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AA 107N: How to Shoot for the Moon (DESIGN 187N)

The new space industry has the potential to impact and sustain life on Earth and beyond. For example, emerging space technology can shape the way we design habitats, food, and spacecraft for low-Earth orbit or the Lunar surface, as well as the products we use here on Earth. However, this requires us to take a deeper look at the potential influence on humanity and pushes us to declare our life mission as a lens for what we engineer. The aim of this IntroSem is to help undergraduate students "shoot for the moon" and "declare their mission" via an integration of curriculum from aerospace engineering and human-centered design. In this 10-week course, students will engage with some of life's hardest questions: Who are you?; Why are you here (i.e., on Earth and at Stanford)?; What do you want?; and How will you get there (i.e., Mars or your dream job after Stanford)? In addition, students will pitch new space-related, human-centered technology to potential stakeholders. To give students exposure to actual careers in aerospace design and engineering, mentors from industry will be invited to engage with students throughout the course and provide feedback on design projects. Are you go for launch?
Terms: Spr | Units: 3

AA 114Q: Large Spacecraft Structures

In space, large structures are often advantageous - large solar arrays are required for collecting solar power and allowing spacecraft to operate in deep space, large diameter telescopes allow us to explore the origins of our universe, and large antennas allow us to track climate change and get large amounts of data back down to Earth. However, our ability to get large structures into space is limited by the size of modern rocket fairings, causing large space structures to be designed very differently from those on Earth. This seminar focuses on the design principles used by aerospace engineers to realize large space structures. Over the quarter, we will discuss techniques for deployable space structures folded on the ground and unfolded in orbit including origami, foldable thin structures, and inflatables. The seminar will also introduce students to current developments in space structures such as on-orbit assembly, in-space manufacturing, and reconfigurable space structures. We will examine the materials used in these structures, overview mathematical principles used for their design, and learn from past failures of deployable structures. The seminar will allow students to delve deeper into the concepts with hands-on experimentation, analysis of existing space structures (ex. James Webb, the ISS solar arrays, and CubeSat missions), and will allow students to practice written and oral communication skills.By the end of the course students will be able to:Explain the need for large space structures.Identify and compare the engineering approaches for the realization of large space structures.Analyze the challenges associated with large space structures.Design space structures using simple numerical models.
Terms: Aut | Units: 3 | UG Reqs: WAY-AQR
Instructors: ; Sakovsky, M. (PI)

AA 115Q: The Global Positioning System: Where on Earth are We, and What Time is It?

Preference to freshmen. Why people want to know where they are: answers include cross-Pacific trips of Polynesians, missile guidance, and distraught callers. How people determine where they are: navigation technology from dead-reckoning, sextants, and satellite navigation (GPS). Hands-on experience. How GPS works; when it does not work; possibilities for improving performance.
Terms: Win | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-AQR
Instructors: ; Lo, S. (PI)

AMSTUD 51Q: Comparative Fictions of Ethnicity (COMPLIT 51Q, CSRE 51Q)

Explorations of how literature can represent in complex and compelling ways issues of difference--how they appear, are debated, or silenced. Specific attention on learning how to read critically in ways that lead one to appreciate the power of literary texts, and learning to formulate your ideas into arguments. Course is a Sophomore Seminar and satisfies Write2. By application only
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP, Writing 2
Instructors: ; Palumbo-Liu, D. (PI)

AMSTUD 54N: African American Women's Lives (HISTORY 54N)

This course encourages students to think critically about historical sources and to use creative and rigorous historical methods to recover African American women's experiences, which often have been placed on the periphery of American history and American life.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP
Instructors: ; Hobbs, A. (PI)

AMSTUD 104Q: Picturing Americans

What do pictures reveal about individuals and their social, cultural, and historical world? Who or what might they conceal? This seminar uses visual depictions of Americans (paintings, photographs, films, comics, and more) as the starting point for discussions of American history, art, popular culture, social movements, and national identity, as well as questions of who has been represented and who has been overlooked. Literary and historical texts support and complement the close study of pictures from the late 19th century through the present.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Kessler, E. (PI)

AMSTUD 126Q: California Dreaming

'A place belongs forever to whoever claims it hardest,' writes Joan Didion, 'remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his image.' From the Gold Rush to Hollywood to Silicon Valley, Yosemite to the Salton Sea, in this course we'll encounter a series of writers and artists whose work is set in California, or participates in its imagining, and throughout consider how culture and a sense of place are closely related. How does a novel, photograph, or film conjure a landscape or community? When we think of California, whose stories are included, and whose are left out? Possible texts: works by Mary Austin, Cesar Chavez, Mike Davis, the Depression-era Federal Writers Project, Rebecca Solnit, and John Steinbeck; films: Sunset Boulevard, Clueless, and There Will Be Blood; and the art of Carlton Watkins, Dorothea Lange, Richard Misrach, and Chiura Obata. For the final paper, students will write about a California place of their choice.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Bolten, R. (PI)

ANES 70Q: Critical Illness: Patients, Physicians, and Society

Examines the various factors involved in shaping the critical care illness experience for three groups of people: the clinicians, the patients, and patients' families. Medical issues, economic forces and cost concerns, cultural biases, and communication errors can all influence one's perception. Helps students understand the arc of critical illness, and how various factors contribute to the interactions between those various groups. Includes an immersion experience (students are expected to round with clinicians in the ICU and to attend Schwartz rounds, a debriefing meeting about difficult emotional situation) and a mentoring experience (with critical care fellows), in addition to routine class work.
Terms: Spr | Units: 3
Instructors: ; La, A. (PI); McAvoy, J. (PI)

ANES 72Q: The Art of Medical Diagnosis

The Art of Medical Diagnosis: Enhancing Observational Skills through the Study of Art is an interactive, multidisciplinary undergraduate course that explores various ways in which studying art increases critical observational skills vital for aspiring health care providers. Students will be introduced to the concept of `Visual Thinking Strategies' through classroom, art creation, and museum based activities. Students will apply these skills to both works of art and medical cases. Significant focus will be on engaging in group discussions where they will collaboratively use visual evidence to generate and defend hypothesis. Drawing and sketching from life will play a critical role in honing observational skills through weekly assignments, workshops, and a final project. The interactive nature of this course pivots students away from a typical lecture based course to a self-directed learning experience.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE

ANES 74Q: Mending a broken heart: The Anatomy, Physiology and Psychology of congenital heart disease

Congenital heart defects are the most common type of birth defects and with improvements in surgical techniques and medical care these babies are living longer and healthier lives. Data indicates that approximately 1 million US children and 1.2million US adults are living with congenital heart disease. Treating congenital heart disease requires an intimate understanding of complex embryology, anatomy and physiology. In this seminar we will look at the fascinating spectrum of anatomical changes that occur in some common congenital heart defects and how these changes can be corrected with various surgical procedures and medical care. Lectures will draw from real patient cases and students will have the opportunity to visit the Stanford Anatomy Lab, engage with virtual reality models of the heart, learn the basics of cardiac ultrasound, and hear from some of the frontline anesthesiologists, surgeons, cardiologists and patients who straddle the line between life and death on a daily basis.
Terms: Win | Units: 3

ANTHRO 17N: Language and Power

This seminar introduces a variety of themes and issues in linguistic anthropology, with a particular emphasis on the link between language and power. The seminar highlights that language is a constitutive of social realities, including social relationships and identities, rather than a passive tool for communication. The seminar delves into subjects such as the linguistic construction of gender, class, and race, hate speech, censorship, and the interplay of language and power unique to various institutions such as social media, and also explores the strategies of challenging the linguistic forms of power and domination. Students are expected to develop their own research project that involves empirical data collection and analysis, and thus gain hands-on linguistic anthropological research experience.
Terms: Win | Units: 3
Instructors: ; Inoue, M. (PI)

ANTHRO 27N: Ethnicity and Violence: Anthropological Perspectives

Ethnicity is one of the most compelling and most modern ways in which people - in the midst of considerable global and local uncertainty - all across the world imagine and narrate themselves. This seminar will take an anthropological look at both the modernity and the compulsions of ethnic allegiance, and, why struggles over ethnic identity are so frequently violent. Our questions will be both historical; how, why and when did people come to think of themselves as possessing different ethnic identities - and contemporary; how are these identities lived, understood, narrated, and transformed and what is the consequence of such ethnicisation. We follow this through anthropological perspectives which ask persistently how people themselves locally narrate and act upon their experiences and histories. Through this we will approach some of the really big and yet everyday questions that many of us around the world face: how do we relate to ourselves and to those we define as others; and how do we live through and after profound violence? The seminar will take these larger questions through a global perspective focusing on cases from Rwanda and Burundi, India, Sri Lanka, Northern Ireland, Guatemala, and the countries of Former Yugoslavia among others. These cases cover a broad canvas of issues from questions of historicity, racial purity, cultural holism, and relations to the state, to contests over religious community, indigeneity, minority identities, globalization, gender, and generation.
Terms: Aut | Units: 3
Instructors: ; Thiranagama, S. (PI)

ANTHRO 31Q: The Big Shift (CSRE 30Q)

Is the middle class shrinking? How do people who live at the extremes of American society- the super rich, the working poor and those who live on the margins, imagine and experience "the good life"? How do we understand phenomena such as gang cultures, addiction and the realignment of white consciousness? This class uses the methods and modes of ethnographic study in an examination of American culture. Ethnographic materials range from an examination of the new American wealth boom of the last 20 years (Richistan by Robert Frank) to the extreme and deadlyworld of the invisible underclass of homeless addicts on the streets of San Francisco (Righteous Dopefiend by Phillipe Bourgois and Jeff Schonberg). The experiences of Hispanic immigrants and the struggle to escape gang life in Los Angeles are highlighted in the story of Homeboy Industries a job creation program initiated by a priest working in LA's most deadly neighborhoods (G-Dog and the Homeboys by Celeste Fremon). Finally in Searching for Whitopia: an improbable journeyinto the heart of White America, Rich Benjamin explores the creation on ethnic enclaves (whitopias) as fear over immigration and the shrinking white majority redefine race consciousnessin the 21st century. Each of these narratives provides a window into the various ways in which Americans approach the subjects of wealth and the good life, poverty and the underclass, and theconstruction of class, race, and gender in American society. Students will not be required to have any previous knowledge, just curiosity and an open mind.
Terms: Win | Units: 4 | UG Reqs: GER:DB-SocSci
Instructors: ; Wilcox, M. (PI)

ANTHRO 54N: For Makers and Thinkers: How to Use Art in Research and Vice Versa

This course is specifically designed for social science and humanities students who want to learn how to use art to expand their research questions and/or develop an art practice, and for arts students who want to find ways to deeply engage social science and humanities research in their practice. The course will: 1. Introduce students to the work of artists who used their practice to deeply engage social issues (Ian Rowland, Cornelia Parker, Fred Wilson and many others). These artists will be contextualized with readings including: critical commentaries on their work; theoretical literature; and primary literature on the issues they address (in these examples, slavery, material culture, museum studies). Critical questions will include: Why did the artist select particular media for their work? How does the art provide a different perspective on, engagement with, or relationship to the issues they address? How does the meaning of the art change with or without contextualization? How does this artist draw on and expand art history and other artists' work? Are there critical issues the work raises but is underpowered to address? 2. Provide support for students to work on their own quarter-length independent projects and research based in drawing, photography, creative writing, or other art practice which may shift according to research findings in the duration of the course. Part of the syllabus will be contingent on student projects. Regular group crit/support sessions will be held in class based on clear deadlines. 3. Introduce students to various methods of working with primary and source materials for arts-based projects, such as improvisation, juxtaposition, performance, role-play, "moment work" and scenography. "Makers" workshops will be held to introduce students to arts methods and may include: wax casting, life drawing, graphic art, etc. (The instructor will apply for Maker's funding to support these workshops.) Students will complete the course with a solid introduction to at least 20 contemporary artists and an understanding of how to discuss and contextualize artwork in the context of several disciplines: art, social science theory, and art criticism. They will also have experience in building and completing their own project and learn how to justify their work, understand how different art media impact their exploration and ultimate product, and work through various challenges in the process. They will also gain experience in crit sessions, which will be directed by the profession with a question-based format, in both giving and receiving feedback. They will document their work and learn how to produce a portfolio of the project.
Terms: Spr | Units: 3
Instructors: ; Jain, S. (PI)

APPPHYS 13N: A Taste of Quantum Physics (PHYSICS 13N)

What is quantum physics and what makes it so weird? We'll introduce key aspects of quantum physics with an aim to explain why it differs from everyday 'classical' physics. Quantum-enabled devices like the laser and atomic clocks for GPS will be explained. We will also discuss the breakthroughs driving the 2nd quantum technology revolution surrounding quantum simulators, sensors, and computers. Seminar discussions and a laser lab will help illustrate core principles, including the atomic clock mechanism. Visits to campus laboratories will introduce cutting-edge quantum experiments. This IntroSem is designed for those likely to go on to major in the humanities or in a STEM program outside of the natural sciences. (Likely STEM majors are instead encouraged to take 100-level quantum courses upon completion of pre-requirements.) While basic familiarity with high school physics is recommended, qualitative explanations will be emphasized. By the end of the quarter, you will be able to explain the key tenets of quantum physics, how it has enabled current technology, and what new technologies might emerge from the 2nd quantum revolution.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Lev, B. (PI)

APPPHYS 77N: Functional Materials and Devices

Preference to freshmen. Exploration via case studies how functional materials have been developed and incorporated into modern devices. Particular emphasis is on magnetic and dielectric materials and devices. Recommended: high school physics course including electricity and magnetism.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors: ; Suzuki, Y. (PI)

APPPHYS 79N: Energy Options for the 21st Century

Preference to frosh. Choices for meeting the future energy needs of the U.S. and the world. Basic physics of energy sources, technologies that might be employed, and related public policy issues. Trade-offs and societal impacts of different energy sources. Policy options for making rational choices for a sustainable world energy economy.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors: ; Fox, J. (PI)

ARCHLGY 21Q: Eight Great Archaeological Sites in Europe (CLASSICS 21Q)

Preference to sophomores. Focus is on excavation, features and finds, arguments over interpretation, and the place of each site in understanding the archaeological history of Europe. Goal is to introduce the latest archaeological and anthropological thought, and raise key questions about ancient society. The archaeological perspective foregrounds interdisciplinary study: geophysics articulated with art history, source criticism with analytic modeling, statistics interpretation. A web site with resources about each site, including plans, photographs, video, and publications, is the basis for exploring.
Terms: Win, Spr | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II, Writing 2
Instructors: ; Shanks, M. (PI)

ARCHLGY 43N: The Archaeological Imagination (CLASSICS 43N)

More than excavating ancient sites and managing collections of old things, Archaeology is a way of experiencing the world: imagining past lives through ruins and remains; telling the story of a prehistoric village through the remains of the site and its artifacts; dealing with the return of childhood memories; designing a museum for a community. The archaeological imagination is a creative capacity mobilized when we experience traces and vestiges of the past, when we gather, classify, conserve and restore, when we work with such remains to deliver stories, reconstructions, accounts, explanations, or whatever. This class will explore such a wide archaeological perspective in novels, poetry, fantasy literature, the arts, movies, online gaming, and through some key debates in contemporary archaeology about human origins, the spread of urban life, the rise and fall of ancient empires.
Terms: Aut | Units: 3
Instructors: ; Shanks, M. (PI)

ARTHIST 100N: The Artist in Ancient Greek Society (CLASSICS 18N)

Given the importance of art to all aspects of their lives, the Greeks had reason to respect their artists. Yet potters, painters and even sculptors possessed little social standing. Why did the Greeks value the work of craftsmen but not the men themselves? Why did Herodotus dismiss those who worked with their hands as "mechanics?" What prompted Homer to claim that "there is no greater glory for a man than what he achieves with his own hands," provided that he was throwing a discus and not a vase on a wheel? Painted pottery was essential to the religious and secular lives of the Greeks. Libations to the gods and to the dead required vessels from which to pour them. Economic prosperity depended on the export of wine and oil in durable clay containers. At home, depictions of gods and heroes on vases reinforced Greek values and helped parents to educate their children. Vases depicting Dionysian excess were produced for elite symposia, from which those who potted and painted them were excluded. Sculptors were less lowly but still regarded as "mechanics," with soft bodies and soft minds (Xenophon), "indifferent to higher things" (Plutarch). The seminar addresses such issues as we work to acknowledge our own privilege and biases. Students will read and discuss texts, write response papers and present slide lectures on aspects of the artist's profession.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: ; Maxmin, J. (PI)

ARTSINST 11Q: Art in the Metropolis (ARTSTUDI 11Q, ENGLISH 11Q, FILMEDIA 11Q, MUSIC 11Q, TAPS 11Q)

This seminar is offered in conjunction with the annual "Arts Immersion" trip to New York that takes place over the spring break and is organized by the Stanford Arts Institute (SAI). Enrollment in this course is a requirement for taking part in the spring break trip. The program is designed to provide a group of students with the opportunity to immerse themselves in the cultural life of New York City guided by faculty and SAI staff. Students will experience a broad range and variety of art forms (visual arts, theater, opera, dance, etc.) and will meet with prominent arts administrators and practitioners, some of whom are Stanford alumni. In the seminar, we will prepare for the diverse experiences the trip affords and develop individual projects related to particular works of art, exhibitions, and performances that we'll encounter in person during the stay in New York. Class time will be divided between readings, presentations, and one studio based creative project. The urban setting in which the various forms of art are created, presented, and received will form a special point of focus. A principal aim of the seminar will be to develop aesthetic sensibilities through writing critically about the art that interests and engages us and making art. For further details please visit the Stanford Arts Institute website: https://arts.stanford.edu/for-students/academics/arts-immersion/new-york/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Berlier, T. (PI)

ARTSTUDI 11Q: Art in the Metropolis (ARTSINST 11Q, ENGLISH 11Q, FILMEDIA 11Q, MUSIC 11Q, TAPS 11Q)

This seminar is offered in conjunction with the annual "Arts Immersion" trip to New York that takes place over the spring break and is organized by the Stanford Arts Institute (SAI). Enrollment in this course is a requirement for taking part in the spring break trip. The program is designed to provide a group of students with the opportunity to immerse themselves in the cultural life of New York City guided by faculty and SAI staff. Students will experience a broad range and variety of art forms (visual arts, theater, opera, dance, etc.) and will meet with prominent arts administrators and practitioners, some of whom are Stanford alumni. In the seminar, we will prepare for the diverse experiences the trip affords and develop individual projects related to particular works of art, exhibitions, and performances that we'll encounter in person during the stay in New York. Class time will be divided between readings, presentations, and one studio based creative project. The urban setting in which the various forms of art are created, presented, and received will form a special point of focus. A principal aim of the seminar will be to develop aesthetic sensibilities through writing critically about the art that interests and engages us and making art. For further details please visit the Stanford Arts Institute website: https://arts.stanford.edu/for-students/academics/arts-immersion/new-york/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Berlier, T. (PI)

ARTSTUDI 150N: Queer Sculpture (FEMGEN 150N)

Outlaw sensibilities, self-made kinships, chosen lineages, utopic futurity, exilic commitment, and rage at institutions that police the borders of the normal these are among the attitudes that make up queer in its contemporary usage. -David J. Getsy. This hands-on studio based course explores queer as a form of art production. Artists and thinkers use queer to signal defiance to the mainstream and an embrace of difference, uniqueness and self-determination. To be intolerable is to demand that the normal, the natural and the common be challenged. To do this is not to demand inclusion, but rather to refuse to accept any operations of exclusion and erasure that make up the normal and posit compulsory sameness. Queer Sculpture is also about the strategic effort to appropriate and subvert conventional art practices and tactics that may involve everything from shifts in the content of a work and its targeted audience to the methods by which it is produced and its formal properties. The political imperatives of a queer or queered position will shape thematic investigations of practices related to utopic futurity, anti-assimilationist practices, failure, abstraction, the archive, camp, drag and alternative families. Classes will require reading, discussing, and making. Students will produce artwork for critiques and participate in discussions of the readings. The course includes guest artists and fieldtrips to local LGBTQ archives.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE
Instructors: ; Berlier, T. (PI)

ASNAMST 31N: Behind the Big Drums: Exploring Taiko (MUSIC 31N)

Preference to Freshman. Since 1992 generations of Stanford students have heard, seen, and felt the power of taiko, big Japanese drums, at Admit Weekend, NSO, or Baccalaureate. Taiko is a relative newcomer to the American music scene. The contemporary ensemble drumming form, or kumidaiko, developed in Japan in the 1950s. The first North American taiko groups emerged from the Japanese American community shortly after and coincided with increased Asian American activism. In the intervening years, taiko has spread into communities in the UK, Europe, Australia, and South America. What drives the power of these drums? In this course, we explore the musical, cultural, historical, and political perspectives of taiko through readings and discussion, conversations with taiko artists, and learn the fundamentals of playing. With the taiko as our focal point, we find intersections of Japanese music, Japanese American history, and Asian American activism, and explore relations between performance, cultural expression, community, and identity.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Sano, S. (PI); Uyechi, L. (PI)

BIO 4N: The Science and Ethics of Personalized Genomic Medicine

We will explore the exciting field of personalized genomic medicine. Personalized medicine is based on the idea that each person's unique genome sequence can be used to predict their risk of developing diseases, and could perhaps even be edited using CRISPR to improve health. We will discuss the science behind these approaches; where they are heading in the future; and the ethical implications such technology presents. Student presentations will be emphasized, and students will also get to explore and analyze a real person's genome.
Terms: Win | Units: 3 | UG Reqs: GER: DB-NatSci
Instructors: ; Fraser, H. (PI)

BIO 7N: Conservation Photography

Introduction to the field of conservation photography and the strategic use of visual communication in addressing issues concerning the environment and conservation. Students will be introduced to basic digital photography, digital image processing, and the theory and application of photographic techniques. Case studies of conservation issues will be examined through photographs and multimedia platforms including images, video, and audio. Lectures, tutorials, demonstrations, and optional field trips will culminate in the production of individual and group projects. Cardinal Course certified by the Haas Center for Public Service.
Terms: Win | Units: 3 | UG Reqs: WAY-CE
Instructors: ; McConnell, S. (PI)

BIO 9N: Chilis: Biology, History, Travels, Cuisine

Chili peppers are used worldwide. They are grown in astonishing variety even though they are used most often to flavor food. Yet the first chile peppers evolved in what Europeans call the New World (Central and South America). How do we know chilis came from the New World? How did they get to Europe, Africa, India, China? How did chilis become an integral part of so many cuisines? What forms of chili pepper do we find around the world?
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Tuljapurkar, S. (PI)

BIO 12N: Sensory Ecology of Marine Animals (OCEANS 12N)

Animals living in the oceans experience a highly varied range of environmental stimuli. An aquatic lifestyle requires an equally rich range of sensory adaptations, including some that are totally foreign to us. In this course we will examine sensory system in marine animals from both an environmental and behavioral perspective and from the point of view of neuroscience and information systems engineering.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Thompson, S. (PI)

BIO 25Q: Cystic fibrosis: from medical conundrum to precision medicine success story

The class will explore cystic fibrosis (CF), the most prevalent fatal genetic disease in the US, as a scientific and medical whodunit. Through reading and discussion of medical and scientific literature, we will tackle questions that include: how was life expectancy with CF increased from weeks to decades without understanding the disease mechanism? Why is the disease so prevalent? Is there an advantage to being a carrier? Is CF a single disease or a continuum of physiological variation; or- what is a disease? How did research into CF lead to discovery of the underlying cause of most other genetic diseases as well? Through critical reading of the scientific and medical literature, class discussion, field trips and meetings with genetic counselors, caregivers, patients, physicians and researchers, we will work to build a deep understanding of this disease, from the biochemical basis to the current controversies over pathogenic mechanisms, treatment strategies and the ethics and economics of genetic testing and astronomical drug costs.
Terms: Win | Units: 3 | UG Reqs: GER: DB-NatSci, WAY-SMA
Instructors: ; Kopito, R. (PI)

BIO 35N: Catching up with Traditional Ecological Knowledge

Traditional ecological knowledge--the knowledge developed and maintained by local communities over many generations about their natural environment--is increasingly recognized as fundamental to solving environmental problems. In this seminar, we will explore some of the cutting-edge research on traditional ecological knowledge and its conceptual and practical role in ensuring environmental sustainability. We will address some key questions. For example, what makes traditional ecological knowledge different from Western science? What led to the recent increase in Western scientists' appreciation of traditional ecological knowledge? How can traditional ecological knowledge inform environmental sustainability in a world that is undergoing rapid climate change, land use change, and biological invasion? And how can Western science complement traditional ecological knowledge to achieve sustainability? The core of this seminar will be discussion based on reading of primary articles. We will also have field trips and learn from guest speakers.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Fukami, T. (PI)

BIOE 32Q: Bon Appétit, Marie Curie! The Science Behind Haute Cuisine

This seminar is for anyone who loves food, cooking or science! We will focus on the science and biology behind the techniques and the taste buds. Not a single lecture will pass by without a delicious opportunity - each weekly meeting will include not only lecture, but also a lab demonstration and a chance to prepare classic dishes that illustrate that day's scientific concepts.
Terms: Sum | Units: 3

BIOE 70Q: Medical Device Innovation

BIOE 70Q invites students to apply design thinking to the creation of healthcare technologies. Students will learn about the variety of factors that shape healthcare innovation, and through hands-on design projects, invent their own solutions to clinical needs. Guest instructors will include engineers, doctors, entrepreneurs, and others who have helped bring ideas from concept to clinical use.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE

BIOE 72N: Pathophysiology and Design for Cardiovascular Disease

Future physicians, social and biological scientists, and engineers will be the core of teams that solve major problems threatening human health. Bridging these diverse areas will require thinkers who can understand human biology and also think broadly about approaching such challenges. Focusing on heart disease, students in this seminar will learn about the multi-factorial problems leading to the leading cause of death in the U.S., along with how to apply design thinking to innovate in the context of healthcare.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Venook, R. (PI); Wang, P. (PI)

CEE 11Q: Sustainability Design Thinking

How can we create high-impact solutions to our planet's most pressing sustainability challenges? And can we use Design Thinking to come up with creative, feasible, and impactful ideas that will promote sustainability in peoples' lives? This seminar and design studio introduces techniques for applying the Design Thinking methodology (pioneered at Stanford's d.School) to create design ideas that are compelling, effective, and realizable. You'll have opportunities to explore and experience how the design thinking methodology can be applied to solve real-world sustainability challenges through a series of design projects where you will exercise and apply design thinking skills to design and propose solutions that promote sustainable behaviors and practices. You will apply contextual, functional and human-centered design thinking techniques to create design ideas that promote sustainability by holistically considering space, form, environment, energy, economics, human behavior, and health. Working independently and in small teams, you will propose designs that meet the needs of real users and illustrate your strategies for approaching the challenges and opportunities you uncover ? developing project ideas that demonstrate how you've used the design thinking process to make a measurable impact on improving sustainable behaviors and practices.
Terms: Spr | Units: 3
Instructors: ; Katz, G. (PI)

CEE 31Q: Accessing Architecture Through Drawing

Preference to sophomores. Drawing architecture provides a deeper understanding of the intricacies and subtleties that characterize contemporary buildings. How to dissect buildings and appreciate the formal elements of a building, including scale, shape, proportion, colors and materials, and the problem solving reflected in the design. Students construct conventional architectural drawings, such as plans, elevations, and perspectives. Limited enrollment.
Terms: Aut | Units: 5 | UG Reqs: GER:DB-EngrAppSci, WAY-CE

CEE 32Q: Place: Making Space Now

This seminar argues that architeccts are ultimately "placemakers," and questions what that means in the contemporary world. Part I investigates the meaning of the word "place." Additional background for understanding contemporary place making will include a critique of the history of modern place-making through an examination of modern form. Part II examines two traditional notions of place by scale: from "home" to "the city." What elements give these conceptions of space a sense of place? To answer this question, themes such as memory, mapping, and boundary, among others, will be investigated. part III presents challenges to the traditional notions of place discussed in Part II. Topics addressed include: What does it mean to be "out of place"? What sense of place does a nomad have, and how is this represented? What are the "non-places" and how can architects design for these spaces? Part IV addresses the need to re-conceptualize contemporary space. The role of digital and cyber technologies, the construction of locality in a global world, and the in-between places that result from a world in flux are topics discussed in this section of the seminar. Learning goals: Specific goals include clsoe reading of texts, understanding of philosophical thinking and writing, argument under uncertainty, and developed concepts of place, space and architecture.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II

CEE 33Q: Studio 1: Architecture - Space, Light, and Movement

This introductory architectural design course in the studio core sequence leads students through a series of spatial design exercises. Students will explore the fundamental principles of architectural design through drawing, model making, analysis, craft, organizational systems, narrative, movement, light, form, and scale. Students will also explore architecture on campus, taking their personal experience as a point of departure for the design investigations. We build models exploring spatial arrangements and configurations, learn to draw plans, develop craftsmanship building models, visit buildings around campus, and design a house for a visiting scholar. Most importantly we learn to engage and foster creativity. Many of the best architects and designers maintain a child-like sense of wonder. We all have it, but sometimes this may get de-emphasized as one moves along in their journey of education. We work together to spark and engage that curiosity to design dynamic spaces that relate to the human body. The course is 5 units and requires a significant amount of time. That said it is fun and engaging experience.
Terms: Spr | Units: 5
Instructors: ; Wood, E. (PI)

CEE 34N: Wind Energy Explained

Transformation of the energy economy depends on developing reliable and robust sources of alternative and renewable energy. This seminar introduces the theory, design, and application of wind energy technologies. The study of wind energy spans across a wide range of fields. To successfully deploy wind energy and other alternative technologies, we will need to converge across many knowledge domains, including civil, environmental, electrical, and mechanical engineering in addition to social science and public policy, among many others. Through this interdisciplinary course, we will learn about modern wind energy and its origins. We will explore the many facets of wind energy, including the characteristics of regional wind; aerodynamics, mechanics, and structural dynamics of wind turbine design; wind turbine control and integration with electrical systems; and environmental and economic aspects and impacts. Although this seminar seeks to explain wind energy, the topics covered can be applied to many other problems in engineering. This course will provide an introduction on how to find solutions to multi-disciplinary problems. True innovation lies on the border between fields. In this course, we will explore how to make these solutions a reality.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA

CEE 41Q: Clean Water Now! Urban Water Conflicts

Why do some people have access to as much safe, clean water as they need, while others do not? You will explore answers to this question by learning about, discussing and debating urban water conflicts including the Flint water crisis, the drought in South Africa, intermittent water supply in Mumbai, and arsenic contamination in Bangladesh. In this course, you will explore the technical, economic, institutional, social, policy, and legal aspects of urban water using these and more water conflicts as case studies. You will attend lectures, and participate in discussions, laboratory modules, and field work. In lectures, you will learn about the link between water and human and ecosystem health, drinking water and wastewater treatment methods, as well as policies and guidelines (local, national, and global from the World Health Organization) on water and wastewater, and the role of various stakeholders including institutions and the public, in the outcome of water conflicts. You will dive into details of conflicts over water through case studies using discussion and debate. You will have the opportunity to measure water contaminants in a laboratory module. You will sample a local stream and measure concentrations of Escherichia coli and enterococci bacteria in the water. A field trip to a local wastewater treatment plant will allow you to see how a plant operates. By the end of this course, you will have a greater appreciation of the importance of institutions, stakeholders and human behavior in the outcome of water conflicts, and the complexity of the coupled human-ecosystem-urban water system.
Terms: Win | Units: 3 | UG Reqs: WAY-AQR, WAY-SI

CEE 80N: Engineering the Built Environment: An Introduction to Structural Engineering

In this seminar, students will be introduced to the history of modern bridges, buildings and other large-scale structures. Classes will include presentations on transformations in structural design inspired by the development of new materials, increased understanding of hazardous overloads and awareness of environmental impacts. Basic principles of structural engineering and how to calculate material efficiency and structural safety of structural forms will be taught using case studies. The course will include a field trip to a Bay Area large-scale structure, hands-on experience building a structure, computational modeling of bridges, and a paper and presentation on a structure or structural form of interest to the student. The goal of this course is for students to develop an understanding and appreciation of modern structures, influences that have led to new forms, and the impact of structural design on society and the environment. Students from all backgrounds are welcome.
Terms: Win | Units: 3 | UG Reqs: WAY-AQR

CHEM 23N: Seeing the Invisible (RAD 23N)

Seeing is believing! This seminar course will introduce breakthrough imaging technologies from super resolution fluorescence microscopes for imaging single molecules in living cells to tomography imaging for visualizing the happenings deep inside our bodies. You will learn about their applications in probing physiology, biology and biochemistry for biological research and medical diagnosis. You will have the opportunity to tour an imaging facility and perform hands-on laboratory imaging.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Rao, J. (PI)

CHEM 29N: Chemistry in the Kitchen

This course examines the chemistry relevant to food and drink preparation, both in homes and in restaurants, which makes what we consume more pleasurable. Good cooking is more often considered an art rather than a science, but a small bit of understanding goes a long way to make the preparation and consumption of food and drink more enjoyable. The intention is to have demonstrations and tastings as a part of every class meeting. We will examine some rather familiar items in this course: eggs, dairy products, meats, breads, vegetables, pastries, and carbonated beverages. We shall playfully explore the chemistry that turns food into meals. A high-school chemistry background is assumed; bring to class a good appetite and a healthy curiosity.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Zare, R. (PI)

CHEMENG 65Q: Chemical Engineering for Sustainability

Do you want to make the world more sustainable? How will we address the tremendous challenges that climate change brings? How can we reduce carbon emissions and not have huge disruptions in society? This class is for anyone who wants to create sustainable alternatives to what we use every day: engineers, scientists, those in humanities and the arts. Everyone has a role to play in designing our future. We will learn how to make the world more sustainable by exploring the exciting new world of (chemical) engineering sustainability. We will discuss renewable diesel and jet fuels; synthetic meat; compostable plastics; building materials that save energy; direct capture of carbon from the air; biological pharmaceuticals; and advanced recycling operations. The class starts with a brief overview of the deep cuts in carbon emissions and other pollutants that will be needed. Then, we focus on how sustainable (chemical) engineering can provide a solution, visiting four companies who are changing the world. Students will leave the class with an appreciation of how sustainable (chemical) engineering can help address climate change's substantial challenges, and perhaps an internship with one of the companies we visit. High school chemistry (balancing a chemical equation) and high school physics (unit conversions) are recommended for this course.
Terms: Win | Units: 3 | UG Reqs: WAY-AQR
Instructors: ; Libicki, S. (PI)

CHEMENG 90Q: Dare to Care: Compassionate Design

Imagine yourself with your abundant creativity, intellect, and passion, but your ability to move or speak is diminished. How would you face the world, how would you thrive at Stanford, how would you relay to people your ideas and creations? How would you share yourself and your ideas with the world? There are more than 50 million individuals in America with at least one disability, and in the current world of design, these differences are often overlooked. How do we as designers empower people of diverse physical abilities and provide them with means of self-expression?In Compassionate Design, students from any prospective major are invited to explore the engineering design process by examining the needs of persons with disabilities. Through invited guests, students will have the opportunity to directly engage people with different types of disabilities as a foundation to design products that address problems of motion and mobility, vision, speech and hearing. For example, in class, students will interview people who are deaf, blind, have cerebral palsy, or other disabling conditions. Students will then be asked, using the design tools they have been exposed to as part of the seminar, to create a particular component or device that enhances the quality of life for that user or users with similar limitations.Presentation skills are taught and emphasized as students will convey their designs to the class and instructors. Students will complete this seminar with a compassionate view toward design for the disabled, they will acquire a set of design tools that they can use to empower themselves and others in whatever direction they choose to go, and they will have increased confidence and abilities in presenting in front of an audience.
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP
Instructors: ; Moalli, J. (PI)

CHILATST 19N: The Immigrant Experience in Everyday Life (SOC 19N)

The seminar introduces students to major themes connected to the immigrant experience, including identity, education, assimilation, transnationalism, political membership, and intergroup relations. There will also be some attention given to research methodology. The seminar addresses these themes through reading ethnographies that document the everyday experience of immigrants and immigrant communities, broadly defined, in the United States. The course readings primarily come from more contemporary ethnographic research, but it will also include a sampling of ethnographies that examine the experience of previous waves of immigrants. Student participation will include in-class discussions of readings, short written responses to readings, and a final paper in which students draw on original ethnographic research that they conduct during the quarter. By the end of the quarter, students will be able to identify the social, political, and economic forces that shape the immigrant experience. More importantly, students will understand HOW these forces enter the immigrant experience in everyday life.
Terms: Win | Units: 3 | UG Reqs: WAY-EDP
Instructors: ; Jimenez, T. (PI)

CHINA 23N: Heroes and Heroism

The seminar examines concepts and models of heroism in three paradigmatic ancient traditions: China, Greece, and Rome. Our inquiry is guided by the following questions: What qualities and experiences define someone as a hero? If heroism is not all about excellence, brilliance and glory, what makes heroes exceptional and inspiring figures? How does courage relate to other virtues such as integrity, loyalty, fortitude, and self-sacrifice? Is heroism compatible with fear, shame, and humiliation? How do heroes become what they are, what role do education and imitation play? Is courage a gendered virtue? Does the ethical importance of heroism rest on the fact that heroes are typically confronted with extraordinary choices about life and death, honor and ignominy, freedom and suffering, and survival and immortality? Finally, how do different cultures shape and enrich our answers to the above questions?
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-ER
Instructors: ; Zhou, Y. (PI)

CLASSICS 12N: Income and wealth inequality from the Stone Age to the present (HISTORY 12N)

Rising inequality is a defining feature of our time. How long has economic inequality existed, and when, how and why has the gap between haves and have-nots widened or narrowed over the course of history? This seminar takes a very long-term view of these questions. It is designed to help you appreciate dynamics and complexities that are often obscured by partisan controversies and short-term perspectives, and to provide solid historical background for a better understanding of a growing societal concern.
Terms: Spr | Units: 4 | UG Reqs: WAY-SI
Instructors: ; Scheidel, W. (PI)

CLASSICS 16N: Sappho: Erotic Poetess of Lesbos (FEMGEN 24N)

Preference to freshmen. Sappho's surviving fragments in English; traditions referring to or fantasizing about her disputed life. How her poetry and legend inspired women authors and male poets such as Swinburne, Baudelaire, and Pound. Paintings inspired by Sappho in ancient and modern times, and composers who put her poetry to music.
Terms: Win | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-CE, WAY-EDP
Instructors: ; Peponi, A. (PI)

CLASSICS 18N: The Artist in Ancient Greek Society (ARTHIST 100N)

Given the importance of art to all aspects of their lives, the Greeks had reason to respect their artists. Yet potters, painters and even sculptors possessed little social standing. Why did the Greeks value the work of craftsmen but not the men themselves? Why did Herodotus dismiss those who worked with their hands as "mechanics?" What prompted Homer to claim that "there is no greater glory for a man than what he achieves with his own hands," provided that he was throwing a discus and not a vase on a wheel? Painted pottery was essential to the religious and secular lives of the Greeks. Libations to the gods and to the dead required vessels from which to pour them. Economic prosperity depended on the export of wine and oil in durable clay containers. At home, depictions of gods and heroes on vases reinforced Greek values and helped parents to educate their children. Vases depicting Dionysian excess were produced for elite symposia, from which those who potted and painted them were excluded. Sculptors were less lowly but still regarded as "mechanics," with soft bodies and soft minds (Xenophon), "indifferent to higher things" (Plutarch). The seminar addresses such issues as we work to acknowledge our own privilege and biases. Students will read and discuss texts, write response papers and present slide lectures on aspects of the artist's profession.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: ; Maxmin, J. (PI)

CLASSICS 20N: Technologies of Civilization: Writing, Number and Money

The technological keys to the growth of civilization that enabled the creation of complex societies and enhanced human cognition. The role of cognition in shaping history and the role of history in shaping cognition. Global perspective, emphasizing the Western tradition and its ancient Greek roots.
Terms: Spr | Units: 3-4 | UG Reqs: GER:DB-Hum, WAY-SI
Instructors: ; Netz, R. (PI)

CLASSICS 21Q: Eight Great Archaeological Sites in Europe (ARCHLGY 21Q)

Preference to sophomores. Focus is on excavation, features and finds, arguments over interpretation, and the place of each site in understanding the archaeological history of Europe. Goal is to introduce the latest archaeological and anthropological thought, and raise key questions about ancient society. The archaeological perspective foregrounds interdisciplinary study: geophysics articulated with art history, source criticism with analytic modeling, statistics interpretation. A web site with resources about each site, including plans, photographs, video, and publications, is the basis for exploring.
Terms: Win, Spr | Units: 3-5 | UG Reqs: GER:DB-Hum, WAY-A-II, Writing 2
Instructors: ; Shanks, M. (PI)

CLASSICS 43N: The Archaeological Imagination (ARCHLGY 43N)

More than excavating ancient sites and managing collections of old things, Archaeology is a way of experiencing the world: imagining past lives through ruins and remains; telling the story of a prehistoric village through the remains of the site and its artifacts; dealing with the return of childhood memories; designing a museum for a community. The archaeological imagination is a creative capacity mobilized when we experience traces and vestiges of the past, when we gather, classify, conserve and restore, when we work with such remains to deliver stories, reconstructions, accounts, explanations, or whatever. This class will explore such a wide archaeological perspective in novels, poetry, fantasy literature, the arts, movies, online gaming, and through some key debates in contemporary archaeology about human origins, the spread of urban life, the rise and fall of ancient empires.
Terms: Aut | Units: 3
Instructors: ; Shanks, M. (PI)

COMPLIT 21Q: Wilde's Worlds: Oscar Wilde in the International Context

This course introduces you to Oscar Wilde's life and works in various international literary, artistic, social, and cultural contexts in the European fin de siecle, as well as to Wilde's posthumous reception as an international iconic figure of LGBTQ+ literary and cultural history. We will consider Wilde's own roots in Irish culture; his love for Ancient Greece and Rome in the context of Oxford Hellenism; the influence of French and Belgian Decadence and Symbolism on The Picture of Dorian Gray and Salome (which we will read side by side with writings by Joris-Karl Huysmans, Stephane Mallarme, and Rachilde); Wilde's interest in the visual and decorative arts; Wilde's joyful dandyism and vibrant queer literary networks in Paris and London; the impact of Wilde's 1895 trials and imprisonment for "acts of gross indecency"; Wilde's reception in countries such as Germany, Japan, Russia, and the U.S.; and the vibrant posthumous afterlife of Wilde's work and persona in dance, opera, films, musicals, cartoons, and popular culture from the 1900s to today. Studying Oscar Wilde's life and works in such comparative and international contexts opens a door to the historical 1890s, while also giving us the chance to understand and appreciate Wilde's legacy as a queer artist and cultural trailblazer that still speaks to us in our own time. This course will emphasize close reading, analytical writing, and honing your presentation skills as you learn to understand and appreciate the many worlds of Oscar Wilde from the 1890s to today.
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II, Writing 2
Instructors: ; Dierkes, P. (PI)

COMPLIT 37Q: Zionism and the Novel (JEWISHST 37Q)

At the end of the nineteenth century, Zionism emerged as a political movement to establish a national homeland for the Jews, eventually leading to the establishment of the State of Israel in 1948. This seminar uses novels to explore the changes in Zionism, the roots of the conflict in the Middle East, and the potentials for the future. We will take a close look at novels by Israelis, both Jewish and Arab, in order to understand multiple perspectives, and we will also consider works by authors from the North America and from Europe. Note: This course must be taken for a letter grade to be eligible for WAYS credit.
Terms: Aut, Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP, Writing 2
Instructors: ; Berman, R. (PI)

COMPLIT 51Q: Comparative Fictions of Ethnicity (AMSTUD 51Q, CSRE 51Q)

Explorations of how literature can represent in complex and compelling ways issues of difference--how they appear, are debated, or silenced. Specific attention on learning how to read critically in ways that lead one to appreciate the power of literary texts, and learning to formulate your ideas into arguments. Course is a Sophomore Seminar and satisfies Write2. By application only
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP, Writing 2
Instructors: ; Palumbo-Liu, D. (PI)

COMPLIT 55N: Black Panther, Hamilton, Diaz, and Other Wondrous Lives (CSRE 55N)

This seminar concerns the design and analysis of imaginary (or constructed) worlds for narratives and media such as films, comics, and literary texts. The seminar's primary goal is to help participants understand the creation of better imaginary worlds - ultimately all our efforts should serve that higher purpose. Some of the things we will consider when taking on the analysis of a new world include: What are its primary features - spatial, cultural, biological, fantastic, cosmological? What is the world's ethos (the guiding beliefs or ideals that characterize the world)? What are the precise strategies that are used by the artist to convey the world to us and us to the world? How are our characters connected to the world? And how are we - the viewer or reader or player - connected to the world? Note: This course must be taken for a letter grade to be eligible for WAYS credit.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Saldivar, J. (PI)

COMPLIT 104N: Film and Fascism in Europe (FILMEDIA 105N, FRENCH 104N, ITALIAN 104N)

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini, Renoir) or just after their fall, used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them. The seminar introduces key film analysis tools and concepts, while offering insights into the history of propaganda and cinema. Taught in English.
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II
Instructors: ; Alduy, C. (PI)

COMPMED 80N: Animal behavior: sex, death, and sometimes food!

Preference to freshman. Behavior is what makes animals special (thirsty plants don't walk to water), but why do animals behave the way they do? What does their behavior tell us about their inner lives, and about ourselves? What do lipstick and cuckoos and fireflies have in common? Why would nobody want to be a penguin? What do mice say to each other in their pee-mail? Learning how to think about questions like these gives us a unique perspective on the natural world. Format: Flipped, Student-centered, Community of learners, with online and in-person discussion. Discussion and criticism of video examples, and documentaries, and student presentations. Topics: History and approaches to animal behavior; development of behavior, from genetics to learning; mechanisms of behavior, from neurons to motivation; function of behavior, from honest signals to selfish genes; the phylogeny of behavior, from domestication to speciation; and modern applications of behavior, from abnormal behavior, to conservation, to animal welfare, and animal consciousness.
Terms: Aut, Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Garner, J. (PI)

COMPMED 81Q: Aardvarks to Zebras: The A to Z of Animal Anatomy

Preference to sophomores. Ever wonder what cats and narwhals have in common? Maybe you haven't, but despite their seemingly different lifestyles and habitats (i.e. sleeping on couches versus swimming in oceans), they are both mammals! In this seminar, students will gain an appreciation for basic mammalian anatomic and physiologic principles that span across multiple species while emphasizing key differences that render each species unique. Through student projects, we will explore evolutionary adaptations that have driven the success of a variety of species within the context of their natural environments. In addition to a weekly lecture, anticipated laboratory sessions will reinforce anatomic principles through a combination of rodent cadaver dissection, organ and bone specimens, and use of virtual reality demonstrations. Furthermore, as conditions allow, students will have the opportunity to visit Año Nuevo State Park to experience a guided viewing of northern elephant seals within their natural habitat. Students with a passion for science will gain a fundamental understanding of anatomy that is applicable to future careers in medicine, biomedical research, veterinary medicine, and ecology/conservation.
Terms: Win | Units: 3 | UG Reqs: GER: DB-NatSci, WAY-SMA
Instructors: ; Casey, K. (PI)

COMPMED 84Q: Globally Emerging Zoonotic Diseases

Preference to sophomores. Infectious diseases impacting veterinary and human health around the world today. Mechanisms of disease, epidemiology, and underlying diagnostic, treatment and control principles associated with these pathogens. ***This course will be offered in AY 23-24.***
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Felt, S. (PI)

COMPMED 91N: And that's why cats should never eat garlic!

Did you know that although we love garlic, it could make cats very sick? And how come if a human or a dog gets a heart attack they'll end up with a scar, but some fish can regenerate parts of their hearts? In this course, we will explore how select diseases can manifest themselves similarly or differently in different animal species. Students will have the opportunity to interpret physical exam findings, examine blood lab tests (bloodwork), look at X-rays (radiographs), and see what some of these diseases look like at the microscopic level (histology). Students will also discuss how humans benefit from understanding diseases in veterinary species, and how veterinary species benefit from understanding diseases in humans. This course will be of interest to those wanting to learn more about disease processes, and those interested in pursuing careers in biomedical fields including veterinary and human medicine. Oh, and one last thing don't cook with non-stick pans if you have indoor birds. Why? Sign up for the course to find out!
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Vilches-Moure, J. (PI)

CS 29N: Computational Decision Making

Although we make decisions every day, many people base their decisions on initial reactions or ""gut"" feelings. There are, however, powerful frameworks for making decisions more effectively based on computationally analyzing the choices available and their possible outcomes. In this course we give an introduction to some of these frameworks, including utility theory, decision analysis, and game theory. We also discuss why people sometimes make seemingly reasonable, yet irrational, decisions. We begin the class by presenting some of the basics of probability theory, which serves as the main mathematical foundation for the decision making frameworks we will subsequently present. Although we provide a mathematical/computational basis for the decision making frameworks we examine, we also seek to give intuitive (and sometimes counterintuitive) explanations for actual decision making behavior through in-class demonstrations. No prior experience with probability theory is needed (we'll cover what you need to know in class), but students should be comfortable with mathematical manipulation at the level of Math 20 or Math 41.
Terms: Win | Units: 3

CS 44N: Great Ideas in Graphics

A hands-on interactive and fun exploration of great ideas from computer graphics. Motivated by graphics concepts, mathematical foundations and computer algorithms, students will explore an eccentric selection of "great ideas" through short weekly programming projects. Project topics will be selected from a diverse array of computer graphics concepts and historical elements.
Terms: Aut | Units: 3
Instructors: ; James, D. (PI)

CS 53N: How Can Generative AI Help Us Learn?

This seminar course will explore the science behind generative AI, the likely future of tools such as DALL-E, ChatGPT, GPT-4, and Bard, and the implications for education, both in and outside of structured school environments. Students in the course will work in teams to each become experts in some aspect of AI and in some way that generative AI could create a new future for education. The background for this course is the public release of ChatGPT, which created new awareness of the potential power of AI to dramatically change our lives. In considering the possible implications for education, ChatGPT has sparked dreams of automated personal tutors, customizable teaching assistance, AI-led collaborative learning, and revolutions in assessment. In addition to optimistic projections, there are clear and significant risks. For example, will AI-assisted learning be culturally appropriate and equally available to all? Can it increase opportunity for underprivileged learners worldwide, or will it accentuate privilege and privileged views? Will it help us learn faster, or distract us from thinking deeply about difficult problems ourselves? As experienced student learners, members of the class will be able to draw on their own educational history and design learning approaches that could change the future of their education and others in college or at other stages of their lives.
Terms: Spr | Units: 3
Instructors: ; Mitchell, J. (PI)

CS 83N: Playback Theater

Playback combines elements of theater, community work and storytelling. In a playback show, a group of actors and musicians create an improvised performance based on the audience's personal stories. A playback show brings about a powerful listening and sharing experience. During the course, we will tell, listen, play together, and train in playback techniques. We will write diaries to process our experience in the context of education and research. The course is aimed to strengthen listening abilities, creativity and the collaborative spirit, all integral parts of doing great science. In playback, as in research, we are always moving together, from the known, to the unknown, and back. There is limited enrollment for this class. Application is required.
Terms: Win | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Reingold, O. (PI)

CSRE 21N: How to Make a Racist (AFRICAAM 121N, PSYCH 21N)

How does a child, born without beliefs or expectations about race, grow up to be racist? To address this complicated question, this seminar will introduce you to some of the psychological theories on the development of racial stereotyping, prejudice, and discrimination. Together, these theories highlight how cognitive, social, and motivational factors contribute to racist thinking. We will engage thoughtfully and critically with each topic through reflection and discussion. Occasionally, I will supplement the discussion and class activities with a brief lecture, in order to highlight the central issues, concepts, and relevant findings. We will share our own experiences, perspectives, and insights, and together, we will explore how racist thinking takes root. Come to class with an open mind, a willingness to be vulnerable, and a desire to learn from and with your peers. Students with diverse opinions and perspectives are encouraged to enroll.
Terms: Win | Units: 3 | UG Reqs: WAY-EDP
Instructors: ; Roberts, S. (PI)

CSRE 30Q: The Big Shift (ANTHRO 31Q)

Is the middle class shrinking? How do people who live at the extremes of American society- the super rich, the working poor and those who live on the margins, imagine and experience "the good life"? How do we understand phenomena such as gang cultures, addiction and the realignment of white consciousness? This class uses the methods and modes of ethnographic study in an examination of American culture. Ethnographic materials range from an examination of the new American wealth boom of the last 20 years (Richistan by Robert Frank) to the extreme and deadlyworld of the invisible underclass of homeless addicts on the streets of San Francisco (Righteous Dopefiend by Phillipe Bourgois and Jeff Schonberg). The experiences of Hispanic immigrants and the struggle to escape gang life in Los Angeles are highlighted in the story of Homeboy Industries a job creation program initiated by a priest working in LA's most deadly neighborhoods (G-Dog and the Homeboys by Celeste Fremon). Finally in Searching for Whitopia: an improbable journeyinto the heart of White America, Rich Benjamin explores the creation on ethnic enclaves (whitopias) as fear over immigration and the shrinking white majority redefine race consciousnessin the 21st century. Each of these narratives provides a window into the various ways in which Americans approach the subjects of wealth and the good life, poverty and the underclass, and theconstruction of class, race, and gender in American society. Students will not be required to have any previous knowledge, just curiosity and an open mind.
Terms: Win | Units: 4 | UG Reqs: GER:DB-SocSci
Instructors: ; Wilcox, M. (PI)

CSRE 37Q: Food Justice Now! Power and Politics in the Ways We Eat (EARTHSYS 37Q, SOC 37Q)

Where does the food you eat come from? How does it get to your plate? Where does it go when you don't finish it? And why are those particular items on your plate in the first place? How and what we eat is a vastly overlooked part of everyday life, and yet comes with huge personal, societal, and environmental effects, both positive and (quite often) negative. But this isn't indicative of personal moral failings or ignorance - rather, the food system was designed this way. And it leaves many of us without choice or consent around what we put into our bodies and how our actions impact those around us, thereby exacerbating social and health inequities. This class will uncover the secret workings of the global food system and introduce students to movements and efforts towards creating a more just food future for all. We will center on the concept of 'food justice,' which includes all ideas and practices that strive to eliminate exploitation and oppression within and beyond the food system. This trajectory will take us through understandings of economic, political, cultural, social, and ecological life, both now and in the past, providing students with a unique opportunity to gain interdisciplinary knowledge of food systems. For instance, we will learn about how historical and modern-day activists and scholars draw on movements for economic, gender, racial, climate, and environmental justice, and explore the possibilities for both reformative and transformative food politics. Finally, because food production, consumption, and activism are all highly tangible practices, the class will engage in field trips to the Stanford O'Donohue Family Farm, Stanford Food Institute's Teaching Kitchen, and a local Bay Area farm to get hands-on experience with what it means to eat more ethically.
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Ramirez, B. (PI)

CSRE 51Q: Comparative Fictions of Ethnicity (AMSTUD 51Q, COMPLIT 51Q)

Explorations of how literature can represent in complex and compelling ways issues of difference--how they appear, are debated, or silenced. Specific attention on learning how to read critically in ways that lead one to appreciate the power of literary texts, and learning to formulate your ideas into arguments. Course is a Sophomore Seminar and satisfies Write2. By application only
Terms: Spr | Units: 5 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP, Writing 2
Instructors: ; Palumbo-Liu, D. (PI)

CSRE 55N: Black Panther, Hamilton, Diaz, and Other Wondrous Lives (COMPLIT 55N)

This seminar concerns the design and analysis of imaginary (or constructed) worlds for narratives and media such as films, comics, and literary texts. The seminar's primary goal is to help participants understand the creation of better imaginary worlds - ultimately all our efforts should serve that higher purpose. Some of the things we will consider when taking on the analysis of a new world include: What are its primary features - spatial, cultural, biological, fantastic, cosmological? What is the world's ethos (the guiding beliefs or ideals that characterize the world)? What are the precise strategies that are used by the artist to convey the world to us and us to the world? How are our characters connected to the world? And how are we - the viewer or reader or player - connected to the world? Note: This course must be taken for a letter grade to be eligible for WAYS credit.
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Saldivar, J. (PI)

DESIGN 187N: How to Shoot for the Moon (AA 107N)

The new space industry has the potential to impact and sustain life on Earth and beyond. For example, emerging space technology can shape the way we design habitats, food, and spacecraft for low-Earth orbit or the Lunar surface, as well as the products we use here on Earth. However, this requires us to take a deeper look at the potential influence on humanity and pushes us to declare our life mission as a lens for what we engineer. The aim of this IntroSem is to help undergraduate students "shoot for the moon" and "declare their mission" via an integration of curriculum from aerospace engineering and human-centered design. In this 10-week course, students will engage with some of life's hardest questions: Who are you?; Why are you here (i.e., on Earth and at Stanford)?; What do you want?; and How will you get there (i.e., Mars or your dream job after Stanford)? In addition, students will pitch new space-related, human-centered technology to potential stakeholders. To give students exposure to actual careers in aerospace design and engineering, mentors from industry will be invited to engage with students throughout the course and provide feedback on design projects. Are you go for launch?
Terms: Spr | Units: 3

DESIGN 283Q: Tinkering with Inequity in Emerging Tech

A historically-informed and multidisciplinary approach to designing emerging technologies like AI, the metaverse, NFTs, IOT, and the systems in which they exist to be equitable.Throughout history, innovations in science and technology, while bold and visionary, have often resulted in catastrophic consequences for Indigenuous, Black, immigrant and other historically oppressed communities, and the environment. Today's emerging technologies, which span everything from deep fakes to self-driving vehicles, have incredible capabilities, and at the same time are plagued with algorithmic bias and lack accountability. What can we learn from our precarious past that we are not learning today, but need to? This class welcomes the curious and the creative, from interdisciplinary fields including design, computer science, art, history, political science, ethics, feminist and gender studies and professionals of diverse backgrounds. Through a variety of hands-on design projects including historical excavations, speculative fiction and world building, students will learn how to create prototypes of emerging technologies and evaluate their implications on diverse communities, the environment, and our past and future selves.
Terms: Win | Units: 3
Instructors: ; Mogos, A. (PI)

DLCL 122Q: Technologies of Handwriting: History, Theory, Practice (ENGLISH 10Q)

Handwriting has a long history and significance. Think about Toni Morrison's diaries; a note by Einstein; a Laozi manuscript from the second century; Elizabeth I's poems; hieroglyphic laws; an electronic signature; a postcard from a friend. This course will investigate the history of handwriting, focusing on the importance of the technology and its digital aspects. We shall consider the training and physical efforts of scribes, and the transmission of knowledge, including that of traditionally oral cultures. We'll look at the development of western scripts, gain insight about materials and tools (from animal skin to reed pens) and learn calligraphy from an expert modern scribe, the better to understand the skill and aesthetic of this most everyday of technologies that, I shall argue, will outlive all others
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II
Instructors: ; Treharne, E. (PI)

EARTHSYS 36N: Life at the Extremes: From the Deep Sea to Deep Space

Preference to freshmen. Microbial life is diverse and resilient on Earth; could it survive elsewhere in our solar system? This seminar will investigate the diversity of microbial life on earth, with an emphasis on extremophiles, and consider the potential for microbial life to exist and persist in extraterrestrial locales. Topics include microbial phylogenetic and physiological diversity, biochemical adaptations of extremophiles, ecology of extreme habitats, and apparent requirements and limits of life. Format includes lectures, discussions, lab-based activities and local field trips. Basics of microbiology, biochemistry, and astrobiology.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Dekas, A. (PI)

EARTHSYS 37Q: Food Justice Now! Power and Politics in the Ways We Eat (CSRE 37Q, SOC 37Q)

Where does the food you eat come from? How does it get to your plate? Where does it go when you don't finish it? And why are those particular items on your plate in the first place? How and what we eat is a vastly overlooked part of everyday life, and yet comes with huge personal, societal, and environmental effects, both positive and (quite often) negative. But this isn't indicative of personal moral failings or ignorance - rather, the food system was designed this way. And it leaves many of us without choice or consent around what we put into our bodies and how our actions impact those around us, thereby exacerbating social and health inequities. This class will uncover the secret workings of the global food system and introduce students to movements and efforts towards creating a more just food future for all. We will center on the concept of 'food justice,' which includes all ideas and practices that strive to eliminate exploitation and oppression within and beyond the food system. This trajectory will take us through understandings of economic, political, cultural, social, and ecological life, both now and in the past, providing students with a unique opportunity to gain interdisciplinary knowledge of food systems. For instance, we will learn about how historical and modern-day activists and scholars draw on movements for economic, gender, racial, climate, and environmental justice, and explore the possibilities for both reformative and transformative food politics. Finally, because food production, consumption, and activism are all highly tangible practices, the class will engage in field trips to the Stanford O'Donohue Family Farm, Stanford Food Institute's Teaching Kitchen, and a local Bay Area farm to get hands-on experience with what it means to eat more ethically.
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Ramirez, B. (PI)

EARTHSYS 38N: The Worst Journey in the World: The Science, Literature, and History of Polar Exploration (EPS 38N, ESS 38N)

(Formerly GEOLSCI 38N) This course examines the motivations and experiences of polar explorers under the harshest conditions on Earth, as well as the chronicles of their explorations and hardships, dating to the 1500s for the Arctic and the 1700s for the Antarctic. Materials include The Worst Journey in the World by Aspley Cherry-Garrard who in 1911 participated in a midwinter Antarctic sledging trip to recover emperor penguin eggs. Optional field trip into the high Sierra in March. Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: GER: DB-NatSci

EARTHSYS 46N: Exploring the Critical Interface between the Land and Monterey Bay: Elkhorn Slough (ESS 46N)

Preference to freshmen. Field trips to sites in the Elkhorn Slough, a small agriculturally impacted estuary that opens into Monterey Bay, a model ecosystem for understanding the complexity of estuaries, and one of California's last remaining coastal wetlands. Readings include Jane Caffrey's "Changes in a California Estuary: A Profile of Elkhorn Slough". Basics of biogeochemistry, microbiology, oceanography, ecology, pollution, and environmental management.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Francis, C. (PI)

ECON 25N: Public Policy and Personal Finance (PUBLPOL 55N)

The seminar will provide an introduction and discussion of the impact of public policy on personal finance. Voters regularly rate the economy as one of the most important factors shaping their political views and most of those opinions are focused on their individual bottom lines. In this course we will discuss the rationale for different public policies and how they affect personal financial situations. We will explore personal finance issues such as taxes, loans, charity, insurance, and pensions. Using the context of (hypothetical) personal finance positions, we will discuss the public policy implications of various proposals and how they affect different groups of people, for example: the implications of differential tax rates for different types of income, the promotion of home ownership in the U.S., and policies to care for our aging population. While economic policy will be the focus of much of the course, we will also examine some of the implications of social policies on personal finance as well. There will be weekly readings and several short policy-related writing assignments.
Terms: Aut | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Rosston, G. (PI)

EDUC 115N: How to Learn Mathematics

What is going on in mathematics education in the United States? Why do so many people hate and fear math? What contributes to the high levels of innumeracy in the general population? Why do girls and women opt out of math when they get a chance? In this seminar we will consider seminal research on math learning in K-12 classrooms, including a focus on equity. We will spend time investigating cases of teaching and learning, through watching videos and visiting schools. This seminar is for those who are interested in education, and who would like to learn about ways to help students (and maybe yourselves?) learn and enjoy mathematics. If you have had bad math experiences and would like to understand them - and put them behind you - this seminar will be particularly good for you. The final project for this class will involve developing a case of one or more math learners, investigating their journeys in the world of math.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-SocSci, WAY-SI
Instructors: ; Boaler, J. (PI)

EDUC 152N: Improving Inclusive Higher Education: Students with Down Syndrome at Stanford?

This course is designed to deepen knowledge related to including individuals with intellectual and developmental disabilities (IDD), including Down syndrome (DS), in college settings and to research model post-secondary programs. Students will conduct a project investigating one model post-secondary program at an institute of higher education. We will complete the quarter by authoring a white paper for Stanford leadership that outlines next steps for establishing a world-class post-secondary program that will enhance the lives of individuals with DS and IDD.
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Lemons, C. (PI)

EE 14N: Things about Stuff

Preference to freshmen. The stories behind disruptive inventions such as the telegraph, telephone, wireless, television, transistor, and chip are as important as the inventions themselves, for they elucidate broadly applicable scientific principles. Focus is on studying consumer devices; projects include building batteries, energy conversion devices and semiconductors from pocket change. Students may propose topics and projects of interest to them. The trajectory of the course is determined in large part by the students themselves.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors: ; Lee, T. (PI)

EE 21N: Making at the nanometer scale: A journey into microchips

Have you ever wondered what is inside your phone and your computer? What physical events happen in between the time you press the 'search' button and the information shows up on the screen? In this course, we start with the classic paper by Richard Feynman, "There's Plenty of Room at the Bottom," which laid down a challenge to the nanotechnologists. Today's microchips are nanotechnology in action. Transistors are nanometer scale. We will introduce students to the tools of nanotechnologists and the basic elements of nanoscale science and engineering such as nanotubes, nanowires, nanoparticles, and self-assembly. We will visit nanotechnology laboratories to consolidate our learning, go into the Stanford Nanofabrication Facility (SNF), and do a four-week project on nanofabrication. Hands-on laboratory work will be introduced (e.g., lithography, seeing things at the nanoscale using electron microscopes). We will learn how to build transistors from scratch and test them.
Terms: Win | Units: 3 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors: ; Wong, H. (PI)

EE 60N: Man versus Nature: Coping with Disasters Using Space Technology (GEOPHYS 60N)

Preference to freshman. Natural hazards, earthquakes, volcanoes, floods, hurricanes, and fires, and how they affect people and society; great disasters such as asteroid impacts that periodically obliterate many species of life. Scientific issues, political and social consequences, costs of disaster mitigation, and how scientific knowledge affects policy. How spaceborne imaging technology makes it possible to respond quickly and mitigate consequences; how it is applied to natural disasters; and remote sensing data manipulation and analysis. GER:DB-EngrAppSci
Terms: Win | Units: 4 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors: ; Zebker, H. (PI)

EE 84N: From the Internet for People to the Internet of Things

Driven by the ubiquity of the Internet and advances in various technological fields, all aspects of the physical world in which we live are undergoing a major transformation. Underlying this transformation is a concept known as the Internet of Things (IoT) which envisions that every physical object in the world could be connected to the Internet. This concept is at the root of such developments as the fourth industrial revolution, precision agriculture, smart cities, intelligent transportation, home and building automation, precision medicine, etc. In this seminar, we trace back the origins of the IoT concept in terms of both the vision and pioneering work, identify the building blocks of an IoT system, and explore enabling technologies pertaining to the devices that get attached to things (possibly comprising sensors, actuators, and embedded systems) and the communications capabilities (RFID, Bluetooth, wireless sensor networks, Wi-Fi, Low Power WANs, cellular networks, vehicular communications). Students will apply the acquired knowledge to the design of IoT systems meeting specific objectives in various application domains.
Terms: Win | Units: 3
Instructors: ; Tobagi, F. (PI)

EMED 123N: Does Social Media Make Better Physicians?

Scientific knowledge doubles every 90 days. Physicians must quickly learn about recent discoveries to remain current in their chosen specialties. How does tech help doctors stay up-to-date? Twitter, Snapchat, lnstagram, and Face book are used to teach physicians and their patients. Online learning systems have replaced most textbooks and social media platforms are now vehicles to disseminate new knowledge. This seminar will explore the best ways to use technology in medical education, with a focus on the application of social media as a key instructional tool. Students will learn about the different stages of education required to become a physician and explore some of the challenges to continuing medical education. Class assignments will include the creation of health education infographics, reading and drafting posts for medical biogs, and critical analysis of medical podcasts. The course will be particularly interesting to pre-medical students who have a background in blogging or pod casting, though such experiences or skills are not prerequisites for enrollment. Throughout the seminar, there will be an emphasis on the impact of digital scholarship. Students will have the opportunity to submit high-quality classwork for possible online publication on several medical education sites made available by the course instructor.
Terms: Win | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Gisondi, M. (PI)

ENERGY 30N: Busting Energy Myths

Energy myths and misconceptions to better equip participants to understand a pathway for global energy transformation. Key concepts developed and employed include energy [kinetic, potential, chemical, thermal, etc.], power, heat, renewables, efficiency, transmission, and life cycle analysis. Throughout this seminar groups of students are challenged with "energy myths" and their task is to deconstruct these myths and convince their classmates in oral presentations that they have indeed done so. Emphasis is on critical and analytical thinking, problem solving and presentation.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA

ENGLISH 10Q: Technologies of Handwriting: History, Theory, Practice (DLCL 122Q)

Handwriting has a long history and significance. Think about Toni Morrison's diaries; a note by Einstein; a Laozi manuscript from the second century; Elizabeth I's poems; hieroglyphic laws; an electronic signature; a postcard from a friend. This course will investigate the history of handwriting, focusing on the importance of the technology and its digital aspects. We shall consider the training and physical efforts of scribes, and the transmission of knowledge, including that of traditionally oral cultures. We'll look at the development of western scripts, gain insight about materials and tools (from animal skin to reed pens) and learn calligraphy from an expert modern scribe, the better to understand the skill and aesthetic of this most everyday of technologies that, I shall argue, will outlive all others
Terms: Aut | Units: 3-5 | UG Reqs: WAY-A-II
Instructors: ; Treharne, E. (PI)

ENGLISH 11Q: Art in the Metropolis (ARTSINST 11Q, ARTSTUDI 11Q, FILMEDIA 11Q, MUSIC 11Q, TAPS 11Q)

This seminar is offered in conjunction with the annual "Arts Immersion" trip to New York that takes place over the spring break and is organized by the Stanford Arts Institute (SAI). Enrollment in this course is a requirement for taking part in the spring break trip. The program is designed to provide a group of students with the opportunity to immerse themselves in the cultural life of New York City guided by faculty and SAI staff. Students will experience a broad range and variety of art forms (visual arts, theater, opera, dance, etc.) and will meet with prominent arts administrators and practitioners, some of whom are Stanford alumni. In the seminar, we will prepare for the diverse experiences the trip affords and develop individual projects related to particular works of art, exhibitions, and performances that we'll encounter in person during the stay in New York. Class time will be divided between readings, presentations, and one studio based creative project. The urban setting in which the various forms of art are created, presented, and received will form a special point of focus. A principal aim of the seminar will be to develop aesthetic sensibilities through writing critically about the art that interests and engages us and making art. For further details please visit the Stanford Arts Institute website: https://arts.stanford.edu/for-students/academics/arts-immersion/new-york/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Berlier, T. (PI)

ENGLISH 13Q: Imaginative Realms

This class looks at the tradition of the imagined universe in fiction and poetry. Special topics include magical realism, artificial intelligence, and dystopias. Primary focus on giving students a skill set to tap into their own creativity. Opportunities for students to explore their creative strengths, develop a vocabulary with which to discuss their own creativity, and experiment with the craft and adventure of their own writing. For undergrads only.
Terms: Aut | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Ekiss, K. (PI)

ENGLISH 15N: Wastelands

Have human beings ruined the world? Was it war, or industry, or consumerism, or something else that did it? Beginning with an in-depth exploration of some of the key works of literary modernism, this class will trace the image of the devastated landscape as it develops over the course of the 20th and 21st centuries, arriving finally at literary representations of the contemporary zombie apocalypse. Authors to include T.S Eliot, Ernest Hemingway, Nathanael West, Willa Cather, Cormac McCarthy, and others.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; McGurl, M. (PI)

ENGLISH 16Q: Family Stories

This creative writing workshop will explore the idea of family. We'll begin with our questions: How do we conceptualize the word family? How do family histories, stories, mythologies, and languages shape our narratives? What does family have to do with the construction of a self? How can we investigate the self and all of its many contexts in writing? We'll consider how we might work from our questions in order to craft work that is meaningful and revealing. Students will have the opportunity to write in both poetry and prose, as well as to develop their own creative cross-genre projects. Along the way, we'll discuss elements of craft essential to strong writing: how to turn the self into a speaker; how create the world of a piece through image, detail, and metaphor; how to craft beautiful sentences and lines; how to find a form; and many other topics.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Perham, B. (PI)

ENGLISH 17N: Animal Poems

Animals have always appealed to the human imagination. This course provides basic a rubric for analyzing a variety of animal poems in order (1) to make you better readers of poetry and (2) to examine some of the most pressing philosophical questions that have been raised in the growing field of animal studies. The animals that concern us here are not allegorical-the serpent as evil, the fox as cunning, the dove as a figure for love. Rather, they are creatures that, in their stubborn animality, provoke the imagination of the poet.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Gigante, D. (PI)

ENGLISH 17Q: After 2001: A 21st Century Science Fiction Odyssey

In 1968, Stanley Kurick's 2001: A Space Odyssey imagined the future in the then distant year of 2001. Now that year is more than 20 years in the rearview and his science fiction future is now our past (with fewer PanAm flights to the moon and a stunning dearth of murderous AI). What is science fiction in the 21st century? What does it do? Who writes it? And, importantly, who is it for? In this class we will explore the questions of topic, author, audience, and community through the lens of the Hugo winning short stories since 2001. Hugo Awards are chosen by the fans, so this will allow us to examine the ways in which fandom and popular culture have changed in the last two decades in ways that has made the genre broader and more inclusive of writers and readers of every gender, race, and sexuality, while at the same time provoking a reactionary response in a minority of writers and fans who consider themselves decentered by these developments. Readings will include the Hugo winning short stories, some classic science fiction stories, and contemporary reports about the annual science fiction convention where these awards are given (WorldCon), and articles about science fiction fan culture. We will also view some of the science fiction visual works that have been important or influential in the past two decades. Timing and health permitted we will attend a local science fiction convention. This course will be reading- and writing-intensive but will also offer opportunities for spirited discussion. We will be engaging with sensitive subjects such as race, class, gender, and sexuality. Assignments include weekly short essays, discussion leadership, individual presentations, and a final research paper.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP

ENGLISH 19Q: I Bet You Think You're Funny: Humor Writing Workshop

Nothing is harder than being funny on purpose. We often associate humor with lightness, and sometimes that's appropriate, but humor is inextricably interlinked with pain and anger, and our funniest moments often spring from our deepest wounds. Humor can also allow us a platform for rage and indignation when other forms of rhetoric feel inadequate. This workshop will take students through the techniques and aesthetics of humor writing, in a variety of forms, and the main product of the quarter will be to submit for workshop a sustained piece of humor writing. For undergrads only.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: ; Porter, E. (PI)

ENGLISH 20N: Poetry: Wordsworth, Dickinson, Rilke

We will consider both the very short poems of these three master poets -- asking what precisely is the virtue and effect of these shortest linguistic art objects -- as well as their very long works or sequences, to think about scale and singularity or repetition in poetic utterance.
Terms: Aut | Units: 3
Instructors: ; Greif, M. (PI)

ENGLISH 24Q: Leaving Patriarchy: A Course for All Genders (FEMGEN 24Q)

This is a creative writing course for writers of all genders who are interested in thinking about patriarchy and how to resist it. Our course will aim to complicate the idea that men benefit from patriarchy and are its primary enforcers, while the rest of us are simply suffering under it. We'll ask ourselves how patriarchy is bad for ALL of us, and how ALL of us are implicated in its perpetuation. Do we ALL have the reasons and the resources to leave patriarchy--and can we start to leave it right now? We'll read works of scholarship and literature that investigate patriarchy as a human relational problem. We'll write fiction and nonfiction in which we explore the ways patriarchy has shaped us, challenge ourselves to resist its manifestations in our relationships, envision a future without patriarchy, and begin to live that future right now. Most crucially, we will practice creating a space in which all of us can speak without fear of judgment about our experiences of a fraught topic.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE

ENGLISH 25Q: Queer Stories (FEMGEN 25Q)

Queer Stories is a creative writing class open to any and all students, regardless of how they define their gender or sexuality. The goals of the class are to read widely in the canon of twentieth and twenty-first century queer prose literature, and to write critical and creative work that engages with the styles, modes, and subjects of these writers. As we read and discuss texts, students will consider a variety of questions: How has queer romance, relationships, and sexuality been represented over the years, in both coded and explicit ways? How have writers grappled with representing our evolving sense of gender as a continuum rather than a binary? How have queer writers interrogated or understood the concept of family? How do queer writers handle the question of the "universal" reader to whom, arguably, they might be speaking? (In a 2012 interview with Lambda Literary, book critic Daniel Mendelsohn argues,contentiously, "It is precisely the gay book's ability to be interesting to a straight reader that makes it a great book.") Lastly, students will also create writing of their own that in some way draws upon the aesthetics or sensibilities of the authors we have read. These pieces may be short stories, personal essays, or texts that--in the spirit of queerness--blur or interrogate standard demarcations of genre. The content of this work might grapple with questions of gender and sexuality, but it might instead be queer in its affect, outlook, or style. In both the reading and writing they do in this class, students will engage with work that deviates from literary convention in the lives it represents and the ways in which it represents them.
Terms: Win | Units: 3 | UG Reqs: WAY-CE, WAY-EDP
Instructors: ; Labowskie, M. (PI)

ENGLISH 26Q: The Brontes: a Victorian Family and its Marvelous Daughters

Isolated in the moorlands of Yorkshire and raised in evangelical strictness by an eccentric father, the Bronte children imagined stories of personal power and political intrigue, based on the news they read. The eldest of the three sisters, Charlotte, grew up to become a major novelist of the Victorian age. Her younger sister, Emily, became a poet and a novelist of wild genius. The youngest sister, Anne, wrote two arresting novels before her early death. The lone brother, Branwell, squandered his talents -- and much of the family's money -- before his death at thirty-one. In 1847, Charlotte Bronte's Jane Eyre, Emily Bronte's Withering Heights, and Anne Bronte's Agnes Grey surprised literary London, and voiced an angry, sensual, urgent response to the Victorians' nagging "Woman Question." These eccentric novels register the tedium, the aspirations, and the frustrations of these gifted women. We will consider historical, cultural, and biographical questions, as we study these early novels, the children's juvenilia, and a representative later work. Each student will have the chance to investigate one of these women more deeply, and share their discoveries with the the seminar.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Paulson, L. (PI)

ENGLISH 28Q: The Campus Novel

The college campus is a fascinating place, where people from different backgrounds come together for different purposes. So it is no wonder that many novelists have turned their attention upon the college campus as a setting for their novels. In this Sophomore Seminar, we will read three fantastic campus novels, and use these books as means of exploring big questions about the purpose of an undergraduate education.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Smith, A. (PI)

ENGLISH 39Q: Were They Really "Hard Times"? Mid-Victorian Social Movements and Charles Dickens (HISTORY 39Q)

"It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it." So begins Charles Dickens description of Coketown in Hard Times. And it only seems to get more grim from there. But the world that Dickens sought to portray in the novel was a hopeful one, too. And that tension is our starting point. The intent of this class is to more closely examine mid-Victorian Britain in light of Dickens' novel, with particular focus on the rise of some of our modern social movements in the 19th century. While things like the labor movement, abolitionism, feminism, and environmentalism, are not the same now as they were then, this class will explore the argument that the 21st century is still, in some ways, working out 19th century problems and questions. At the same time, this is also a course that seeks to expand the kinds of sources we traditionally use as historians. Thus, while recognizing that literary sources are particularly complex, we will use Hard Times as a guide to our exploration to this fascinating era. We will seek both to better understand this complex, transitional time and to assess the accuracy of Dickens' depictions of socio-political life.Through a combination of short response papers, creative Victorian projects (such as sending a hand-written letter to a classmate), and a final paper/project, this course will give you the opportunity to learn more about the 19th century and the value of being historically minded.As a seminar based course, discussion amongst members of the class is vital. All students are welcome
Terms: Spr | Units: 3 | UG Reqs: WAY-ER, WAY-SI
Instructors: ; Wolfenstein, G. (PI)

ENGLISH 53Q: Writing and Gender in the Age of Disruption (FEMGEN 53Q)

In this course, we will read a wide cross-section of British and American women writers who turned to fiction and poetry to examine, and to survive, their times: Virginia Woolf, Nella Larsen, Rebecca West, Zora Neale Hurston, Jean Rhys, Jessie Redmon Fauset, Katherine Mansfield, H.D., Marianne Moore, and Una Marson. You will learn how to pay close attention to the often radically new ways these writers bent language to their purposes to express complex emotions and vexed political realities; in your own essay writing, you will learn how to write clearly and persuasively about small units of text and to craft longer critical analyses attentive to language, history, and culture. Always, students will be encouraged to draw connections between then and now, to ponder what has changed, and what remains to be changed, in our own turbulent times.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Staveley, A. (PI)

ENGLISH 61N: Jane Austen's Fiction

Austen's finely wrought novels were unlike any previous fiction, offering an intensely realized example of literary originality. This class focuses on Austen's major writing, all published in a remarkable ten year period. These novels - including Pride and Prejudice, Emma, Mansfield Park and Persuasion - have had a profound impact on the development and understanding of the novel as an art form. We'll take the measure of Austen's inventiveness and her subtle, engrossing experiments in narrative voice, fictional character, representation and literary form. Our two goals will be to closely engage each novel (looking at the major interpretative and aesthetic questions that are generated) and to track the rich dialogue that takes place between her different texts when they are read together.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Woloch, A. (PI)

ENGLISH 90Q: Sports Writing

Study and practice of the unique narratives, tropes, images and arguments that creative writers develop when they write about popular sport. From regional fandom to individualist adventuring, boxing and baseball to mascot dancing and table tennis, exceptional creative writers mine from a diversity of leisure activity a rich vein of sports writing in the creative nonfiction genre. In doing so, they demonstrate the creative and formal adaptability required to write with excellence about any subject matter, and under the circumstances of any subjectivity. Discussion of the ways in which writers have framed, and even critiqued, our interest in athletic events, spectatorship, and athletic beauty. Writers include Joyce Carol Oates, Roland Barthes, David James Duncan, Arnold Rampersad, John Updike, Maxine Kumin, Susan Sterling, Ernest Hemingway, Norman Mailer, Dervla Murphy, Haruki Murakami, Don DeLillo, Henry Louis Gates, Jr., Annie Dillard, John McPhee, and Laura Hillenbrand. Close readings of essays on form and sport, as well as book excerpts. Students will engage in class discussions and write short weekly papers, leading to a more comprehensive project at the end of the quarter.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: ; Evans, J. (PI)

ENGLISH 93Q: The American Road Trip

From Whitman to Kerouac, Alec Soth to Georgia O'Keeffe, the lure of travel has inspired many American artists to pack up their bags and hit the open road. In this course we will be exploring the art and literature of the great American road trip. We will be reading and writing in a variety of genres, workshopping our own personal projects, and considering a wide breadth of narrative approaches. Assignments will range from reading Cormac McCarthy's novel, 'The Road,' to listening to Bob Dylan's album, 'Highway 61 Revisited.' We will be looking at films like 'Badlands' and 'Thelma and Louise,' acquainting ourselves with contemporary photographers, going on a number of campus-wide field trips, and finishing the quarter with an actual road trip down the California coast. Anyone with a sense of adventure is welcome!
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: ; Carlson-Wee, K. (PI)

ENGLISH 94Q: The Future is Feminine (FEMGEN 94Q)

Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as models and inspiration. As we engage with these other writers, we will think broadly and bravely, and explore the expressive opportunities inherent in writing. We will explore our own creative practices through readings, prompted exercises, improv, games, collaboration, workshop, and revision, all with an eye toward writing the feminine future.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: ; Pufahl, S. (PI)

ENGR 159Q: Japanese Companies and Japanese Society (MATSCI 159Q)

Preference to sophomores. The structure of a Japanese company from the point of view of Japanese society. Visiting researchers from Japanese companies give presentations on their research enterprise. The Japanese research ethic. The home campus equivalent of a Kyoto SCTI course.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-SocSci
Instructors: ; Sinclair, R. (PI)

EPS 30N: Designing Science Fiction Planets (GEOPHYS 30N)

(Formerly GEOLSCI 30N) Science fiction writers craft entire worlds and physical laws with their minds. While planetary formation in the real world is a little different, we can use fantastical places and environments from film, television, and literature as conversation starters to discuss real discoveries that have been made about how planets form and evolve over time. The class will focus on the following overarching questions: (1) What conditions are required for habitable planets to form? (2) What types of planets may actually exist, including desert worlds, lava planets, ice planets, and ocean worlds? (3) What kids of life could inhabit such diverse worlds? (3) What types of catastrophic events such as supernovas, asteroid impacts, climate changes can nurture or destroy planetary habitability? Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Tikoo, S. (PI)

EPS 38N: The Worst Journey in the World: The Science, Literature, and History of Polar Exploration (EARTHSYS 38N, ESS 38N)

(Formerly GEOLSCI 38N) This course examines the motivations and experiences of polar explorers under the harshest conditions on Earth, as well as the chronicles of their explorations and hardships, dating to the 1500s for the Arctic and the 1700s for the Antarctic. Materials include The Worst Journey in the World by Aspley Cherry-Garrard who in 1911 participated in a midwinter Antarctic sledging trip to recover emperor penguin eggs. Optional field trip into the high Sierra in March. Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: GER: DB-NatSci

EPS 145Q: Nuclear Issues: Energy, Weapons and the Environment

(Formerly GEOLSCI 145Q) The advances of nuclear science and technology is closely tied to the development of nuclear weapons and nuclear energy. This seminar reviews basic concepts of nuclear physics and nuclear chemistry and then describes the history of the development of nuclear weapons and nuclear power plants. For nuclear weapons, the course focuses on proliferation and the theory of deterrence. We will use case studies to understand the nuclear threats from Russia, China and North Korea. For nuclear energy, the course focuses on power production, nuclear fuel cycles, the cost of nuclear power plants, nuclear accidents (Chernobyl and Fukushima Daiichi) and nuclear waste management and disposal. Finally, the students will examine the impact of nuclear power, as an energy source that has very low levels of greenhouse gas emissions, on global climate change. Each student will complete an individual research project/paper and make a presentation that will be focused on an aspect of the energy, nuclear weapons and climate change nexus. Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Ewing, R. (PI)

ESS 14N: Sustainable Adaptation

How do we adapt to the rapid global environmental changes that are happening around us? How do we do so in a way that is sustainable, enhancing human and environmental wellbeing, now and in the future? In this course, we will explore these questions through an interdisciplinary lens, drawing from the social sciences, engineering, and public health. We will focus on people¿s responses to a range of impacts related to global environmental change from sea level rise to extreme weather events. Example responses include changes in fishing practices, taking protective action during wildfires or hurricanes, and migrating to a new location. Often, we will draw case studies from frontline communities, those who experience the "first and worst" of global environmental changes. Through readings, film, and field trips, we will ask what adaptation to global environmental change is, what does it mean to be sustainable, and how can it be sustained.
Terms: Aut | Units: 3
Instructors: ; Wong-Parodi, G. (PI)

ESS 16N: Island Ecology

Preference to freshmen. How ecologists think about the world. Focus is on the Hawaiian Islands: origin, geology, climate, evolution and ecology of flora and fauna, and ecosystems. The reasons for the concentration of threatened and endangered species in Hawaii, the scientific basis for their protection and recovery. How knowledge of island ecosystems can contribute to ecology and conservation biology on continents.
Terms: Aut | Units: 3 | UG Reqs: GER: DB-NatSci
Instructors: ; Vitousek, P. (PI)

ESS 38N: The Worst Journey in the World: The Science, Literature, and History of Polar Exploration (EARTHSYS 38N, EPS 38N)

(Formerly GEOLSCI 38N) This course examines the motivations and experiences of polar explorers under the harshest conditions on Earth, as well as the chronicles of their explorations and hardships, dating to the 1500s for the Arctic and the 1700s for the Antarctic. Materials include The Worst Journey in the World by Aspley Cherry-Garrard who in 1911 participated in a midwinter Antarctic sledging trip to recover emperor penguin eggs. Optional field trip into the high Sierra in March. Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: GER: DB-NatSci

ESS 46N: Exploring the Critical Interface between the Land and Monterey Bay: Elkhorn Slough (EARTHSYS 46N)

Preference to freshmen. Field trips to sites in the Elkhorn Slough, a small agriculturally impacted estuary that opens into Monterey Bay, a model ecosystem for understanding the complexity of estuaries, and one of California's last remaining coastal wetlands. Readings include Jane Caffrey's "Changes in a California Estuary: A Profile of Elkhorn Slough". Basics of biogeochemistry, microbiology, oceanography, ecology, pollution, and environmental management.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Francis, C. (PI)

ESS 65N: How to make a tornado (and other flows in the atmosphere and ocean)

In this seminar students explore the physics of atmospheric and oceanic flows experientially using rotating tanks of water on small turntables provided to students in the class. Different flow phenomena from tornado formation, ocean gyres, to hurricane propagation are introduced each week and experiments are designed to simulate them. The experiments, like the oceanic and atmospheric motions they are simulating, can be visually stunning, like pieces of fluid artwork, and the students will learn various visualization techniques to draw out their beauty. The goal is for students to practice the scientific method while gaining an understanding and appreciation for how the ocean and atmosphere work.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Thomas, L. (PI)

FEMGEN 24N: Sappho: Erotic Poetess of Lesbos (CLASSICS 16N)

Preference to freshmen. Sappho's surviving fragments in English; traditions referring to or fantasizing about her disputed life. How her poetry and legend inspired women authors and male poets such as Swinburne, Baudelaire, and Pound. Paintings inspired by Sappho in ancient and modern times, and composers who put her poetry to music.
Terms: Win | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-CE, WAY-EDP
Instructors: ; Peponi, A. (PI)

FEMGEN 24Q: Leaving Patriarchy: A Course for All Genders (ENGLISH 24Q)

This is a creative writing course for writers of all genders who are interested in thinking about patriarchy and how to resist it. Our course will aim to complicate the idea that men benefit from patriarchy and are its primary enforcers, while the rest of us are simply suffering under it. We'll ask ourselves how patriarchy is bad for ALL of us, and how ALL of us are implicated in its perpetuation. Do we ALL have the reasons and the resources to leave patriarchy--and can we start to leave it right now? We'll read works of scholarship and literature that investigate patriarchy as a human relational problem. We'll write fiction and nonfiction in which we explore the ways patriarchy has shaped us, challenge ourselves to resist its manifestations in our relationships, envision a future without patriarchy, and begin to live that future right now. Most crucially, we will practice creating a space in which all of us can speak without fear of judgment about our experiences of a fraught topic.
Terms: Spr | Units: 3 | UG Reqs: WAY-CE

FEMGEN 25Q: Queer Stories (ENGLISH 25Q)

Queer Stories is a creative writing class open to any and all students, regardless of how they define their gender or sexuality. The goals of the class are to read widely in the canon of twentieth and twenty-first century queer prose literature, and to write critical and creative work that engages with the styles, modes, and subjects of these writers. As we read and discuss texts, students will consider a variety of questions: How has queer romance, relationships, and sexuality been represented over the years, in both coded and explicit ways? How have writers grappled with representing our evolving sense of gender as a continuum rather than a binary? How have queer writers interrogated or understood the concept of family? How do queer writers handle the question of the "universal" reader to whom, arguably, they might be speaking? (In a 2012 interview with Lambda Literary, book critic Daniel Mendelsohn argues,contentiously, "It is precisely the gay book's ability to be interesting to a straight reader that makes it a great book.") Lastly, students will also create writing of their own that in some way draws upon the aesthetics or sensibilities of the authors we have read. These pieces may be short stories, personal essays, or texts that--in the spirit of queerness--blur or interrogate standard demarcations of genre. The content of this work might grapple with questions of gender and sexuality, but it might instead be queer in its affect, outlook, or style. In both the reading and writing they do in this class, students will engage with work that deviates from literary convention in the lives it represents and the ways in which it represents them.
Terms: Win | Units: 3 | UG Reqs: WAY-CE, WAY-EDP
Instructors: ; Labowskie, M. (PI)

FEMGEN 44Q: Gendered Innovations in Science, Medicine, Engineering, and Environment (HISTORY 44Q)

Gendered Innovations harness the creative power of sex, gender, and intersectional analysis for innovation and discovery. We focus on sex and gender, and consider factors intersecting with sex and gender, including age, race/ethnicity, socioeconomic status, educational background, disabilities, geographic location, etc. We start with the history of gender in science in the scientific revolution to understand how to transform research institutions so that women, men, and non-binary individuals can flourish. The majority of the course is devoted to considering gendered innovations in AI, social robotics, health & medicine, design of cars and cockpits, menstrual products, marine science, and more. This course will emphasize writing skills as well as oral and multimedia presentation; it fulfills the second level Writing and Rhetoric Requirement (WRITE 2), WAY-ED, and WAY-SI.
Terms: Spr | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-EDP, WAY-SI, Writing 2
Instructors: ; Schiebinger, L. (PI)

FEMGEN 53Q: Writing and Gender in the Age of Disruption (ENGLISH 53Q)

In this course, we will read a wide cross-section of British and American women writers who turned to fiction and poetry to examine, and to survive, their times: Virginia Woolf, Nella Larsen, Rebecca West, Zora Neale Hurston, Jean Rhys, Jessie Redmon Fauset, Katherine Mansfield, H.D., Marianne Moore, and Una Marson. You will learn how to pay close attention to the often radically new ways these writers bent language to their purposes to express complex emotions and vexed political realities; in your own essay writing, you will learn how to write clearly and persuasively about small units of text and to craft longer critical analyses attentive to language, history, and culture. Always, students will be encouraged to draw connections between then and now, to ponder what has changed, and what remains to be changed, in our own turbulent times.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Staveley, A. (PI)

FEMGEN 94Q: The Future is Feminine (ENGLISH 94Q)

Gender is one of the great social issues of our time. What does it mean to be female or feminine? How has femininity been defined, performed, punished, or celebrated? Writers are some of our most serious and eloquent investigators of these questions, and in this class we'll read many of our greatest writers on the subject of femininity, as embodied by both men and women, children and adults, protagonists and antagonists. From Virginia Woolf to Ernest Hemingway, from Beloved to Gone Girl (and even "RuPaul's Drag Race"), we'll ask how the feminine is rendered and contested. We'll do so in order to develop a history and a vocabulary of femininity so that we may, in this important time, write our own way in to the conversation. This is first and foremost a creative writing class, and our goals will be to consider in our own work the importance of the feminine across the entire spectrum of gender, sex, and identity. We will also study how we write about femininity, using other writers as models and inspiration. As we engage with these other writers, we will think broadly and bravely, and explore the expressive opportunities inherent in writing. We will explore our own creative practices through readings, prompted exercises, improv, games, collaboration, workshop, and revision, all with an eye toward writing the feminine future.
Terms: Win, Sum | Units: 3 | UG Reqs: WAY-A-II, WAY-CE
Instructors: ; Pufahl, S. (PI)

FEMGEN 106Q: Gender and Media

From childhood, individuals are presented with texts and images about what it means to be female, what it means to be male, but rarely what it means to question that binary. These images and texts also present what it means to be in relationship with one another, and what it means to reject established gender roles. In this course, students will examine and research how lessons learned from popular culture impact the treatment and expectations of people individually as well as in relationship with each other. Specifically, we will analyze the ways in which news articles, movie clips, magazine advertisements, television commercials as well as other texts present gender identities as binary as well as gender roles of those binary structures. How are the roles and bodies of all genders presented as objects open to scrutiny, critique, exploitation, abuse, and awe? After examining rhetorical strategies and devices, we¿ll read excerpts from texts by social critics such as Susan Bordo who analyze culture and it¿s presentation of bodies. Through case studies of films and campaign ads, visits to spaces on campus that construct gender binaries, and field trips to off campus sites, we will explore how representations of gender challenge or reinforce messages in popular media.
Terms: Win | Units: 3-4 | UG Reqs: Writing 2
Instructors: ; Hanlon, P. (PI)

FEMGEN 120Q: Storytelling for Reproductive Justice

Through what artistic and aesthetic techniques can we most effectively harness the power of political storytelling? In this creative writing course, we?ll read narrative journalism, personal essays, and contemporary fiction that expand and complicate our understanding of what?s at stake in the fight for reproductive justice. We will hear firsthand from activists about the writers and thinkers that shaped their work, the relationship between reading and changemaking, and the importance of amplifying new, more expansive definitions of reproductive justice. We?ll consider how a craft-based approach allows us to avoid the didactic and lean into the complexity, nuance, and intimacy that the best political writing has to offer. Students will be supported in conceptualizing, executing, and revising an individual creative writing project - fiction, personal narrative, or hybrid form - that represents a thoughtful contribution to the question: What does reproductive justice mean to you? In the first half of the course, we?ll be engaged mostly with the stories of others - using the reproductive justice theoretical framework to contextualize fiction, memoir, and political narrative. During this time, students will begin formulating an idea for their final creative project, and the final four weeks of the class will focus on drafting and revision. Our inquiries will focus on questions of craft and the power of narrative technique to lead us to more complex, personal, and inclusive understandings of reproductive justice.
Terms: Spr | Units: 3
Instructors: ; Howse, R. (PI)

FEMGEN 150N: Queer Sculpture (ARTSTUDI 150N)

Outlaw sensibilities, self-made kinships, chosen lineages, utopic futurity, exilic commitment, and rage at institutions that police the borders of the normal these are among the attitudes that make up queer in its contemporary usage. -David J. Getsy. This hands-on studio based course explores queer as a form of art production. Artists and thinkers use queer to signal defiance to the mainstream and an embrace of difference, uniqueness and self-determination. To be intolerable is to demand that the normal, the natural and the common be challenged. To do this is not to demand inclusion, but rather to refuse to accept any operations of exclusion and erasure that make up the normal and posit compulsory sameness. Queer Sculpture is also about the strategic effort to appropriate and subvert conventional art practices and tactics that may involve everything from shifts in the content of a work and its targeted audience to the methods by which it is produced and its formal properties. The political imperatives of a queer or queered position will shape thematic investigations of practices related to utopic futurity, anti-assimilationist practices, failure, abstraction, the archive, camp, drag and alternative families. Classes will require reading, discussing, and making. Students will produce artwork for critiques and participate in discussions of the readings. The course includes guest artists and fieldtrips to local LGBTQ archives.
Terms: Aut | Units: 4 | UG Reqs: WAY-CE
Instructors: ; Berlier, T. (PI)

FEMGEN 150Q: Challenging Sex and Gender Dichotomies in Biology and Medicine (SOMGEN 150Q)

This course explores and challenges the physiological basis for distinguishing human "males" and "females", expands the concepts of "intersex" beyond reproductive anatomy/physiology (i.e. beyond the genitalia), and discusses some known consequences of "gender biases" in medical diagnoses and treatments. The influence of gender (sociocultural) "norms", i.e. gendered behaviors and relations, on human biology is juxtaposed with the role of biological traits on the construction of gender identity, roles and relationships, thereby focusing on the interactions of sex and gender on health and medical outcomes. Problems that may arise by labeling conditions that vary in incidence, prevalence and/or severity across the "male-female" spectrum as "men's" or "women's" health issues will be discussed. In addition, the importance of recognizing the spectrum of sex and gender, as well as sexual orientation, in clinical practice from pediatric to geriatric populations, will be highlighted, with consideration of varying perspectives within different race/ethnic, religious, political, and other groups.
Terms: Spr | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Stefanick, M. (PI)

FILMEDIA 50Q: The Video Essay: Writing with Video about Media and Culture

In this seminar, we explore what it means to 'write with video,' and we learn to make effective and engaging video essays. Specifically, we examine strategies for communicating through video, and we conduct hands-on exercises using digital video editing software to construct arguments, analyses, and interpretations of film, television, video games, online media, art, and culture. Compared with traditional text-based arguments, the video essay offers a remarkably direct mode of communicating critical and analytical ideas. Video essayists can simply show their viewers what they want them to see. This does not mean, however, that it is any easier than an essay composed with ink and paper. Like the written essay, the new technology introduces its own challenges and choices, including decisions about organization of space and time, audiovisual materials, onscreen text, voiceover commentary, and visual effects. By taking a hands-on approach, we develop our skills with editing software such as Adobe Premiere Pro and Apple's Final Cut Pro while also cultivating our awareness of the formal and narrative techniques employed in cinema and other moving-image media. Through weekly assignments and group critique sessions, we learn to express ourselves more effectively and creatively in audiovisual media. As a culmination of our efforts, we assemble a group exhibition of our best video essays for public display on campus.nNo previous experience is required, but a willingness to learn new technologies (in particular, video editing software) is important.
Terms: Aut | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Denson, S. (PI)

FILMEDIA 87N: The New Wave: How The French Reinvented Cinema (FRENCH 87N)

When the French New Wave burst onto the stage in 1959, it changed forever the way films are made and the ways we think about cinema. Shooting on location with small crews, light cameras, unknown actors and improvised scripts, a group of young film critics turned filmmakers circumvented the big studios to craft low-budget films that felt fresh, irreverent and utterly modern. In just a few years, the Nouvelle Vague delivered such landmark works as Truffaut's 400 Blows, Godard's Breathless or Resnais' Hiroshima mon amour. Together with Agn¿s Varda, Eric Rohmer and Claude Chabrol, they redefined the essence of cinema as an art form as complex and multi-layered as literature. Yet, after having been hailed as revolutionary, the Nouvelle Vague was soon dismissed as 'rather vague and not all that new. 'Why did these films look so radically fresh? What is their common aesthetics, when each 'auteur' claimed an utterly personal style for him or herself? And what did their immediate success and early fall from grace tell us about France in the early 60s? This survey course will explore a unique moment in French culture and the history of cinema, when radical politics, youth culture, and jazzy aesthetics coalesced into dazzling experiments on the screen that continue to influence world cinema to this day. Focus is on cultural history, aesthetic analysis, and interpretation of narrative, sound and visual forms. Satisfies Ways AII (Aesthetic and Interpretative Inquiry). Films in French with Subtitles. Taught in English.
Terms: Win | Units: 3-4 | UG Reqs: WAY-A-II
Instructors: ; Alduy, C. (PI)

FILMEDIA 105N: Film and Fascism in Europe (COMPLIT 104N, FRENCH 104N, ITALIAN 104N)

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini, Renoir) or just after their fall, used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them. The seminar introduces key film analysis tools and concepts, while offering insights into the history of propaganda and cinema. Taught in English.
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II
Instructors: ; Alduy, C. (PI)

FILMEDIA 211N: Childish Enthusiasms and Perishable Manias

This course has a simple premise: Effective scholarship need not suck the joy from the world. G. K. Chesterton once wrote that 'it is the duty of every poet, and even of every critic, to dance in respectful imitation of the child.' What could it mean to do scholarship that respects a child's playful and exploratory engagement with the world? Such questions will be filtered through such 'unserious' media as amusement parks, comics, cartoons, musicals, and kidlit.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Bukatman, S. (PI)

FRENCH 87N: The New Wave: How The French Reinvented Cinema (FILMEDIA 87N)

When the French New Wave burst onto the stage in 1959, it changed forever the way films are made and the ways we think about cinema. Shooting on location with small crews, light cameras, unknown actors and improvised scripts, a group of young film critics turned filmmakers circumvented the big studios to craft low-budget films that felt fresh, irreverent and utterly modern. In just a few years, the Nouvelle Vague delivered such landmark works as Truffaut's 400 Blows, Godard's Breathless or Resnais' Hiroshima mon amour. Together with Agn¿s Varda, Eric Rohmer and Claude Chabrol, they redefined the essence of cinema as an art form as complex and multi-layered as literature. Yet, after having been hailed as revolutionary, the Nouvelle Vague was soon dismissed as 'rather vague and not all that new. 'Why did these films look so radically fresh? What is their common aesthetics, when each 'auteur' claimed an utterly personal style for him or herself? And what did their immediate success and early fall from grace tell us about France in the early 60s? This survey course will explore a unique moment in French culture and the history of cinema, when radical politics, youth culture, and jazzy aesthetics coalesced into dazzling experiments on the screen that continue to influence world cinema to this day. Focus is on cultural history, aesthetic analysis, and interpretation of narrative, sound and visual forms. Satisfies Ways AII (Aesthetic and Interpretative Inquiry). Films in French with Subtitles. Taught in English.
Terms: Win | Units: 3-4 | UG Reqs: WAY-A-II
Instructors: ; Alduy, C. (PI)

FRENCH 104N: Film and Fascism in Europe (COMPLIT 104N, FILMEDIA 105N, ITALIAN 104N)

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini, Renoir) or just after their fall, used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them. The seminar introduces key film analysis tools and concepts, while offering insights into the history of propaganda and cinema. Taught in English.
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II
Instructors: ; Alduy, C. (PI)

GENE 104Q: Law and the Biosciences

Preference to sophomores. Focus is on human genetics; also assisted reproduction and neuroscience. Topics include forensic use of DNA, genetic testing, genetic discrimination, eugenics, cloning, pre-implantation genetic diagnosis, neuroscientific methods of lie detection, and genetic or neuroscience enhancement. Student presentations on research paper conclusions.
Terms: Aut | Units: 3 | UG Reqs: WAY-ER, Writing 2
Instructors: ; Greely, H. (PI)

GEOPHYS 20N: How to Predict a Super Eruption

The physics and chemistry of volcanic processes and modern methods of volcano monitoring. Volcanoes as manifestations of the Earth's internal energy and hazards to society. How earth scientists better forecast eruptive activity by monitoring seismic activity, bulging of the ground surface, and the discharge of volcanic gases, and by studying deposits from past eruptions. Focus is on the interface between scientists and policy makers and the challenges of decision making with incomplete information. Field trip to Mt. St. Helens, site of the 1980 eruption.
Terms: Win | Units: 3 | UG Reqs: GER: DB-NatSci, WAY-AQR, WAY-SMA
Instructors: ; Segall, P. (PI)

GEOPHYS 30N: Designing Science Fiction Planets (EPS 30N)

(Formerly GEOLSCI 30N) Science fiction writers craft entire worlds and physical laws with their minds. While planetary formation in the real world is a little different, we can use fantastical places and environments from film, television, and literature as conversation starters to discuss real discoveries that have been made about how planets form and evolve over time. The class will focus on the following overarching questions: (1) What conditions are required for habitable planets to form? (2) What types of planets may actually exist, including desert worlds, lava planets, ice planets, and ocean worlds? (3) What kids of life could inhabit such diverse worlds? (3) What types of catastrophic events such as supernovas, asteroid impacts, climate changes can nurture or destroy planetary habitability? Change of Department Name: Earth and Planetary Science (Formerly Geologic Sciences).
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Tikoo, S. (PI)

GEOPHYS 60N: Man versus Nature: Coping with Disasters Using Space Technology (EE 60N)

Preference to freshman. Natural hazards, earthquakes, volcanoes, floods, hurricanes, and fires, and how they affect people and society; great disasters such as asteroid impacts that periodically obliterate many species of life. Scientific issues, political and social consequences, costs of disaster mitigation, and how scientific knowledge affects policy. How spaceborne imaging technology makes it possible to respond quickly and mitigate consequences; how it is applied to natural disasters; and remote sensing data manipulation and analysis. GER:DB-EngrAppSci
Terms: Win | Units: 4 | UG Reqs: GER:DB-EngrAppSci, WAY-SMA
Instructors: ; Zebker, H. (PI)

GERMAN 57N: Nietzsche and the Search for Meaning

Many of us have heard his declarations of the death of God, the arrival of the Superman, and the need to live beyond good and evil. But what, beyond such sound bites, did Nietzsche actually teach? How can his writings be understood in the context of their own time? And what significance might they hold for us today? Taught in English.
Terms: Aut | Units: 3
Instructors: ; Smith, M. (PI)

GLOBAL 41Q: The Ape Museum: Exploring the Idea of the Ape in Global History, Science, Art and Film (HISTORY 41Q)

This course will explore the idea of "the ape" in global history, science, art, and film. The idea that apes might be humanity's nearest animal relatives is only about 200 years old. From the start, the idea developed in a global context: living fossil apes were found in Africa and Asia, and were immediately embroiled in international controversies about theories of human origins and racial hierarchies. This class will look at how and why "the ape" became a generative and controversial new concept in numerous national and regional contexts. We'll explore some of the many ways humans have looked at, studied, and thought about apes around the world: the "out of Asia" versus "out of Africa" hypothesis for human origins; Nim Chimpsky, the chimpanzee raised as a human child; Koko, the gorilla who may have learned sign language; Congo, the chimpanzee who made "abstract" paintings; films such as King Kong, Planet of the Apes, and 2001: Space Odyssey; the ape in World War II and Cold War propaganda in Japan, the Soviet Union, Germany, and the United States; Jane Goodall's study of chimpanzees "culture" and "personality"; the place of apes in natural history museums and zoos around the world; and Stanford's own fraught history of comparing apes and humans through the archival writings of eugenicist founding president David Starr Jordan. Taught in conjunction with an exhibit on global ape imagery at the Stanford Library curated by Professors Riskin and Winterer in 2024, the course will culminate in students' own miniature exhibits for a class-generated "Ape Museum."
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-SI

GSBGEN 113N: The Economic Survival of the Performing Arts

Even the most artistically accomplished and well-managed performing arts organizations--symphony orchestras, operas, dance companies, and many theaters--tend to live on the edge financially. In fact, most performing arts groups are organized as nonprofit organizations, because they cannot make enough money to cover costs and survive as profit-seeking businesses. In this seminar we will explore the reasons for the tension between artistic excellence and economic security,drawing on the experience of performing arts organizations in the United States and in countries(whose governments have adopted quite different policies toward the arts). Using economic concepts and analysis that we develop in the seminar, you will first examine the fundamental reasons for the economic challenges faced by performing arts organizations. In later sessions, we will consider and evaluate alternative solutions to these challenges in the United States and other countries. The seminar may include meetings with managers and/or trustees of arts organizations.nnnBy the end of the seminar, you will be able to assess the economic condition of an arts organization, evaluate alternative strategies for its survival, and understand the consequences of alternative government policies toward the arts.nnnDuring the early part of the course, you will prepare two short papers on topics or questions that I will suggest. Later, you will prepare a longer paper applying concepts learned to one of the performing arts or a particular arts organization that interests you. You will submit that paper in stages, as you learn about concepts and issues that are relevant to your analysis. There will also be a final exam.
Terms: Aut | Units: 3 | UG Reqs: WAY-SI

HISTORY 4N: What is Nature? Discovering the History of Nature at Stanford

Nature is everywhere. It pops up in advertisements, in news stories, and popular culture. We talk about nature all the time, sometimes without even realizing it: conserving nature, loving nature, and being in nature. But what actually is nature? Are oak trees nature? What about gardens, sunsets, or garbage? Are human beings nature, or is nature a state one can enter into? Do you have to go outdoors to be in nature? In this course we'll get out of the classroom and use the Stanford campus to explore how people in the past have thought about nature and why it has been and continues to be such a potent idea that is so hard to define. Together in this seminar we'll examine the history and design of Stanford University. We'll explore a range of narrative approaches to nature stories. And we'll consider current problems and debates about nature from pollution, to drought, to wildfire, and climate change. The course will culminate in a fun, hands-on project.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 5N: The Global Refugee Crisis

Worldwide there are more refugees and displaced people today than in any other period of human history. More than 90 million people across the planet have been forcibly displaced from their homes in recent years. How do we account for this crisis? And how might we imagine altering its trajectory? This course explores the varied forces, from war to climate change to narcotrafficking, that have uprooted these populations. It also seeks to understand the politics of migration by focusing on the experiences of refugees narrated by themselves. We analyze films, memoirs, novels and scholarly literature. Students will have the option of producing papers and/or audio and visual projects.Readings include:Viet Than Hguyen, ed., The DisplacedReyna Grande, The Distance Between Us Behrouz Boochani, No Friend But the MountainsEmmanuel Mbolela, RefugeeLeila Abdelrazaq, Badddawiand others
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Crews, R. (PI)

HISTORY 9N: How to Start Your Own Country: Sovereignty and State-Formation in Modern History

What does it mean to start a country, or to acquire and possess sovereignty over a territory? This course will examine the historical evolution of fundamental concepts in our international system: state formation, statehood, and sovereignty. Each week will spotlight a case-study in which sovereignty and statehood have appeared greatly confused and hotly contested. These include: the UK-China lease for control of Hong Kong; the US Naval Station in Guantanamo Bay; the corporate state of the legendary British East India Company; and Disney World.
Terms: Aut | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Press, S. (PI)

HISTORY 10N: Thinking About War

This course examines classic approaches to war as an intellectual problem, looking at how a matter of such great physical violence and passions can be subjected to understanding and used in philosophy, political theory, and art. Questions to be examined include the definition of war, its causes, its moral value, the nature of its participants, its use in the self-definition of individuals and societies, its relation to political authority, warfare and gender, and the problem of civil war.
Terms: Win | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Lewis, M. (PI)

HISTORY 12N: Income and wealth inequality from the Stone Age to the present (CLASSICS 12N)

Rising inequality is a defining feature of our time. How long has economic inequality existed, and when, how and why has the gap between haves and have-nots widened or narrowed over the course of history? This seminar takes a very long-term view of these questions. It is designed to help you appreciate dynamics and complexities that are often obscured by partisan controversies and short-term perspectives, and to provide solid historical background for a better understanding of a growing societal concern.
Terms: Spr | Units: 4 | UG Reqs: WAY-SI
Instructors: ; Scheidel, W. (PI)

HISTORY 31Q: Resistance and Collaboration in Hitler's Europe (JEWISHST 31Q)

What is resistance and what did it entail in Nazi-occupied Europe? What prompted some to resist, while others accommodated or actively collaborated with the occupiers? How have postwar societies remembered their resistance movements and collaborationists? This seminar examines how Europeans responded to the Nazi order during World War II. We will explore experiences under occupation; dilemmas the subject peoples faced; the range of resistance motivations, goals, activities, and strategies; and postwar memorialization. Select cases from Western, Eastern, and Mediterranean Europe.
Terms: Win | Units: 3-4 | UG Reqs: WAY-ER, WAY-SI
Instructors: ; Batinic, J. (PI)

HISTORY 35Q: Convict Australia: "Rogues," "Whores," and "Savages"

In 1787, the British government made the audacious decision to send its prisoners to a continent on the other side of the globe about which very little was known. In this new colony, a motley crew had to learn to live together: military men, who were determined to make their unlucky posting pay off; the convicts, who found themselves exiled from their families and homes most often for petty crimes of poverty; the female convicts, who served primarily to fulfill the sexual needs of the men; and the Indigenous peoples, who were deemed absolute "savages" by their invaders. Through early starvation days, rebellions, and frontier wars, a new society was contentiously formed, as various groups battled for supremacy, status, or simply survival and norms of race, class, and gender adapted to a unique environment. In this hands-on IntroSem, we will do the work of the historian: read and interpret primary sources. During class time, we will work in groups, essentially crowd sourcing primary research, in order to piece together what life was like on the ground. We will debate the extent to which we can trust the sources and how best to use "biased" reports. We will also read the interpretations of historians and decide whether or not we agree with them. In doing so, we will see that the writing of history is never complete.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Burkett, M. (PI)

HISTORY 39Q: Were They Really "Hard Times"? Mid-Victorian Social Movements and Charles Dickens (ENGLISH 39Q)

"It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it." So begins Charles Dickens description of Coketown in Hard Times. And it only seems to get more grim from there. But the world that Dickens sought to portray in the novel was a hopeful one, too. And that tension is our starting point. The intent of this class is to more closely examine mid-Victorian Britain in light of Dickens' novel, with particular focus on the rise of some of our modern social movements in the 19th century. While things like the labor movement, abolitionism, feminism, and environmentalism, are not the same now as they were then, this class will explore the argument that the 21st century is still, in some ways, working out 19th century problems and questions. At the same time, this is also a course that seeks to expand the kinds of sources we traditionally use as historians. Thus, while recognizing that literary sources are particularly complex, we will use Hard Times as a guide to our exploration to this fascinating era. We will seek both to better understand this complex, transitional time and to assess the accuracy of Dickens' depictions of socio-political life.Through a combination of short response papers, creative Victorian projects (such as sending a hand-written letter to a classmate), and a final paper/project, this course will give you the opportunity to learn more about the 19th century and the value of being historically minded.As a seminar based course, discussion amongst members of the class is vital. All students are welcome
Terms: Spr | Units: 3 | UG Reqs: WAY-ER, WAY-SI
Instructors: ; Wolfenstein, G. (PI)

HISTORY 41Q: The Ape Museum: Exploring the Idea of the Ape in Global History, Science, Art and Film (GLOBAL 41Q)

This course will explore the idea of "the ape" in global history, science, art, and film. The idea that apes might be humanity's nearest animal relatives is only about 200 years old. From the start, the idea developed in a global context: living fossil apes were found in Africa and Asia, and were immediately embroiled in international controversies about theories of human origins and racial hierarchies. This class will look at how and why "the ape" became a generative and controversial new concept in numerous national and regional contexts. We'll explore some of the many ways humans have looked at, studied, and thought about apes around the world: the "out of Asia" versus "out of Africa" hypothesis for human origins; Nim Chimpsky, the chimpanzee raised as a human child; Koko, the gorilla who may have learned sign language; Congo, the chimpanzee who made "abstract" paintings; films such as King Kong, Planet of the Apes, and 2001: Space Odyssey; the ape in World War II and Cold War propaganda in Japan, the Soviet Union, Germany, and the United States; Jane Goodall's study of chimpanzees "culture" and "personality"; the place of apes in natural history museums and zoos around the world; and Stanford's own fraught history of comparing apes and humans through the archival writings of eugenicist founding president David Starr Jordan. Taught in conjunction with an exhibit on global ape imagery at the Stanford Library curated by Professors Riskin and Winterer in 2024, the course will culminate in students' own miniature exhibits for a class-generated "Ape Museum."
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-SI

HISTORY 44Q: Gendered Innovations in Science, Medicine, Engineering, and Environment (FEMGEN 44Q)

Gendered Innovations harness the creative power of sex, gender, and intersectional analysis for innovation and discovery. We focus on sex and gender, and consider factors intersecting with sex and gender, including age, race/ethnicity, socioeconomic status, educational background, disabilities, geographic location, etc. We start with the history of gender in science in the scientific revolution to understand how to transform research institutions so that women, men, and non-binary individuals can flourish. The majority of the course is devoted to considering gendered innovations in AI, social robotics, health & medicine, design of cars and cockpits, menstrual products, marine science, and more. This course will emphasize writing skills as well as oral and multimedia presentation; it fulfills the second level Writing and Rhetoric Requirement (WRITE 2), WAY-ED, and WAY-SI.
Terms: Spr | Units: 4 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-EDP, WAY-SI, Writing 2
Instructors: ; Schiebinger, L. (PI)

HISTORY 54N: African American Women's Lives (AMSTUD 54N)

This course encourages students to think critically about historical sources and to use creative and rigorous historical methods to recover African American women's experiences, which often have been placed on the periphery of American history and American life.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-Gender, WAY-A-II, WAY-EDP
Instructors: ; Hobbs, A. (PI)

HISTORY 86Q: Blood and Money: The Origins of Antisemitism (JEWISHST 86Q)

For over two millennia, Jews and Judaism have been the object of sustained anxieties, fears, and fantasies, which have in turn underpinned repeated outbreaks of violence and persecution. This course will explore the development and impact of antisemitism from Late Antiquity to the Enlightenment, including the emergence of the Blood libel, the association between Jews and moneylending, and the place of Judaism in Christian and Islamic theology. No prior background in history or Jewish studies is necessary. Prerequisite: PWR 1.
Terms: Win | Units: 4-5 | UG Reqs: WAY-EDP, WAY-SI, Writing 2
Instructors: ; Dorin, R. (PI)

HISTORY 95N: Maps in the Modern World

Preference to freshmen. Through critical essays, maps, and atlases focusing on California, this seminar explores four principal themes: the roots of modern mapping in the rise of the state; maps as commodities; cartographies of race; and counter-mapping (where the marginalized take map-making into their own hands). Students learn to use resources in the Branner Map Library, Stanford digital collections, and the David Rumsey Map Center. The culminating project involves making and annotating your own map of the campus.
Terms: Aut | Units: 4-5 | UG Reqs: GER:DB-SocSci, WAY-SI
Instructors: ; Wigen, K. (PI)

HISTORY 96N: World War II in Asia

This course will explore the history of World War II in Asia. Moving beyond a narrow focus on the war as a U.S.-Japanese conflict, we will take a trans-Asian approach to study social, cultural, military, and political aspects of the war and its consequences in shaping "postwar" Asia and global politics. Themes will include empires and imperialism, trade and treaties, nations and civil wars, parades and propaganda, race and migration, wartime capitalism and consumption, food and everyday life, war crimes and tribunals, and memory and reparations. Diverse visual and textual sources, including films, documentaries, and memoirs, will be introduced to understand and analyze weekly themes and topics.
Terms: Spr | Units: 3
Instructors: ; Moon, Y. (PI)

ILAC 107N: History in Images: Scenes from the Franco Dictatorship in Spanish Cinema

A restrospective of films from the 1950s to the early 21st century dealing with the troubled representation of the Spanish Civil War and the postwar "iron years". The seminar will analyze the distortion of the past through both censorship and individual recollection under conditions of personal and collective trauma, while exploring the relation between history and film. We will also discuss the ways in which objective images can be used to explore subjectivity. Outstanding films by Luis Garc¿a Berlanga, Luis Bu¿uel, Carlos Saura, V¿ctor Erice, Pilar Mir¿, Julio Medem, Pedro Almod¿var, Guillermo del Toro, Agust¿ Villaronga and Alejandro Amen¿bar. Spanish comprehension is necessary for the required class films.
Terms: Aut | Units: 3
Instructors: ; Resina, J. (PI)

INTNLREL 45Q: Genocide and Humanitarian Intervention

The seminar traces the history of genocide since the beginning of the 20th century. It examines the role of humanitarian intervention to prevent or stop it and the use of international law to punish it. The discussion begins with the Armenian genocide during the First World War and includes the Holocaust, Cambodia under the Khmer Rouge in the 1970s, and the Kurds in Iraq in the 1980s. Coverage starting in the 1990s includes the cases of Bosnia, Rwanda, Kosovo, and Darfur and the more recent discussions of the appropriateness of the term genocide to describe the fate of the Yazidis in Syria, the Rohingya in Myanmar, the Uighurs in China, and the people of Ukraine.Students will learn about the origins of the word "genocide," which was coined during the Second World War, and about the legal definition of genocide as spelled out in the 1948 Genocide Convention. A chief focus of the course is the response of the United States, both in words and deeds, to alleged cases of genocide from Armenia in 1915 to Ukraine in 2023.
Terms: Aut | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Patenaude, B. (PI)

ITALIAN 104N: Film and Fascism in Europe (COMPLIT 104N, FILMEDIA 105N, FRENCH 104N)

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini, Renoir) or just after their fall, used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them. The seminar introduces key film analysis tools and concepts, while offering insights into the history of propaganda and cinema. Taught in English.
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II
Instructors: ; Alduy, C. (PI)

JEWISHST 31Q: Resistance and Collaboration in Hitler's Europe (HISTORY 31Q)

What is resistance and what did it entail in Nazi-occupied Europe? What prompted some to resist, while others accommodated or actively collaborated with the occupiers? How have postwar societies remembered their resistance movements and collaborationists? This seminar examines how Europeans responded to the Nazi order during World War II. We will explore experiences under occupation; dilemmas the subject peoples faced; the range of resistance motivations, goals, activities, and strategies; and postwar memorialization. Select cases from Western, Eastern, and Mediterranean Europe.
Terms: Win | Units: 3-4 | UG Reqs: WAY-ER, WAY-SI
Instructors: ; Batinic, J. (PI)

JEWISHST 37Q: Zionism and the Novel (COMPLIT 37Q)

At the end of the nineteenth century, Zionism emerged as a political movement to establish a national homeland for the Jews, eventually leading to the establishment of the State of Israel in 1948. This seminar uses novels to explore the changes in Zionism, the roots of the conflict in the Middle East, and the potentials for the future. We will take a close look at novels by Israelis, both Jewish and Arab, in order to understand multiple perspectives, and we will also consider works by authors from the North America and from Europe. Note: This course must be taken for a letter grade to be eligible for WAYS credit.
Terms: Aut, Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP, Writing 2
Instructors: ; Berman, R. (PI)

JEWISHST 86Q: Blood and Money: The Origins of Antisemitism (HISTORY 86Q)

For over two millennia, Jews and Judaism have been the object of sustained anxieties, fears, and fantasies, which have in turn underpinned repeated outbreaks of violence and persecution. This course will explore the development and impact of antisemitism from Late Antiquity to the Enlightenment, including the emergence of the Blood libel, the association between Jews and moneylending, and the place of Judaism in Christian and Islamic theology. No prior background in history or Jewish studies is necessary. Prerequisite: PWR 1.
Terms: Win | Units: 4-5 | UG Reqs: WAY-EDP, WAY-SI, Writing 2
Instructors: ; Dorin, R. (PI)

LAWGEN 112N: Law and Inequality

Most Americans know that discrimination on the basis of race, sex, and religion is unlawful. Seems simple enough. But advertisements in the back of newspapers still announce: "Single White Female Seeks Single White Male?" Isn't that discrimination on the basis of race and sex? Most businesses don't consider men for women's locker room or bathroom attendant. And why aren't those men and women's bathrooms and locker rooms illegal segregation? After all we know what would happened if some business set up separate bathrooms for blacks and whites. Isn't it discrimination for an employer to insist that men wear a jacket and tie and women wear nylons and a skirt? Why are some forms of discrimination unlawful and others not? Why is discrimination against short people, overweight people, or people with annoying personalities not against the law? We will answer these and many other questions by looking at court cases, legal theory, and philosophy. We may also have conversations with guest lecturers who work in civil rights enforcement, and the seminar may include a field trip to visit the offices of civil rights lawyers (lawyers tend to be busy people so these opportunities will depend on their schedules). Class participation and a short final paper are required, but here are no prerequisites other than an open mind and a willingness to delve into unfamiliar material.
Terms: Win | Units: 3 | UG Reqs: WAY-EDP
Instructors: ; Ford, R. (PI)

LIFE 53Q: Storytelling in Medicine (MED 53Q)

Stories are at the core of medical practice, but the skills developed are applicable across disciplines, including technology and business. Storytelling in Medicine is a new sophomore seminar designed to teach skills in multiple modalities of storytelling including narrative, oral, social media, academic presentations and visual storytelling for different audiences. This seminar combines small groups, interactive workshops, and guest speakers who are experts in their fields of medicine. This will also include editing and support to complete your own story by the end of the seminar.
Terms: Win | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Edwards, L. (PI); Lin, B. (PI)

LIFE 60N: The Psychology of Stoked (PSYC 60N)

Examines the biological, psychological and social aspects of what it means to live a positive, life-affirming existence. Drawing from a wide range of sources, from psychiatry and psychology, to spirituality and philosophy, seminar informs on the latest thinking about the psychology of happiness, and questions assumptions about personal happiness. Explores the new field of positive psychology and pulls from a multidisciplinary literature, examining life satisfaction and happiness from many perspectives, and the psychiatry of stimulation including substance, human sexuality, and healthy methods of attaining happiness. Includes guest speakers from many different backgrounds and perspectives. Examines what it means to be truly mindful.
Terms: Win | Units: 3

LINGUIST 30N: Linguistic Meaning and the Law

We will investigate how inherent properties of language, such as ambiguity, vagueness and context-dependence, play into the meaning of a legal text, and how the meaning of a law can remain invariant while its range of application can change with the facts and with our discovery of what the facts are. Our focus will be on the perspective linguistic analysis brings to legal theory, addressing current controversies surrounding different conceptions of `textualism¿ and drawing on well-known examples of legal reasoning about language in cases of identity fraud, obstruction of justice and genocide.
Terms: Win | Units: 3 | UG Reqs: WAY-FR
Instructors: ; Condoravdi, C. (PI)

LINGUIST 47N: Languages, Dialects, Speakers

Preference to freshmen. Variation and change in languages from around the world; language and thought; variation in sound patterns and grammatical structures; linguistic and social structures of variation; how languages differ from one another and how issues in linguistics connect to other social and cultural issues; the systematic study of language.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-SocSci
Instructors: ; Anttila, A. (PI)

MATH 77Q: Probability and gambling

One of the earliest probabilistic discussions was in 1654 between two French mathematicians, Pascal and Fermat, on the following question: 'If a pair of six-sided dice is thrown 24 times, should you bet even money on the occurrence of at least one `double six'?' Shortly after the discussion, Huygens, a Dutch scientist, published De Ratiociniis in Ludo Aleae (The Value of all Chances in Games of Fortune) in 1657; this is considered to be the first treatise on probability. Due to the inherent appeal of games of chance, probability theory soon became popular, and the subject underwent rapid development in the 18th century with contributions from mathematical giants, such as Bernoulli, de Moivre, and Laplace. There are two fairly different lines of thought associated with applications of probability: the solution of betting/gambling and the analysis of statistical data related to quantitative subjects such as mortality tables and insurance rates. In this Introsem, we will discuss poker and other games of chance, such as daily fantasy sports, from the perspective of risk analysis. This Introsem does not require any programming knowledge, but some experience with Excel, MATLAB, R, and/or Python will enhance your experience in our discussion of daily fantasy sports. Students should be familiar with all material from Math 51. No prior knowledge of sports and games of chance is required. Students must apply through the IntroSem application process.
Terms: Win, Spr | Units: 3 | UG Reqs: WAY-FR
Instructors: ; Kim, G. (PI)

MATH 87Q: Mathematics of Knots, Braids, Links, and Tangles

Preference to sophomores. Types of knots and how knots can be distinguished from one another by means of numerical or polynomial invariants. The geometry and algebra of braids, including their relationships to knots. Topology of surfaces. Brief summary of applications to biology, chemistry, and physics.
Terms: Spr | Units: 3 | UG Reqs: WAY-FR
Instructors: ; Wieczorek, W. (PI)

MATSCI 82N: Science of the Impossible

Imagine a world where cancer is cured with light, objects can be made invisible, and teleportation is allowed through space and time. The future once envisioned by science fiction writers is now becoming a reality, thanks to advances in materials science and engineering. This seminar will explore 'impossible' technologies - those that have shaped our past and those that promise to revolutionize the future. Attention will be given to both the science and the societal impact of these technologies. We will begin by investigating breakthroughs from the 20th century that seemed impossible in the early 1900s, such as the invention of integrated circuits and the discovery of chemotherapy. We will then discuss the scientific breakthroughs that enabled modern 'impossible' science, such as photodynamic cancer therapeutics, invisibility, and psychokinesis through advanced mind-machine interfaces. Lastly, we will explore technologies currently perceived as completely impossible and brainstorm the breakthroughs needed to make such science fiction a reality. The course will include introductory lectures and in-depth conversations based on readings. Students will also be given the opportunity to lead class discussions on a relevant 'impossible science' topic of their choosing.
Terms: Spr | Units: 3
Instructors: ; Dionne, J. (PI)

MATSCI 83N: Great Inventions That Matter

This introductory seminar starts by illuminating on the general aspects of creativity, invention, and patenting in engineering and medicine, and how Stanford University is one of the world's foremost engines of innovation. We then take a deep dive into some great technological inventions which are still playing an essential role in our everyday lives, such as fiber amplifier, digital compass, computer memory, HIV detector, personal genome machine, cancer cell sorting, brain imaging, and mind reading. The stories and underlying materials and technologies behind each invention, including a few examples by Stanford faculty and student inventors, are highlighted and discussed. A special lecture focuses on the public policy on intellectual properties (IP) and the resources at Stanford Office of Technology Licensing (OTL). Each student will have an opportunity to present on a great invention from Stanford (or elsewhere), or to write a (mock) patent disclosure of his/her own ideas.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Wang, S. (PI)

MATSCI 86N: Metalheads of Modern Science

This seminar will explore where we find metals in science and technology today. Starting with the blacksmiths and metallurgists of ancient history, we will introduce the scientific innovations that have enabled today's technology. We will then explore how today's technology uses metals in new and innovative ways - far beyond the metallurgy of old. Students will learn how metals in their bodies can be used for diagnostics and treatments, how metals in geology can show us how planets form, how new metallic tools allow us to 3D print aircraft engines, and more! This will introduce students to the science of metals and explore the career paths that can follow from these technologies.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA

MATSCI 159Q: Japanese Companies and Japanese Society (ENGR 159Q)

Preference to sophomores. The structure of a Japanese company from the point of view of Japanese society. Visiting researchers from Japanese companies give presentations on their research enterprise. The Japanese research ethic. The home campus equivalent of a Kyoto SCTI course.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-SocSci
Instructors: ; Sinclair, R. (PI)

MED 53Q: Storytelling in Medicine (LIFE 53Q)

Stories are at the core of medical practice, but the skills developed are applicable across disciplines, including technology and business. Storytelling in Medicine is a new sophomore seminar designed to teach skills in multiple modalities of storytelling including narrative, oral, social media, academic presentations and visual storytelling for different audiences. This seminar combines small groups, interactive workshops, and guest speakers who are experts in their fields of medicine. This will also include editing and support to complete your own story by the end of the seminar.
Terms: Win | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Edwards, L. (PI); Lin, B. (PI)

MED 73N: Scientific Method and Bias

Offers an introduction to the scientific method and common biases in science. Examines theoretical considerations and practical examples where biases have led to erroneous conclusions, as well as scientific practices that can help identify, correct or prevent such biases. Additionally focuses on appropriate methods to interweave inductive and deductive approaches. Topics covered include: Popper¿s falsification and Kuhn¿s paradigm shift, revolution vs. evolution; determinism and uncertainty; probability, hypothesis testing, and Bayesian approaches; agnostic testing and big data; team science; peer review; replication; correlation and causation; bias in design, analysis, reporting and sponsorship of research; bias in the public perception of science, mass media and research; and bias in human history and everyday life. Provides students an understanding of how scientific knowledge has been and will be generated; the causes of bias in experimental design and in analytical approaches; and the interactions between deductive and inductive approaches in the generation of knowledge.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Ioannidis, J. (PI)

MI 95N: Viruses in the News

Viruses are unique biological entities that resemble both living and inanimate objects. Despite their simple structure they include some of the most devastating and ubiquitous causes of human disease. From smallpox to measles to HIV to the common cold to SARS-CoV-2, viruses have literally changed the course of human history and impacted evolution. They have also been important experimental tools for probing the molecular nature of key biological processes, and they have been utilized in many key discoveries and Nobel Prize-winning research programs. In books, movies, newspapers, and electronic feeds, viruses continue to make the news on a daily basis. Using contemporary media, we will explore the essential nature of viruses, what makes them unique, how they are classified, how they cause disease, key molecular processes, breakthroughs in prevention and treatment, current efforts in trying to eradicate viruses, and cultural iconography pertaining to viruses. In short, this seminar is intended to go viral.
Terms: Win | Units: 3
Instructors: ; Siegel, R. (PI)

MS&E 92Q: International Environmental Policy

Preference to sophomores. Science, economics, and politics of international environmental policy. Current negotiations on global climate change, including actors and potential solutions. Sources include briefing materials used in international negotiations and the U.S. Congress.
Terms: Win | Units: 3
Instructors: ; Weyant, J. (PI)

MUSIC 11Q: Art in the Metropolis (ARTSINST 11Q, ARTSTUDI 11Q, ENGLISH 11Q, FILMEDIA 11Q, TAPS 11Q)

This seminar is offered in conjunction with the annual "Arts Immersion" trip to New York that takes place over the spring break and is organized by the Stanford Arts Institute (SAI). Enrollment in this course is a requirement for taking part in the spring break trip. The program is designed to provide a group of students with the opportunity to immerse themselves in the cultural life of New York City guided by faculty and SAI staff. Students will experience a broad range and variety of art forms (visual arts, theater, opera, dance, etc.) and will meet with prominent arts administrators and practitioners, some of whom are Stanford alumni. In the seminar, we will prepare for the diverse experiences the trip affords and develop individual projects related to particular works of art, exhibitions, and performances that we'll encounter in person during the stay in New York. Class time will be divided between readings, presentations, and one studio based creative project. The urban setting in which the various forms of art are created, presented, and received will form a special point of focus. A principal aim of the seminar will be to develop aesthetic sensibilities through writing critically about the art that interests and engages us and making art. For further details please visit the Stanford Arts Institute website: https://arts.stanford.edu/for-students/academics/arts-immersion/new-york/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Berlier, T. (PI)

MUSIC 18N: Musical Dishonesty: Fakes, Forgeries, Counterfeits, Hoaxes, Deceptions, Illusions, and Artifice

Dishonesty is everywhere. Is anything still honest? To answer we examine the myriad types of musical dishonesty, some harmless and fanciful, others deliberate and pernicious: artfully misleading deceptive cadences and fake endings; evident frauds (the fictional band Spinal Tap) and purposely obscured ones (the lip-syncing of Milli Vanilli); psychoacoustic illusions (infinitely ascending Shepard tones); biographical deceptions of "dangerous" rappers and metal bands; fake Mozart manuscripts; ghost composers and AI generated music; the question of sampling; self-mythologized artists from KISS to P-Funk; and so on. Students will also explore examples beyond music, such as current political events and contemporary conspiracy theories.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Applebaum, M. (PI)

MUSIC 31N: Behind the Big Drums: Exploring Taiko (ASNAMST 31N)

Preference to Freshman. Since 1992 generations of Stanford students have heard, seen, and felt the power of taiko, big Japanese drums, at Admit Weekend, NSO, or Baccalaureate. Taiko is a relative newcomer to the American music scene. The contemporary ensemble drumming form, or kumidaiko, developed in Japan in the 1950s. The first North American taiko groups emerged from the Japanese American community shortly after and coincided with increased Asian American activism. In the intervening years, taiko has spread into communities in the UK, Europe, Australia, and South America. What drives the power of these drums? In this course, we explore the musical, cultural, historical, and political perspectives of taiko through readings and discussion, conversations with taiko artists, and learn the fundamentals of playing. With the taiko as our focal point, we find intersections of Japanese music, Japanese American history, and Asian American activism, and explore relations between performance, cultural expression, community, and identity.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Sano, S. (PI); Uyechi, L. (PI)

MUSIC 33N: Beethoven

This seminar is designed as an in-depth introduction to the music of Ludwig van Beethoven. In addition to exploring the composer's principal works in a variety of genres (symphonies, piano sonatas, string quartets, opera, etc.), we will consider broader questions of biography and reception history. How have images of the composer and the fortunes of his music changed over time? How did his compositions come to define the paradigm of Western classical music? What impact has he had on popular culture? The class is open to all levels of musical expertise; the ability to read music is not a requirement. Come prepared to discover -- or rediscover -- some great music!
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Hinton, S. (PI)

MUSIC 34N: Performing America: The Broadway Musical

Musical theater and the representation of American identities in the twentieth century to the present. Issues of class, race, gender, and sexuality; intersections with jazz, rock, and pop; roles of lyricist, composer, director, choreographer, producer, performers. Individual shows (Showboat, Oklahoma, West Side Story, Company, Les Mis¿rables, Into the Woods, Wicked, Hamilton, Dear Evan Hansen, Heathers); musical theater "song types" across eras; show tunes in popular culture at large; musicals on film, television, and social media. Opportunities for performance and attending local productions.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-CE
Instructors: ; Grey, T. (PI)

NENS 67N: Intracellular Trafficking and Neurodegeneration

Preference to freshmen. Cell structures and functions, the intracellular trafficking system that maintains exchanges of materials and information inside cells, and clinical features and pathologies of neurodegenerative diseases. Techniques for examining cellular and subcellular structures, especially cytoskeletons; functional insights generated from structural explorations. Prerequisite: high school biology.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Yang, Y. (PI)

OB 110N: Savvy: Learning How to Communicate with Purpose

Our seminar is designed for students interested in improving their communication skills. Right now, you probably don't spend much time thinking about the way you communicate, nor are you likely, in the academic setting, to get much feedback on the messages you send. Yet the quality of your communication will have a large impact on your overall effectiveness in building relationships and getting things done, both in the university setting and later in your career. Each of the sessions in our seminar will help you appreciate the nature and complexity of communication and provide guidelines for both improving your communication style and recognizing the unique styles of others. In each class session, we'll consider a number of well-studied forms of interpersonal communication. And, we'll rely heavily on experiential learning to bring the concepts to life. For example, to better understand the dynamics of unstructured, spontaneous communication, we will participate in an improvisational theatre workshop, taught by one of the artists-in-residence at the Groundlings Theater in Los Angeles. To better understand persuasive communication tactics, we'll participate in role-play exercises, competitive games, and negotiation simulations. For each tactic, we'll talk about why it works, when it works best, and what its limitations might be. We'll discuss how you can put these approaches to work in order to support your goals. After taking this course, you will be better able to: (1) identify strategies for crafting effective communication in the form of everyday conversation, written work, and public presentations, (2) develop techniques for building strong, long-term relationships with your peers, and (3) become more persuasive in advancing an agenda, acquiring resources, or gaining support from others. These skills will be invaluable to you as you grow and develop here at Stanford and beyond.
Terms: Win | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Flynn, F. (PI); Long, M. (GP)

OBGYN 82Q: Demystifying Pregnancy: Physiology, Policy and Politics

A unique course designed to educate future leaders in diverse fields on maternal health and pregnancy related issues. We encourage enrollment for students of all majors and genders. Students will learn strategies for searching and evaluating health information. We will discuss behavioral, social, cultural and economic factors that affect maternal and fetal wellbeing, along with the impact of health disparities, health promotion, disease prevention strategies and future health challenges. Material will include introductory basic science of maternal and fetal physiology, prenatal care, labor and birth, breastfeeding, nutrition and exercise, the pregnant athlete, advanced maternal age, assisted reproduction, surrogacy, teratogens, toxins and environmental change, genetics and epigenetics. We will touch on potentially controversial topics such as prenatal diagnostic testing, ethics and health policy, access to care and health disparities in both fetal and maternal outcomes, homelessness and incarceration, domestic violence and reproductive coercion, teen pregnancy, LGBTQ pregnancy, BMI and eating disorders, substance abuse, problems related to employment, cultural beliefs, myths misconceptions, pregnancy in history as shown in art, and issues of the future. Prerequisites are not necessary. This is meant to be an introductory course for non science majors who wish to incorporate knowledge of maternal health into their future careers as policy makers and thought leaders.
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; DeTata, C. (PI)

OCEANS 3N: Views of a Changing Sea: Literature & Science

The state of a changing world ocean, particularly in the eastern Pacific, will be examined through historical and contemporary fiction, non-fiction and scientific publications. Issues will include harvest and mariculture fisheries, land-sea interactions and oceanic climate change in both surface and deep waters.
Terms: Win | Units: 3 | UG Reqs: GER: DB-NatSci, WAY-A-II

OCEANS 6N: Ocean Conservation: Pathways to Solutions

(Formerly BIO 6N) We will learn how to design pathways to solutions by integrating social sciences and governance into our case studies. We will address both conventional (fisheries management, reducing the impacts of global shipping, marine protected areas) and emerging research and management approaches (marine spatial planning, dynamic ocean management, environmental DNA). Oceans are facing long-term challenges, like overfishing and pollution that we know how to solve, and emerging challenges, like climate change and ocean plastics, for which solutions are more elusive. Ultimately to achieve long-term sustainability, solutions have to work for both people and the planet. These puzzles offer challenging complex systems problems that will require our best interdisciplinary thinking to solve.
Terms: Win | Units: 3 | UG Reqs: WAY-SI, WAY-SMA
Instructors: ; Crowder, L. (PI)

OCEANS 12N: Sensory Ecology of Marine Animals (BIO 12N)

Animals living in the oceans experience a highly varied range of environmental stimuli. An aquatic lifestyle requires an equally rich range of sensory adaptations, including some that are totally foreign to us. In this course we will examine sensory system in marine animals from both an environmental and behavioral perspective and from the point of view of neuroscience and information systems engineering.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Thompson, S. (PI)

ORTHO 97Q: Sport, Exercise, and Health: Exploring Sports Medicine

Preference to sophomores. Sports medicine is the practice of clinical medicine at the interface between health and performance, competition and well-being. While sports medicine had its origins in providing care to athletes, medical advances developed in care of athletes exerted a great effect on the nature and quality of care to the broader community. Topics include sports injuries, medical conditions associated with sport and exercise, ethics, coaching, women's issues, fitness and health, and sports science. Case studies.
Terms: Win, Spr | Units: 3 | UG Reqs: Writing 2
Instructors: ; Hwang, C. (PI)

PHIL 7N: Philosophy and Science Fiction

What if things had been otherwise? What if things are someday, somewhere, very different than they are here and now? Science fiction and other genre fiction gives us the opportunity to explore worlds that stretch our conceptions of reality, of what it is to have a mind, to be human, and to communicate with one another. This course examines central questions in philosophy through the lens of speculative fiction. Can there be freedom in a deterministic world? How could language and communication evolve? What is a mind, and what is the nature of experience? How can we know what the world is like? We¿ll read classical and contemporary papers in philosophy alongside short stories, novels, and movies that play the role of thought experiments in illuminating philosophical issues.
Terms: Win | Units: 3
Instructors: ; Cao, R. (PI)

PHIL 13N: Justice across Borders

Most people are not your fellow citizens. (Over 95% of human beings, for example, are not Americans.) What do you owe to them as a matter of justice? What do they owe to you? Should you save a foreigner's life instead of buying luxuries for yourself? Should you boycott 'fast fashion' produced by exploited workers abroad? Should universities divest from fossil fuels? How can a country like the United States justify forcefully preventing anyone from crossing its borders? Is anything absolutely prohibited to win a war? When examining such issues, we need to start with facts¿facts about poverty, inequality, climate change, immigration, etc. After surveying the basic facts, we will use philosophical readings to focus and deepen our discussions of what justice requires across borders. Some of the topics we discuss will be chosen on the basis of students' interests.
Terms: Win | Units: 3 | UG Reqs: WAY-ER
Instructors: ; Wenar, L. (PI)

PHIL 20N: Philosophy of Artificial Intelligence

Is it really possible for an artificial system to achieve genuine intelligence: thoughts, consciousness, emotions? What would that mean? How could we know if it had been achieved? Is there a chance that we ourselves are artificial intelligences? Would artificial intelligences, under certain conditions, actually be persons? If so, how would that affect how they ought to be treated and what ought to be expected of them? Emerging technologies with impressive capacities already seem to function in ways we do not fully understand. What are the opportunities and dangers that this presents? How should the promises and hazards of these technologies be managed?Philosophers have studied questions much like these for millennia, in scholarly debates that have increased in fervor with advances in psychology, neuroscience, and computer science. The philosophy of mind provides tools to carefully address whether genuine artificial intelligence and artificial personhood are possible. Epistemology (the philosophy of knowledge) helps us ponder how we might be able to know. Ethics provides concepts and theories to explore how all of this might bear on what ought to be done. We will read philosophical writings in these areas as well as writings explicitly addressing the questions about artificial intelligence, hoping for a deep and clear understanding of the difficult philosophical challenges the topic presents.No background in any of this is presupposed, and you will emerge from the class having made a good start learning about computational technologies as well as a number of fields of philosophical thinking. It will also be a good opportunity to develop your skills in discussing and writing critically about complex issues.
Terms: Win | Units: 3
Instructors: ; Etchemendy, J. (PI)

PHIL 22Q: Being Reasonable

In everyday life, we ask each other to be reasonable, and we fault unreasonable behavior in ourselves and others. Moreover, the Anglo-American legal system makes extensive use of the "reasonable person standard" in everything from negligence to administrative law. What is it to be a reasonable person? What do we mean by "reasonable"? This course will look at applications of the concept and at attempts by philosophers and legal theorists to understand what reasonableness is. First preference to Sophomores; second preference to Freshman. No prior Philosophy courses needed.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Lawlor, K. (PI)

PHIL 26Q: How to Build a World (in a Video Game)

Sophomore Seminar. First preference to Sophomores; second preference to Freshman. What makes a video game world feel like a real place? What is our relationship to the real world? Can we learn anything from video games about our relationship to the real world, and can we learn anything from philosophy that can help us create compelling video game worlds? In this course we will examine elements of video game design and development in the context of related philosophical topics including the nature of worlds, the nature of the mind, and the nature of action. For example, while some games are open-world, some consist of a set of sandboxes, and could the distinction between what philosophers call 'possible worlds' and 'situations' help us understand the difference? (Or vice versa?) Video game worlds are often sprinkled with 'pick-ups' -- do philosophical accounts of how agents perceive the real world help to explain why this is such an intuitive game mechanic? In this course we will play and tinker with video games while also reading philosophical texts, and see if each domain can stimulate our thinking about the other. There are no prerequisites for this course, but all students should come prepared to read challenging literature, to play some games, and to make some games!
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Turman, J. (PI)

PHYSICS 13N: A Taste of Quantum Physics (APPPHYS 13N)

What is quantum physics and what makes it so weird? We'll introduce key aspects of quantum physics with an aim to explain why it differs from everyday 'classical' physics. Quantum-enabled devices like the laser and atomic clocks for GPS will be explained. We will also discuss the breakthroughs driving the 2nd quantum technology revolution surrounding quantum simulators, sensors, and computers. Seminar discussions and a laser lab will help illustrate core principles, including the atomic clock mechanism. Visits to campus laboratories will introduce cutting-edge quantum experiments. This IntroSem is designed for those likely to go on to major in the humanities or in a STEM program outside of the natural sciences. (Likely STEM majors are instead encouraged to take 100-level quantum courses upon completion of pre-requirements.) While basic familiarity with high school physics is recommended, qualitative explanations will be emphasized. By the end of the quarter, you will be able to explain the key tenets of quantum physics, how it has enabled current technology, and what new technologies might emerge from the 2nd quantum revolution.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Lev, B. (PI)

PHYSICS 14N: Quantum Information: Visions and Emerging Technologies

What sets quantum information apart from its classical counterpart is that it can be encoded non-locally, woven into correlations among multiple qubits in a phenomenon known as entanglement. We will discuss paradigms for harnessing entanglement to solve hitherto intractable computational problems or to push the precision of sensors to their fundamental quantum mechanical limits. We will also examine challenges that physicists and engineers are tackling in the laboratory today to enable the quantum technologies of the future.
Terms: Spr | Units: 3 | UG Reqs: WAY-FR, WAY-SMA
Instructors: ; Manoharan, H. (PI)

PHYSICS 83N: Physics in the 21st Century

Preference to freshmen. This course provides an in-depth examination of frontiers of physics research, including fundamental physics, cosmology, and physics of the future. Questions such as: What is the universe made of? What is the nature of space, time, and matter? What can we learn about the history of the universe and what does it tell us about its future? A large part of 20th century was defined by revolutions in physics - everyday applications of electromagnetism, relativity, and quantum mechanics. What other revolutions can physics bring to human civilization in the 21st century? What is quantum computing? What can physics say about consciousness? What does it take to visit other parts of the solar system, or even other stars? We will also learn to convey these complex topics in engaging and diverse terms to the general public through writing and reading assignments, oral presentations, and multimedia projects. No prior knowledge of physics is necessary; all voices are welcome to contribute to the discussion about these big ideas. Learning Goals: By the end of the quarter you will be able to explain the major questions that drive physics research to your friends and peers. You will understand how scientists study the impossibly small and impossibly large and be able to convey this knowledge in clear and concise terms.
Terms: Win | Units: 3 | UG Reqs: GER: DB-NatSci, WAY-SMA
Instructors: ; Dimopoulos, S. (PI)

POLISCI 25N: The US Congress in Historical and Comparative Perspective

This course traces the development of legislatures from their medieval European origins to the present, with primary emphasis on the case of the U.S. Congress. Students will learn about the early role played by assemblies in placing limits on royal power, especially via the power of the purse. About half the course will then turn to a more detailed consideration of the U.S. Congress's contemporary performance, analyzing how that performance is affected by procedural legacies from the past that affect most democratic legislatures worldwide.
Terms: Win | Units: 3 | UG Reqs: GER:DB-SocSci, WAY-SI
Instructors: ; Cox, G. (PI)

POLISCI 44Q: Societal Collapse

Sustained economic growth is an anomaly in human history. Moreover, in the very long term, sustained economic decline is common. Following a historical and cross-cultural perspective, we will study the causes of economic decline, the social and political consequences of that decline, and the path that led to the collapse of some of the most prosperous societies in human history. Among the episodes we will cover are the Late Bronze Age collapse in the Eastern Mediterranean, the fall of the Western Roman Empire, and the Classic Maya collapse. We will compare these ancient episodes with recent cases of socioeconomic decline, including the dissolution of the Soviet Union, and the downfall of Venezuela under Chavismo. We will use the past to reflect on the fundamentals of harmony and prosperity in our society and the challenges that they will face in the future.
Terms: Aut | Units: 3
Instructors: ; Mejia Cubillos, J. (PI)

PSYC 11Q: I thought I heard my name... Destigmatizing psychosis

This course aims to identify and correct misconceptions about psychosis and to provide a more holistic understanding of this diagnosis. Students will learn how trauma, stress, internalized stigma, culture, policing, involuntary hospitalizations and other factors interact with psychosis. Students will learn about current models of care (e.g., coordinated specialty care, recovery-oriented treatment). Guest speakers with lived experience will share personal experiences related to their diagnoses. Ultimately, this course aims to help students develop tools necessary to identify misconceptions, challenge stereotypes, and change the narrative.
Terms: Aut | Units: 3 | UG Reqs: WAY-SI

PSYC 13Q: Connections between the sleep and awake worlds

Sleep can be a window into much of our awake worlds- anxiety, depression, relationships, trauma, safety, early morning travel plans.. and so much more. If you think of a recent night in which you experienced worse sleep, you might be able to identify something from your awake world that contributed. Much of our awake world is informed by emotion, thoughts, and perception. One could argue that emotion, thoughts, and perception shape the world, rather than there being one true reality. This course will explore the fundamentals of sleep, the fundamentals of navigating emotions, and the intersection between the two. Specifically, you¿ll learn the basics of human sleep science, the principles of a type of psychotherapy called Cognitive Behavioral Therapy (CBT), and how CBT tools can be applied to sleep difficulties.Break-out sessions within each lecture provide opportunities for students to ask questions and to discuss a topic in greater depth. The course will highlight the mind body connection and serve as an introduction to behavioral sleep medicine. Students will have the opportunity to complete their own project examining a sleep-wake connection of interest. Potential topics will be provided (discrimination and sleep, menstruation and sleep, high school start times, shift work and sleep, and more). As a sleep psychologist, I consider myself to be both a scientist and an artist. This course will be most interesting to those who are interested in emotions, therapeutic skills, and sleep.
Terms: Win | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Solomon, N. (PI)

PSYC 15Q: Consciousness and Self Psychology

Consciousness and Self Psychology will first explore the phenomenon of consciousness, the medium through which we perceive our existence and the force which allows us to reflect and to wonder. A natural product of examining consciousness is the exploration of the notion of a self, an individual entity which we construct through our conscious awareness. Through readings, discussions and student presentations, this course journeys through theories of existence, consciousness and identity formation to offer a scaffolding for deep creative reflection and inquiry, and a springboard off which we may dive headfirst into the mysteries which both haunt us and give us life.
Terms: Spr | Units: 3
Instructors: ; Dandekar, G. (PI)

PSYC 17N: Think Before You Drink: Neurocircuitry of Alcohol Use Across the Developmental Lifespan

Alcohol is the most commonly used substance of abuse across the world. In the United States, approximately 179 million individuals (65% of the population) drank alcohol in the past year. A relatively small, but highly significant portion of these individuals who drink ultimately reach criteria for Alcohol Use Disorder (AUD). Today, almost 15 million people in the U.S. struggle with an AUD. Many decades of research have sought to uncover the brain-based driving forces behind alcohol misuse, the consequences of alcohol on brain function and structure, and how we can effectively treat Alcohol Use Disorder. This course will first cover our current understanding of the brain circuits the drive alcohol craving, use and withdrawal. Then, we will explore alcohol¿s effects on the brain throughout the lifespan, ranging from prenatal alcohol exposure, adolescence, young adults (including binge drinking in college), middle adulthood, and aging individuals at risk for cognitive decline. Lastly, this course will cover the state-of-the-art techniques being developed to help individuals achieve sobriety and recovery from Alcohol Use Disorder. This highly interactive seminar will engage and equips students with skills in critical thinking, evaluation of scientific research, and a deeper understanding of AUD as a brain-based disease. Students will have the opportunity to engage in thoughtful discussions with treatment providers and AUD patients to gain a deeper understanding of the realities behind AUD treatment. Overall, this course is intended to help students develop strong skills in thinking and reading like a scientist, understanding the complexities behind alcohol use and misuse across the lifespan, and considering the reality of today¿s treatment landscape for Alcohol Use Disorder.
Terms: Win | Units: 3 | UG Reqs: WAY-SMA

PSYC 20Q: Human versus Machine: Artificial intelligence through the lens of human cognition

This course will explore the promise and limits of artificial intelligence (AI) through the lens of human cognition. Amid whispers of robots one day taking over the world, it is tempting to imagine that AI is (or soon will be) all-powerful. But few of us understand how AI works, which may lead us to overestimate its current (and even its future) capabilities. As it turns out, intelligence is complicated to build, and while computers outperform humans in many ways, they also fail to replicate key features of human intelligence at least for now. We will take a conceptual, non-technical approach (think: reading essays, not writing code). Drawing upon readings from philosophy of science, computer science, and cognitive psychology, we will examine the organizing principles of AI versus human intelligence, and the capabilities and limitations that follow. Computers vastly outperform humans in tasks that require large amounts of computational power (for example, solving complex mathematical equations). However, you may be surprised to learn the ways in which humans outperform computers. What is it about the human brain that allows us to understand and appreciate humor, sarcasm, and art? How do we manage to drive a car without hitting pedestrians? Is it only a matter of time before computers catch up to these abilities? Or are there differences of kind (rather than degree) that distinguish human intelligence from AI? Will robots always be constrained to the tasks that humans program them to do? Or could they, one day, take over the world? By the end of this course, you will be able to discuss the current capabilities, future potential, and fundamental limitations of AI. You may also arrive at a newfound appreciation for human intelligence, and for the power of your own brain.
Terms: Spr | Units: 3
Instructors: ; Chick, C. (PI)

PSYC 21N: How we think as how we feel: Cognitive and emotional influences on mental health

Plato described Reason and Emotion as two horses pulling a chariot in different directions. Was he right? By the end of this course, you will be able to decide for yourself, based on the latest scientific evidence. You will also be able to explain how your answer reflects, and informs, current research on mental health. In this course, we will start by reading philosophical texts that establish the classical Western view of emotion and cognition as opposing forces. We will then put these views to the test by examining evidence from the fields of neuroscience, psychology, and psychiatry. When thoughts and feelings compete, which one wins? Is it ever rational to follow your emotions? How do thoughts and feelings affect perception, memory, and decision-making? We will then turn to practical applications of cognitive-emotional interactions in the field of psychiatry. First, we will examine the implications of biases in perception, memory, and decision-making for mental health. Next, we will introduce cognitive profiles of specific psychiatric disorders, including anxiety, depression, and autism. We will also discuss clinical interventions that are informed by cognitive theories of psychiatric disorders, for example, cognitive behavioral therapy, which helps people change how they feel by changing how they think. Finally, we will examine how the physical body influences thoughts and feelings, with implications for psychiatric disorders. What is the relationship of physical illness to psychiatric illness? Is sleep as good as overnight therapy? Is there a scientific basis for the notion that emotions originate from the heart? By the end of this course, you will be able to describe whether mental well-being arise from the head, the heart, or their interaction.
Terms: Win | Units: 3
Instructors: ; Chick, C. (PI)

PSYC 30N: The Terrible Toll of Close Combat: Fact and Myth from Xenophon to Fallujah to the X-Box

"Close Combat" is the direct, violent encounter of troops at short range. Commanders, historians, and politicians may view grand elements of strategy, logistics or tactical maneuver to assess armed conflict. But in close combat, soldiers on that "thin red line" face a rapidly narrowing set of possibilities as terrain, time and distance are focused to a point of brutal action. Psychologically this is the vanishing point of legal, moral, and religious proscriptions that have guided life to that point where, it is said, the soldiers becomes "transparent": all that one is or hoped or dreamt can be abruptly extinguished en toto. In this course we will examine the sociobiological, medical, psychological, and legal aspects of close combat: including the systematic preconditioning of soldiers for killing, the fraternal social milieu of the small combat unit and the impact on survivors who need to deconstruct that conditioning and social bond. We will examine first-hand descriptions of close combat, through memoir, literature, congressional testimony, and guest speakers. The perspective will be that of the long history of youth facing the bleeding edge of battle and the recent ambiguous implications of "remote" and "virtual" combat. Course will include preparatory excerpted reading, short didactics, occasional guest speakers for half the sessions and group discussion of session topics / student presentations for the latter half. The student will be expected to write a short paper on each of two topics from a list of prompts.
Terms: Aut | Units: 3
Instructors: ; Carragee, E. (PI)

PSYC 54N: Genes, Memes and Behavior

Examines how natural selection operates to shape successful genes in the gene pool, how cultural selection operates to shape successful memes in the pool of cultural ideas, and how selection by consequences operates to shape successful behaviors in our repertoires. Topics include cases in which selection produces undesirable consequences (e.g. genetic mutations, cultural problems, and aberrant behaviors in children). Emphasis on understanding the role of modern natural science in complex behaviors and why study of human life from an interdisciplinary perspective is important.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Hall, S. (PI)

PSYC 55N: Secrecy

What is a secret and why do we keep them? What is the cost - and the burden - of secret-keeping? The focus of this seminar will be professional secrecy, as we explore corporate confidentiality and the secret-keeping expected of all of us as professionals, and those who are engaged in issues of national security. Secrecy will be discussed in both ethical and practical frameworks. We will also explore psychology of secrecy, and secret-keeping in relationships. Students will begin to develop a personal ethic related to secrecy and will grapple with the intersection of secrets, lies and obfuscation.
Terms: Aut, Win | Units: 3 | UG Reqs: WAY-ER
Instructors: ; Jacobs, J. (PI)

PSYC 60N: The Psychology of Stoked (LIFE 60N)

Examines the biological, psychological and social aspects of what it means to live a positive, life-affirming existence. Drawing from a wide range of sources, from psychiatry and psychology, to spirituality and philosophy, seminar informs on the latest thinking about the psychology of happiness, and questions assumptions about personal happiness. Explores the new field of positive psychology and pulls from a multidisciplinary literature, examining life satisfaction and happiness from many perspectives, and the psychiatry of stimulation including substance, human sexuality, and healthy methods of attaining happiness. Includes guest speakers from many different backgrounds and perspectives. Examines what it means to be truly mindful.
Terms: Win | Units: 3

PSYC 63Q: Artificial Intelligence in Mental Health

Over 900 million individuals worldwide suffer from a mental health disorder. Human and financial costs associated with the management of individuals with mental health disorder are substantial and constitute a growing public health challenge. Yet there are presently no objective markers used to determine which individuals have a mental health disorder and predict the progression of the disorder. Furthermore, there are presently a limited number of effective treatments for mental health disorders, as well as considerable heterogeneity in treatment response. The lack of access to mental health care is yet another challenge in developed as well as developing countries. Newly available technologies such as Artificial Intelligence offer an unprecedented opportunity for developing solutions that address the aforementioned challenges and problems. In this interdisciplinary seminar, students will learn about (i) psychopathology, (ii) state-of-the-art in diagnosis and treatments of mental health disorders, (iii) unaddressed challenges and problems related to mental health, (iv) artificial intelligence and its potential through real-world examples, (v) recent real-world applications of artificial intelligence that address the challenges and problems related to mental health, and (vi) ethical issues associated with the application of artificial intelligence to mental health. Diverse viewpoints and a deeper understanding of these topics will be offered by a mix of hands-on educational sessions and panel discussions with psychiatrists, computer scientists, lawyers, and entrepreneurs. Students will also spend guided time working in small teams to develop innovative (artificial intelligence based) solutions to challenges/problems related to mental health.
Terms: Spr | Units: 3
Instructors: ; Supekar, K. (PI)

PSYCH 11N: Belonging in a Diverse Society

One of the most important questions people ask themselves when they enter a new setting, whether a school, a workplace, or a country, is "Do I belong here?". How do people make sense of their belonging in a new setting? How and why do group identities, such as race-ethnicity, social-class background, gender, or national origin matter? What are the consequences of people's inferences about their belonging? And how can we create school and work settings in which people from diverse backgrounds can genuinely and authentically belong?
Terms: Aut | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Walton, G. (PI)

PSYCH 12N: Self Theories

Preference to freshmen. The impact of people's belief in a growing versus fixed self on their motivation and performance in school, business, sports, and relationships. How such theories develop and can be changed.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-SocSci, WAY-SI
Instructors: ; Dweck, C. (PI)

PSYCH 14N: How did you get here?

In this class, you will answer a simple yet dizzyingly complicated question: how did you get here? All Stanford students got here somehow from somewhere, surely with the help of someone or something, but what¿s your story? In what ways have you moved (or been moved) along your journey, and what do you attribute that movement to? Community? Diligence? Luck? Sacrifice? Compassion? All of the above? What does it even mean to be here?
Terms: Aut | Units: 3
Instructors: ; Roberts, S. (PI)

PSYCH 15N: Becoming Kinder

Kindness - the ability to understand each other, the instinct to care for each other, and the desire to help each other - is among our most powerful natural resources. It supports cooperation, fosters relationships, improves health, and overwrites hatred. Kindness is also challenging, especially in the modern world. More than ever, individuals are isolated, anonymous, and independent: qualities that make it harder to truly see each other and easier to succumb to indifference and even cruelty. As technology mediates more of our interactions and tribal signifiers occupy more of our identity, kindness erodes. And yet we have options. A growing number of social scientists are now experimenting in re-building kindness, using everything from virtual reality to meditation to literature to old-fashioned friendship. Their efforts demonstrate that through directed effort, people can become kinder. This class will explore the nature of kindness, the challenges modernity has placed in front of it, and the many ways scientists and practitioners are stimulating kindness. Though drawing mainly from psychology, we will tour sociology, conflict resolution, technology, the humanities, and neuroscience as well. The class will also grapple with central questions about human nature -most importantly, to what extent can we change ourselves into the people we¿d like to become? Finally, we will meld science with personal narrative and exercises meant to not only explore kindness-building as a research concept, but as a part of our own lives.
Terms: Win | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Zaki, J. (PI)

PSYCH 21N: How to Make a Racist (AFRICAAM 121N, CSRE 21N)

How does a child, born without beliefs or expectations about race, grow up to be racist? To address this complicated question, this seminar will introduce you to some of the psychological theories on the development of racial stereotyping, prejudice, and discrimination. Together, these theories highlight how cognitive, social, and motivational factors contribute to racist thinking. We will engage thoughtfully and critically with each topic through reflection and discussion. Occasionally, I will supplement the discussion and class activities with a brief lecture, in order to highlight the central issues, concepts, and relevant findings. We will share our own experiences, perspectives, and insights, and together, we will explore how racist thinking takes root. Come to class with an open mind, a willingness to be vulnerable, and a desire to learn from and with your peers. Students with diverse opinions and perspectives are encouraged to enroll.
Terms: Win | Units: 3 | UG Reqs: WAY-EDP
Instructors: ; Roberts, S. (PI)

PSYCH 28N: The Cultural Shaping of Emotion (CSRE 28N)

This seminar examines how our cultural ideas and practices shape our conceptions, perceptions, and experiences of emotion. We will read and discuss empirical research and case studies from psychology, anthropology, sociology, and medicine. Course requirements include weekly reading and thought papers, weekly discussion, and a final research project and presentation.
Terms: Spr | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Tsai, J. (PI)

PUBLPOL 55N: Public Policy and Personal Finance (ECON 25N)

The seminar will provide an introduction and discussion of the impact of public policy on personal finance. Voters regularly rate the economy as one of the most important factors shaping their political views and most of those opinions are focused on their individual bottom lines. In this course we will discuss the rationale for different public policies and how they affect personal financial situations. We will explore personal finance issues such as taxes, loans, charity, insurance, and pensions. Using the context of (hypothetical) personal finance positions, we will discuss the public policy implications of various proposals and how they affect different groups of people, for example: the implications of differential tax rates for different types of income, the promotion of home ownership in the U.S., and policies to care for our aging population. While economic policy will be the focus of much of the course, we will also examine some of the implications of social policies on personal finance as well. There will be weekly readings and several short policy-related writing assignments.
Terms: Aut | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Rosston, G. (PI)

RAD 21Q: The Magic of Medical Imaging

For centuries, the only way to know what was happening inside our bodies was to open them up, and look. Everything changed very late in the 19th century and throughout 20th century, with the development of increasingly powerful medical imaging tools such as X-ray, computed tomography (CT), magnetic resonance imaging (MRI), positron emission tomography (PET), and ultrasound. Today, X-rays can depict tiny bone cracks, ultrasound can visualize heart valve dysfunction, CT can map our vascular system, MRI can see small brain defects, and PET imaging can help identify aggressive cancers. In this seminar, we will discuss the magic of medical imaging and the principles and technologies behind these tools that enable seeing inside our body. We will discuss the main medical imaging modalities, and discuss their applications with real life examples. Students will learn about medical imaging as well as about common conditions and diseases, and aspects of human anatomy. Essential components of the seminar include active participation during the discussions and student-led presentations on medical imaging topics of interest. The seminar has no prerequisite other than an interest in medical imaging and curiosity about the human body.
Terms: Aut | Units: 3 | UG Reqs: WAY-SMA

RAD 23N: Seeing the Invisible (CHEM 23N)

Seeing is believing! This seminar course will introduce breakthrough imaging technologies from super resolution fluorescence microscopes for imaging single molecules in living cells to tomography imaging for visualizing the happenings deep inside our bodies. You will learn about their applications in probing physiology, biology and biochemistry for biological research and medical diagnosis. You will have the opportunity to tour an imaging facility and perform hands-on laboratory imaging.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Rao, J. (PI)

RELIGST 6N: Religion in Anime and Manga

Religious themes and topoi are ubiquitous in Japanese anime and manga. In this course, we will examine how religions are represented in these new media and study the role of religions in contemporary Japan. By doing this, students will also learn fundamental concepts of Buddhism and Shinto.WIN '24: This class will be meeting in room 338 in the East Asia Library.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Mross, M. (PI)

RELIGST 8N: Gardens and Sacred Space in Japan

This seminar will explore gardens and sacred spaces in Japan. We will study the development of Japanese garden design from the earliest records to contemporary Japan. We will especially focus on the religious, aesthetic, and social dimensions of gardens and sacred spaces. This seminar features a field trip to a Japanese garden in the area, in order to study how Japanese garden design was adapted in North America.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-SI
Instructors: ; Mross, M. (PI)

RELIGST 10N: The Good Death

We often discuss what makes a 'good life' - that is a life worth living, a life exemplary of one's values and ideals, a life full of meaning. But what makes a 'good death'? Far from being a topic to avoid, ideas of death - what it means, its variations, how it relates to the preceding life, how it should unfold - are rich topics in religion. For religious people, the question of how life is lived in preparation, anticipation, or ignorance of death is often quite central. So, how do religious people imagine what death is and what lies beyond? What guidance exists for the time of death and its aftermath? How is the body understood in relation to death and beyond - and how is it managed? How do the living coexist with the dead in various forms? How do changing ecological and technological concerns shape death practices in the USA and elsewhere? In this class we will explore conceptions of the good death through a variety of religious traditions and perspectives, looking at issues such as the after/next life, death rituals, burial practices, corpses, the holy dead, martyrs, ghosts and spirit guides, and others.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II, WAY-SI
Instructors: ; Bigelow, A. (PI)

RELIGST 12N: Perspectives on the Good Life

The question is how to approach and evaluate different perspectives on the good life, especially when those perspectives are beautifully, and elusively, presented to us as texts. We will consider both classic and modern writers, from the West and from China; some are explicitly religious, some explicitly secular; some literary, some philosophical. Most of the class will revolve around our talk with each other, interpreting and questioning relatively short texts. The works we will read - by Dante, Dickenson, Zhuangzi, Shklar, and others - are not intended to be representative of traditions, of eras, or of disciplines. They do, however, present a range of viewpoint and of style that will help frame and re-frame our views on the good life. They will illustrate and question the role that great texts can play in a modern 'art of living.' Perhaps most important, they will develop and reward the skills of careful reading, attentive listening, and thoughtful discussion. (Note: preparation and participation in discussion are the primary course requirement. Enrollment at 3 units requires a short final paper; a more substantial paper is required for the 4-unit option.
Terms: Win | Units: 3-4 | UG Reqs: GER:DB-Hum
Instructors: ; Yearley, L. (PI)

SLAVIC 104N: Chernobyl in Media and Popular Culture

The course will introduce students to the Chernobyl nuclear disaster through the history of the late Soviet utopian project of the "atomic cities" to the intellectual, aesthetic, and artistic responses that the Chernobyl catastrophe generated in the post-Soviet Ukrainian, Belarusian, and Russian societies. During the course, we will study environmental, social, and ecological consequences of the Chernobyl disaster and analyze its many representations of Chernobyl in fictional, cinematographic, oral histories, map projects, VR, photography, and other media in order to understand how the disaster resonates across space and time. We will consider such issues as urban and technological utopias of the late Soviet Union, representations of the disaster; ethics; health and disease; the body and its deconstruction; ecology and climate; the appropriation of disaster narratives and disaster tourism; the media and cover-ups; and faith and religion.
Terms: Aut | Units: 3-5
Instructors: ; Ilchuk, Y. (PI)

SOC 11N: The Data Scientist as Detective

This seminar is about how data are used to figure things out. We will consider cases in which a standing mystery existed, a question without an answer that was subsequently solved with a crisp, clever, or comprehensive analysis of data. We will pay close attention to the reasoning used involved in getting answers from data, and together we will consider how to assess how confident to be in those answers. All of which is directed to providing a better understanding of the logic of making inferences from data, evaluating those inferences, and actually working with data. Over the quarter, students will also be asked to pose and advance a project of their own that involves answering a question with data.
Terms: Spr | Units: 3 | UG Reqs: WAY-AQR, WAY-SI
Instructors: ; Freese, J. (PI)

SOC 19N: The Immigrant Experience in Everyday Life (CHILATST 19N)

The seminar introduces students to major themes connected to the immigrant experience, including identity, education, assimilation, transnationalism, political membership, and intergroup relations. There will also be some attention given to research methodology. The seminar addresses these themes through reading ethnographies that document the everyday experience of immigrants and immigrant communities, broadly defined, in the United States. The course readings primarily come from more contemporary ethnographic research, but it will also include a sampling of ethnographies that examine the experience of previous waves of immigrants. Student participation will include in-class discussions of readings, short written responses to readings, and a final paper in which students draw on original ethnographic research that they conduct during the quarter. By the end of the quarter, students will be able to identify the social, political, and economic forces that shape the immigrant experience. More importantly, students will understand HOW these forces enter the immigrant experience in everyday life.
Terms: Win | Units: 3 | UG Reqs: WAY-EDP
Instructors: ; Jimenez, T. (PI)

SOC 31N: Social Networks

This Introductory Seminar reviews the history of social network studies, investigates how networks have changed over the past hundred years and asks how new technologies will impact them. We will draw from scholarly publications, popular culture and personal experience as ways to approach this central aspect of the human experience.
Terms: Spr | Units: 3 | UG Reqs: WAY-SI
Instructors: ; Granovetter, M. (PI)

SOC 37Q: Food Justice Now! Power and Politics in the Ways We Eat (CSRE 37Q, EARTHSYS 37Q)

Where does the food you eat come from? How does it get to your plate? Where does it go when you don't finish it? And why are those particular items on your plate in the first place? How and what we eat is a vastly overlooked part of everyday life, and yet comes with huge personal, societal, and environmental effects, both positive and (quite often) negative. But this isn't indicative of personal moral failings or ignorance - rather, the food system was designed this way. And it leaves many of us without choice or consent around what we put into our bodies and how our actions impact those around us, thereby exacerbating social and health inequities. This class will uncover the secret workings of the global food system and introduce students to movements and efforts towards creating a more just food future for all. We will center on the concept of 'food justice,' which includes all ideas and practices that strive to eliminate exploitation and oppression within and beyond the food system. This trajectory will take us through understandings of economic, political, cultural, social, and ecological life, both now and in the past, providing students with a unique opportunity to gain interdisciplinary knowledge of food systems. For instance, we will learn about how historical and modern-day activists and scholars draw on movements for economic, gender, racial, climate, and environmental justice, and explore the possibilities for both reformative and transformative food politics. Finally, because food production, consumption, and activism are all highly tangible practices, the class will engage in field trips to the Stanford O'Donohue Family Farm, Stanford Food Institute's Teaching Kitchen, and a local Bay Area farm to get hands-on experience with what it means to eat more ethically.
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Ramirez, B. (PI)

SOMGEN 140Q: The Beginning: the Brain, the Womb, and the Elusive Definition of Life

Can we pinpoint the precise moment that a human life begins? If so, what do we do with that information? Together we will chart the path between conception and birth with particular focus on the fetal brain and the placental interface. What can biology tell us and where are the gaps? In the absence of a definitive answer, what spiritual traditions, ethical frameworks, and reasoning might we rely on to orient us? Grounded in biology, we will survey a diverse spectrum of attitudes about personhood, fate, and personal responsibility that can be applied to urgent issues in reproductive rights.
Terms: Aut | Units: 3 | UG Reqs: WAY-EDP, WAY-ER

SOMGEN 141Q: Can brains be repaired like cars or roads?

Can brains be repaired just like cars or roads? The thought of repairing brains or enhancing them has been a dream of ideal medicine, but is it possible now? To answer that question we need to dive into NeuroEngineering. We will learn the basics of synapse and neural network formation, focusing on neural enhancement and neural repair/regeneration. Through the lenses of tissue, chemical and electrical engineering, we will learn the challenges of repairing/enhancing the brain. We'll also discuss the ethical and political implications. Grounded in Neuroscience, we'll research the latest clinical trials and technology to repair the brain.
Terms: Spr | Units: 3 | UG Reqs: WAY-SMA
Instructors: ; Vega Leonel, J. (PI)

SOMGEN 150Q: Challenging Sex and Gender Dichotomies in Biology and Medicine (FEMGEN 150Q)

This course explores and challenges the physiological basis for distinguishing human "males" and "females", expands the concepts of "intersex" beyond reproductive anatomy/physiology (i.e. beyond the genitalia), and discusses some known consequences of "gender biases" in medical diagnoses and treatments. The influence of gender (sociocultural) "norms", i.e. gendered behaviors and relations, on human biology is juxtaposed with the role of biological traits on the construction of gender identity, roles and relationships, thereby focusing on the interactions of sex and gender on health and medical outcomes. Problems that may arise by labeling conditions that vary in incidence, prevalence and/or severity across the "male-female" spectrum as "men's" or "women's" health issues will be discussed. In addition, the importance of recognizing the spectrum of sex and gender, as well as sexual orientation, in clinical practice from pediatric to geriatric populations, will be highlighted, with consideration of varying perspectives within different race/ethnic, religious, political, and other groups.
Terms: Spr | Units: 3 | UG Reqs: WAY-EDP, WAY-SI
Instructors: ; Stefanick, M. (PI)

STRAMGT 110Q: Making Sense of Strategy

Get the strategy right, and the chance for success is great. Nowhere is this more evident than in today's world of major challenges. Strategy is at the heart of problem solving and achieving objectives, yet few people can define strategy, much less understand how to conceptualize, design, and execute effective strategies that yield the best outcomes.This course focuses on interesting and engaging case studies, each of which illustrates a key ingredient of strategy. Some are well-known historical events, while others are less obvious, but all have a strategic lesson to share. They are quite diverse, from the planning of a high-risk rescue in the Colorado Rockies, to a product crisis in a Fortune 50 company, to a little-known failed military mission of WWII, to a commercial airline disaster. The ability to think through challenging and varied scenarios is both instructive and mind-stretching. There will be some pre-reading on each case study and there may be a field trip for students to put their lessons into practice. The course is designed to be highly interactive; all to enable students to unravel the mystery and power of strategic thinking. Students will also have the opportunity to select and analyze a case reflecting interests of their own. This course can help students not only prepare for a career in a range of fields, but also as they meet the challenges of their current coursework. Problem-solving skills are central in every walk of life; this seminar can help students build a stronger foundation for sound decision-making.
Terms: Aut, Win | Units: 3

SURG 52Q: Becoming whatever you want to be: lessons learned from a stem cell

Sophomore Preference. Stem cells are extreme: they are the most powerful cells in the body and yet they are unimaginably scarce; they exist in nearly every tissue but actually locating them is enormously challenging. Stem cells have the potential to transform the practice of medicine, while at the same time their potential application to human disease continues to spark political debates around the world. In this class, students will discuss the medical hype and hope that surrounds stem cells, socio-political implications surrounding their research, and general concerns with inequitable access to healthcare. While topics like tissue healing and regeneration will focus on the human body, participation from students whose fields of interest fall well outside human biology is welcome. Engineers, artists, historians, writers, economists--all will find intersections between the course subject matter and their own interests. Class sessions will be largely in-person however virtual access will be made available for students upon request on a case by case basis and primarily for medical needs.
Terms: Win | Units: 4 | UG Reqs: Writing 2
Instructors: ; Helms, J. (PI)

SURG 70Q: Surgical Anatomy of the Hand: From Rodin to Reconstruction

The surgical anatomy of the hand is extremely complex in terms of structure and function. Exploration of the anatomy of the hand in different contexts: its representation in art forms, the historical development of the study of hand anatomy, current operative techniques for reconstruction, advances in tissue engineering, and the future of hand transplantation.
Terms: Win | Units: 2
Instructors: ; Chang, J. (PI)

TAPS 11N: Dramatic Tensions: Theater and the Marketplace

Preference to freshmen. The current state of the American theater and its artists. Conventional wisdom says that theater is a dying art, and a lost cause, especially in an age of multi-media entertainment. But there are more young playwrights, actors, and directors entering the field today than at any other time in American history. Focus is on the work of today's theater artists, with an emphasis on an emerging generation of playwrights. Students read a cross-section of plays from writers currently working in the US and UK, covering a spectrum of subjects and styles from serious to comic, from the musical to the straight play. Hits and misses from recent seasons of the New York and London stages and some of the differences of artistic taste across the Atlantic. Hands-on exploration of the arts and skills necessary to make a play succeed. Students develop their own areas of interest, in guided projects in design, direction or performance. Conversations with playwrights, designers ,and directors. Labs and master classes to solve problems posed in areas of creative production. Class meets literary managers and producers who are on the frontlines of underwriting new talent. Class trips include two plays at major Bay Area Stages.
Terms: Win | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II
Instructors: ; Freed, A. (PI)

TAPS 11Q: Art in the Metropolis (ARTSINST 11Q, ARTSTUDI 11Q, ENGLISH 11Q, FILMEDIA 11Q, MUSIC 11Q)

This seminar is offered in conjunction with the annual "Arts Immersion" trip to New York that takes place over the spring break and is organized by the Stanford Arts Institute (SAI). Enrollment in this course is a requirement for taking part in the spring break trip. The program is designed to provide a group of students with the opportunity to immerse themselves in the cultural life of New York City guided by faculty and SAI staff. Students will experience a broad range and variety of art forms (visual arts, theater, opera, dance, etc.) and will meet with prominent arts administrators and practitioners, some of whom are Stanford alumni. In the seminar, we will prepare for the diverse experiences the trip affords and develop individual projects related to particular works of art, exhibitions, and performances that we'll encounter in person during the stay in New York. Class time will be divided between readings, presentations, and one studio based creative project. The urban setting in which the various forms of art are created, presented, and received will form a special point of focus. A principal aim of the seminar will be to develop aesthetic sensibilities through writing critically about the art that interests and engages us and making art. For further details please visit the Stanford Arts Institute website: https://arts.stanford.edu/for-students/academics/arts-immersion/new-york/
Terms: Win | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Berlier, T. (PI)

TAPS 22N: Culture, Conflict, and the Modern Middle East

In this course, you will encounter the Middle East through places, peoples, and performances, beyond the basic study of identifying the region and learning its history. The main question that we will contend with is: how can one achieve an ideal encounter with a people? Through experience and experimentation, we will attempt to approach the region from different angles, perspectives, and disciplines. You can expect to be surprised again and again as we find ways to see, hear, touch, smell, and taste the Middle East through carefully curated readings, viewings, practices, assignments, and events, each teaching us a different way of thinking, creating, and living. Yet, in all these encounters, the theme of performance will return to remind us that knowledge of ourselves and the other is but a tangible exhibit of performances of everyday life. From virtually visiting architectural wonders such as Petra and the Pyramids, to encountering classic literatures such as the Arabian Nights, to finding the best Shawarma in town, to performing the Middle East, to confronting political realities and investigating historical myths, you can expect to immerse yourself with a region and its people. In our search for an ideal encounter, we will be sure to shed some fantasies, experience some realities, imagine some possibilities, and find a version of ourselves.
Terms: Win | Units: 3 | UG Reqs: WAY-A-II

TAPS 26N: Can Beauty Save the World?: Climate Change and the Arts

Climate failure is caused, among other things, by our failure to imagine a more sustainable way of living on and with our planet. In this class, our main effort is to move away from dystopian visions of climate futures, and to try to imagine new ways of picturing climate crisis, so that we can engage it more effectively. This is a hands-on, project-based class. Its main goal is to help students develop their art projects addressing climate crisis, and inform them with resources available to realize their projects.
Terms: Aut, Spr | Units: 3 | UG Reqs: WAY-CE
Instructors: ; Jakovljevic, B. (PI)

TAPS 180Q: Noam Chomsky: The Drama of Resistance

Preference to sophomores. Chomsky's ideas and work which challenge the political and economic paradigms governing the U.S. Topics include his model for linguistics; cold war U.S. involvements in S.E. Asia, the Middle East, Central and S. America, the Caribbean, and Indonesia and E. Timor; the media, terrorism, ideology, and culture; student and popular movements; and the role of resistance.
Terms: Aut | Units: 3 | UG Reqs: GER:DB-Hum, WAY-ER, WAY-SI
Instructors: ; Rehm, R. (PI)

URBANST 27Q: The Detective and the City

This seminar is based on the idea that there are many urban literatures and that Urban Studies, as a broadly interdisciplinary field, needs to look at fiction, music, visual art, cinema, and other forms of expression beyond just the standard social sciences for evidence of the human experience of living in cities. We will analyze the social reality of several historic cities (London in the 1890s, San Francisco and Los Angeles in the 1920s and 30s, and Shanghai in the 1990s) through the prism of popular crime fiction featuring four great literary detectives (Arthur Conan Doyle's Sherlock Holmes, Dashiell Hammett's Sam Spade, Roman Polanski's Jake Gittes, and Qiu Xiaolong's Chief Inspector Chen). As a student in this course, you will explore why crime fiction is so popular, why the fear of crime - or perhaps just a fascination with crime -- is so much a part of modern urban culture, and why the police detective and the private investigator have become iconic code heroes of popular culture You will participate in classroom discussions, write a final paper, and present your research on a subject of your own choice ¿ maybe one of the literary or cinematic detectives already mentioned, or perhaps another literary/cinematic detective of your own choosing, or even on one of today's related manifestations of the same impulse in popular literature or visual culture featuring superheroes, vampires, and the zombie apocalypse.
Terms: Aut | Units: 3 | UG Reqs: WAY-A-II
Instructors: ; Stout, F. (PI)
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