsy. This hands-on studio based course explores queer as a form of art production. Artists and thinkers use queer to signal defiance to the mainstream and an embrace of difference, uniqueness and self-determination. To be intolerable is to demand that the normal, the natural and the common be challenged. To do this is not to demand inclusion, but rather to refuse to accept any operations of exclusion and erasure that make up the normal and posit compulsory sameness. Queer Sculpture is also about the strategic effort to appropriate and subvert conventional art practices and tactics that may involve everything from shifts in the content of a work and its targeted audience to the methods by which it is produced and its formal properties. The political imperatives of a queer or queered position will shape thematic investigations of practices related to utopic futurity, anti-assimilationist practices, failure, abstraction, the archive, camp, drag and alternative families. Classes will require reading, discussing, and making. Students will produce artwork for critiques and participate in discussions of the readings. The course includes guest artists and fieldtrips to local LGBTQ archives.

This course explores life-writing as a form of feminist praxis. Feminist life-writing is an art form grounded in truth-telling, activism, and self-making that emerges from the long tradition of women writing private lives. Beginning with the politicized practices of second wave feminists up through contemporary trends in memoir and autofiction, we will confront an array of intersectional autobiographies that connect personal experience to broader movements, power structures, and oppressions. How has life-writing contributed to the articulation of feminist consciousness? How has feminism impacted the methods marginalized authors use to create forms for belonging and self-determination? As we think about the politics of life-writing, we will also consider feminist rhetorical and aesthetic strategies for confronting issues like trauma, disability, incarceration, motherhood, and friendship. Each student will conduct a large-scale research project focused on an author, genre, or theme of their choice. As we research the critical historical contexts for feminist memoir, we will simultaneously conduct our own creative experiments in life-writing.

As a political movement seeking the liberation of women and sexual minorities from gendered oppression, feminism has always had detractors - and pronounced periods of backlash. But since 2016, and in the long aftermath of Hillary Clinton's defeat to Donald Trump, anti-feminist backlash in media and politics has taken on a distinct 21st-century character, mixing old arguments with new scapegoats and adopting stylistic postures that blend open male supremacy with disavowing irony. Examining changes in popular opinion and the evolution of anti-feminist arguments on issues from abortion, to sexual violence, to trans rights, this course will map the new terrain of gender conservatism, and trace its intellectual origins in previous cycles of social progress and retrenchment. Taught by Clayman Writer-in-Residence and columnist for The Guardian, Moira Donegan.

'In her this brutal monster': Literature of Mental Illness. How have literary traditions of madness informed modern fiction's portrayals of the human mind, particularly in the context of rapidly shifting cultural frameworks about the origins and manifestations of mental illness? What are the repercussions of new forms, trends and genres for parsing (or blurring) the line between condition and personhood? Using the novels of Akwaeke Emezi, Toni Morrison, Virginia Woolf, and Leslie Marmon Silko to guide our inquiries, we'll consider inherited and new metaphors of madness in light of emerging theoretical interpretations of disability, identity, gender and trauma.

"Every word a woman writes changes the story of the world, revises the official version¿¿is this what sets contemporary women writers apart? How can we understand the relation between the radically unprecedented material such writers explore and ¿the official version¿? What do we find compelling in their challenging of structure, style, chronology, character? Our reading- and writing-intensive seminar will dig into the ways women writers confront, appropriate, subvert, or re-imagine convention, investigating, for example, current debate about the value of ¿dislikable¿ or ¿angry¿ women characters and their impact on readers. While pursuing such issues, you'll write a variety of both essayistic and fictional responses, each of which is designed to complicate and enlarge your creative and critical responsiveness and to spark ideas for your final project. By affirming risk-taking and originality throughout our quarter, seminar conversation will support gains in your close-reading practice and in articulating your views, including respectful dissent, in lively discourse¿in short, skills highly useful in a writer¿s existence. Our texts will come from various genres, including short stories, novels, essays, blog posts, reviews, memoir.

Poetry Is Not a Luxury * These places of possibility within ourselves are dark... The titles of this course are words thought and dreamed by Audre Lorde in her essay "Poetry Is Not a Luxury" (a version of which was first published in 1977). In this essay she writes: "For within living structures defined by profit, by linear power, by institutional dehumanization, our feelings were not meant to survive. Kept around as unavoidable adjuncts or pleasant pastimes, feelings were expected to kneel to thought as women were expected to kneel to men. But women have survived. As poets. And there are no new pains. We have felt them all already. We have hidden that fact in the same place where we have hidden our power. They surface in our dreams, and it is our dreams that point the way to freedom. Those dreams are made realizable through our poems that give us the strength and courage to see, to feel, to speak, and to dare." In this course we will consider the powers, resuscitations, and strategies found in the texts of a constellation of contemporary Black poets whose work emerges out of Black feminist thought and practices. My hope is that we will together listen toward the possibilities of this work, and through experiments in reading and writing, realize some of what these texts make it possible for us to think and feel and write and be.

May be repeated for credit. (Staff)

Independent research conducted under faculty or graduate student supervision. May be taken for a maximum of 3 quarters of credit.

Required of seniors in the Feminist, Gender, and Sexuality Studies honors program. Participants share ongoing work on their honors theses. Prerequisite: consent of Instructor.

An overview of the acute and chronic physical and psychological health impact of sexual abuse through the perspective of survivors of childhood, adolescent, young and middle adult, and elder abuse, including special populations such as pregnant women, military and veterans, prison inmates, individuals with mental or physical impairments. Also addresses: race/ethnicity, gender identity, sexual orientation, and other demographic and societal factors, including issues specific to college culture. Professionals with expertise in sexual assault present behavioral and prevention efforts such as bystander intervention training, medical screening, counseling and other interventions to manage the emotional trauma of abuse. Undergraduates must enroll for 3 units. To receive a letter grade in any listing, students must enroll for 3 units. This course must be taken for a letter grade and a minimum of 3 units to be eligible for Ways credit. Enrollment limited to students with sophomore academic standing or above or consent of the instructor. Human Biology students must enroll in HUMBIO 124 or AFRICAAM 127 or FEMGEN 237. Med/Grad students should enroll in SOMGEN 237 for 2 units.

Sex and the Early Church examines the ways first- through sixth-century Christians addressed questions regarding human sexuality. We will pay particular attention to the relationship between sexuality and issues of gender, culture, power, and resistance. We will read a Roman gynecological manual, an ancient dating guide, the world's first harlequin romance novels, ancient pornography, early Christian martyrdom accounts, stories of female and male saints, instructions for how to best battle demons, visionary accounts, and monastic rules. These will be supplemented by modern scholarship in classics, early Christian studies, gender studies, queer studies, and the history of sexuality. The purpose of our exploration is not simply to better understand ancient views of gender and sexuality. Rather, this investigation of a society whose sexual system often seems so surprising aims to denaturalize many of our own assumptions concerning gender and sexuality. In the process, we will also examine the ways these first centuries of what eventually became the world's largest religious tradition has profoundly affected the sexual norms of our own time. The seminar assumes no prior knowledge of Judaism, Christianity, the bible, or ancient history. Undergraduates register for 200-level for 5 units. Graduate students register for 300-level for 3-5 units.

Long before the 2017 #Metoo campaign, French women writers have explored through powerful fictions and autobiographies the different shades of economic, social, psychological, physical, or sexual violence that is exerted against, but also by and between, women. How does literature - the power of words - address, deconstruct or comfort power dynamics (during sex and between the sexes) that are usually silenced, taboo or unspeakable? Themes explored: sex and gender, sex and power, rape culture, sexual and moral taboos (incest, abortion, pornography, infanticide, lesbianism), the body as social stigma or source of meaning. Special attention given to narrative and descriptive strategies designed to avert, expose, deconstruct or account for specifically feminine experiences (rape, orgasm, pregnancy). Authors include Nobel Prize Annie Ernaux, Virginie Despentes, Marie Darrieusecq, Christine Angot, Marie NDiaye, Leonora Miano, Leila Slimani, Vanessa Springora along with feminist theory. Discussion in English. Readings in French or English, students choice

Required for PhD Minors in Feminist, Gender, and Sexuality Studies (FGSS). The Fall Phd Minor Workshop will explore theory and methods in anti-racist and feminist pedagogy through selected readings and discussion.

Sex and the Early Church examines the ways first- through sixth-century Christians addressed questions regarding human sexuality. We will pay particular attention to the relationship between sexuality and issues of gender, culture, power, and resistance. We will read a Roman gynecological manual, an ancient dating guide, the world's first harlequin romance novels, ancient pornography, early Christian martyrdom accounts, stories of female and male saints, instructions for how to best battle demons, visionary accounts, and monastic rules. These will be supplemented by modern scholarship in classics, early Christian studies, gender studies, queer studies, and the history of sexuality. The purpose of our exploration is not simply to better understand ancient views of gender and sexuality. Rather, this investigation of a society whose sexual system often seems so surprising aims to denaturalize many of our own assumptions concerning gender and sexuality. In the process, we will also examine the ways these first centuries of what eventually became the world's largest religious tradition has profoundly affected the sexual norms of our own time. The seminar assumes no prior knowledge of Judaism, Christianity, the bible, or ancient history. Undergraduates register for 200-level for 5 units. Graduate students register for 300-level for 3-5 units.

Students pursue a special subject of investigation under supervision of an affiliated faculty member. May be repeated for credit.

This graduate colloquium is a foundational and intensive course in the field of modern South Asian history. It is a course in historiography and weekly discussions will be structured around a key monograph in a specific thematic sub-field. The colloquium will begin with discussions on the impact of the Subaltern Studies collective in shaping the field; and through the quarter we will engage with monographs from various sub-fields such as studies of the transition to colonial rule; the relationship between labor and capital; agrarian history; caste society under colonial rule and Dalit resistance; studies of bureaucratic objects such as the official document; new research in feminist history and the emerging field of trans history.

This course uses social theories of difference to examine the intersections of disability, race and culture. The course will examine these concepts drawing from scholarship published in history, sociology of education, urban sociology, cultural studies, disability studies, social studies of science, cultural psychology, educational and cultural anthropology, comparative education and special education. Implications for policy, research and practice will be covered.