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AFRICAAM 18B: Jazz History: Bebop to Present, 1940-Present (AMSTUD 18B, MUSIC 18B)

Modern jazz styles from Bebop to the current scene. Emphasis is on the significant artists of each style.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, GER:EC-AmerCul, WAY-A-II
Instructors: ; Low, M. (PI); Koplitz, D. (TA)

AFRICAAM 47: History of South Africa (CSRE 74, HISTORY 47)

(Same as HISTORY 147. HISTORY 47 is 3 units; HISTORY 147 is 5 units.) Introduction, focusing particularly on the modern era. Topics include: precolonial African societies; European colonization; the impact of the mineral revolution; the evolution of African and Afrikaner nationalism; the rise and fall of the apartheid state; the politics of post-apartheid transformation; and the AIDS crisis.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-SocSci, GER:EC-GlobalCom, WAY-EDP, WAY-SI

AFRICAAM 50C: The United States in the Twentieth Century (HISTORY 50C)

(Same as HISTORY 150C. 50C is 3 units; 150C is 5 units.) 100 years ago, women and most African-Americans couldn't vote; automobiles were rare and computers didn't exist; and the U.S. was a minor power in a world dominated by European empires. This course surveys politics, culture, and social movements to answer the question: How did we get from there to here? Suitable for non-majors and majors alike.
Terms: Spr | Units: 3 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-EDP, WAY-SI

AFRICAAM 112: Urban Education (CSRE 112X, EDUC 112, EDUC 212, SOC 129X, SOC 229X, URBANST 115)

(Graduate students register for EDUC 212 or SOC 229X). Combination of social science and historical perspectives trace the major developments, contexts, tensions, challenges, and policy issues of urban education.
Terms: Spr | Units: 3-5 | UG Reqs: GER:DB-SocSci, WAY-EDP

AFRICAAM 121B: "The Will to Adorn": An Anthropology of Dress (ANTHRO 121B, ANTHRO 221B, ARCHLGY 121B, ARCHLGY 221B)

This seminar explores sartorial practices as a means for examining formations of identities and structural inequalities across space and time. Building off the definition of dress, pulled from Mary Ellen Roach-Higgins and Joanne B. Eicher, this course examines sartorial practices as social-cultural practices, shaped by many intersecting operations of power and oppression including racism, sexism, and classism, that involve modifications of the corporal form (i.e., scarification, body piercings, and hair alteration) as well as all three-dimensional supplements added to the body (i.e., clothing, hair combs, and jewelry). The emphasis on intersecting operations of power and oppression within this definition of dress draws on Kimberlé Crenshaw's conceptualization of intersectionality. Through case studies and examples from various parts of the world, we will explore multiple sources of data - documentary, material, and oral - that have come to shape the study of dress. We examine how dress intersects with facets of identity, including race, age, ethnicity, sexuality, and class.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-EDP, WAY-SI

AFRICAAM 133: Literature and Society in Africa and the Caribbean (AFRICAST 132, COMPLIT 133, COMPLIT 233A, CSRE 133E, FRENCH 133, JEWISHST 143)

This course provides students with an introductory survey of literature and cinema from Francophone Africa and the Caribbean in the 20th and 21st centuries. Students will be encouraged to consider the geographical, historical, and political connections between the Maghreb, the Caribbean, and Sub-Saharan Africa. This course will help students improve their ability to speak and write in French by introducing students to linguistic and conceptual tools to conduct literary and visual analysis. While analyzing novels and films, students will be exposed to a diverse number of topics such as national and cultural identity, race and class, gender and sexuality, orality and textuality, transnationalism and migration, colonialism and decolonization, history and memory, and the politics of language. Readings include the works of writers and filmmakers such as Aim¿ C¿saire, Albert Memmi, Ousmane Semb¿ne, Le¿la Sebbar, Mariama B¿, Maryse Cond¿, Dany Laferri¿re, Mati Diop, and special guest L¿onora Miano. Taught in French. Students are encouraged to complete FRENLANG 124 or successfully test above this level through the Language Center. This course fulfills the Writing in the Major (WIM) requirement.
Terms: Spr | Units: 4 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP
Instructors: ; Seck, F. (PI); Yu, K. (TA)

AFRICAAM 147: History of South Africa (CSRE 174, HISTORY 147)

(Same as HISTORY 47. HISTORY 147 is 5 units; HISTORY 47 is 3 units) Introduction, focusing particularly on the modern era. Topics include: precolonial African societies; European colonization; the impact of the mineral revolution; the evolution of African and Afrikaner nationalism; the rise and fall of the apartheid state; the politics of post-apartheid transformation; and the AIDS crisis.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-SocSci, GER:EC-GlobalCom, WAY-EDP, WAY-SI

AFRICAAM 150C: The United States in the Twentieth Century (AMSTUD 150C, HISTORY 150C)

(Same as HISTORY 50C. 50C is 3 units; 150C is 5 units.) 100 years ago, women and most African-Americans couldn't vote; automobiles were rare and computers didn't exist; and the U.S. was a minor power in a world dominated by European empires. This course surveys politics, culture, and social movements to answer the question: How did we get from there to here? Suitable for non-majors and majors alike.
Terms: Spr | Units: 5 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-EDP, WAY-SI

AFRICAAM 154G: Black Magic: Ethnicity, Race, and Identity in Performance Cultures (AFRICAAM 254G, CSRE 154D, FEMGEN 154G, TAPS 154G, TAPS 354G)

In 2013, CaShawn Thompson devised a Twitter hashtag, #blackgirlmagic, to celebrate the beauty and intelligence of black women. Twitter users quickly adopted the slogan, using the hashtag to celebrate everyday moments of beauty, accomplishment, and magic. The slogan offered a contemporary iteration of an historical alignment: namely, the concept of "magic" with both Black people as well as "blackness." This course explores the legacy of Black magic--and black magic--through performance texts including plays, poetry, films, and novels. We will investigate the creation of magical worlds, the discursive alignment of magic with blackness, and the contemporary manifestation of a historical phenomenon. We will cover, through lecture and discussion, the history of black magic representation as well as the relationship between magic and religion. Our goal will be to understand the impact and history of discursive alignments: what relationship does "black magic" have to and for "black bodies"? How do we understand a history of performance practice as being caught up in complicated legacies of suspicion, celebration, self-definition? The course will give participants a grounding in black performance texts, plays, and theoretical writings. *This course will also satisfy the TAPS department WIM requirement.*
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Robinson, A. (PI)

AFRICAAM 159: James Baldwin & Twentieth Century Literature (AMSTUD 159, ENGLISH 159, FEMGEN 159)

Black, gay and gifted, Baldwin was hailed as a "spokesman for the race", although he personally, and controversially, eschewed titles and classifications of all kinds. This course examines his classic novels and essays as well his exciting work across many lesser-examined domains - poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy and artistic collaboration. Placing his work in context with other writers of the 20C (Faulkner, Wright, Morrison) and capitalizing on a resurgence of interest in the writer (NYC just dedicated a year of celebration of Baldwin and there are 2 new journals dedicated to study of Baldwin), the course seeks to capture the power and influence of Baldwin's work during the Civil Rights era as well as his relevance in the "post-race" transnational 21st century, when his prescient questioning of the boundaries of race, sex, love, leadership and country assume new urgency.
Terms: Spr | Units: 3 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Elam, M. (PI)

AFRICAAM 164A: Race and Performance (CSRE 164A, CSRE 364A, TAPS 164)

How does race function in performance and dare we say live and in living color? How does one deconstruct discrimination at its roots?n nFrom a perspective of global solidarity and recognition of shared plight among BIPOC communities, we will read and perform plays that represent material and psychological conditions under a common supremacist regime. Where and when possible, we will host a member of the creative team of some plays in our class for a live discussion. Assigned materials include works by Lin-Manuel Miranda, Amiri Baraka, Young Jean Lee, Ayad Akhtar, Susan Lori Parks, David Henry Hwang, Betty Shamieh, Jeremy O. Harris, and Christopher Demos Brown.n nThis class offers undergraduate students a discussion that does not center whiteness, but takes power, history, culture, philosophy, and hierarchy as core points of debate. In the first two weeks, we will establish the common terms of the discussion about stereotypes, representation, and historical claims, but then we will quickly move toward an advanced conversation about effective discourse and activism through art, performance, and cultural production. In this class, we assume that colonialism, slavery, white supremacy, and oppressive contemporary state apparatuses are real, undeniable, and manifest. Since our starting point is clear, our central question is not about recognizing or delineating the issues, but rather, it is a debate about how to identify the target of our criticism in order to counter oppression effectively and dismantle long-standing structures.n nNot all BIPOC communities are represented in this syllabus, as such claim of inclusion in a single quarter would be tokenistic and disingenuous. Instead, we will aspire to understand and negotiate some of the complexities related to race in several communities locally in the U.S. and beyond.
Terms: Spr | Units: 3-5
Instructors: ; Al-Saber, S. (PI)

AFRICAAM 169A: Race, Ethnicity, and Water in Urban California (AMSTUD 169, CSRE 260, URBANST 169)

Is water a human right or an entitlement? Who controls the water, and who should control the water, in California? Private companies? Nonprofits? Local residents? Federal, state, or local governments? This course will explore these questions in the context of urban California more generally, the players and the politics to make sense of a complex problem with deep historical roots; one that defines the new century in California urban life. The required readings and discussions cover cities from Oakland to Los Angeles, providing a platform for students to explore important environmental issues, past and present, affecting California municipalities undergoing rapid population change. In addition, our research focus will be on the cities located on the Central Coast of California: agricultural Salinas, Watsonville, and Castroville and towns along the Salinas Valley; tourist based Monterey, Pebble Beach, Carmel, Pacific Grove; the bedroom community of Prunedale to the north, and former military towns, Marina and Seaside, as all of these ethnically, socioeconomically diverse communities engage in political struggles over precious, and ever scarcer water resources, contend with catastrophic events such as droughts and floods, and fight battles over rights to clean water, entitlement, environmental racism, and equity. Cardinal Course certified by the Haas Center.
Terms: Spr | Units: 4-5 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-EDP, WAY-SI
Instructors: ; McKibben, C. (PI)

AFRICAAM 180D: Designing Black Experiences (ENGR 180)

This discussion-rich course is for students to learn design thinking to more confidently navigate life and careers as members and allies of the Black community. This course will allow students to navigate identity while building community to uplift Black voices through design thinking tools to help leverage their experiences and gain a competitive edge. Students will gain a deeper understanding of intersectionality, how to create and cultivate alignment, and learn to effectively navigate life design schemas, ideas, and options.
Terms: Win, Spr | Units: 2 | UG Reqs: WAY-CE

AFRICAAM 195: Independent Study

Terms: Aut, Win, Spr, Sum | Units: 2-5
Instructors: ; Dieter, K. (PI)

AFRICAAM 197: Star Trek Deep Space Nine, Alternative Futurisms and Radical Worldbuilding (CSRE 194DS9, PWR 194DS9)

Presented by IDA, the Institute for Diversity in the Arts. In this course we will explore science fiction and speculative fiction as readers, writers, creators, and organizers to learn how artists engage with futurist thinking to reimagine and build better worlds in the present. Together we will draw from scholarship across Indigenous, Latinx, Pasifika, Arab, African and Afro futurisms; as well as science fiction and other creative traditions to imagine and build better worlds rooted in liberation and solidarity. Students will explore the groundbreaking television series Star Trek: Deep Space Nine as one example of alternative futurisms and will be joined by a special visiting artist and actor from the show's original cast. Visits by guest artists from across genres will round out this year's IDA Spring Class. Does not fulfill the WR1 or WR2 requirement.
Terms: Spr | Units: 1-4
Instructors: ; Banks, A. (PI)

AFRICAAM 200N: Funkentelechy: Technologies, Social Justice and Black Vernacular Cultures (CSRE 314, EDUC 314, STS 200N)

From texts to techne, from artifacts to discourses on science and technology, this course is an examination of how Black people in this society have engaged with the mutually consitutive relationships that endure between humans and technologies. We will focus on these engagements in vernacular cultural spaces, from storytelling traditions to music and move to ways academic and aesthetic movements have imagined these relationships. Finally, we will consider the implications for work with technologies in both school and community contexts for work in the pursuit of social and racial justice.
Terms: Spr | Units: 4-5

AFRICAAM 200Z: Honors Thesis and Senior Thesis Research

Spring. Required for students writing an Honors Thesis. Optional for Students writing a Senior Thesis.
Terms: Spr | Units: 3-5
Instructors: ; Dieter, K. (PI)

AFRICAAM 208: Women of the Movement (AMSTUD 208, FEMGEN 208, FEMGEN 308, HISTORY 268, HISTORY 368, RELIGST 208, RELIGST 308)

This seminar will examine women and their gendered experience of activism, organizing, living, and leading in the Modern Civil Rights Movement. Undergraduates register for 200-level for 5 units. Graduate students register for 300-level for 3-5 units.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-EDP

AFRICAAM 210: In Ha Mood: Contemporary Black Feminisms

This course examines core themes in contemporary Black feminisms in the United States. Each week the class will explore topics such as Black womxn's history, representation in new media, policy initiatives, and activism in areas of work and equal pay, relationships, family, mass incarceration, reproductive justice, and other topics. We will specifically focus on how the historical representation of marginalized womxn and girls have been used to shape legal, political and economic practice and social custom.
Terms: Spr | Units: 3-4
Instructors: ; McNair, K. (PI)

AFRICAAM 212: How We Free Us: Race, Activism, and Community

This hybrid course is designed to provide an examination of activism through the lens of community. This course is part of the Community Engaged Learning Course curriculum in the Department of African & African American Studies and will introduce students to community-based organizing and activism and how community-ties can be harnessed to build viable movements in today's society.
Terms: Spr | Units: 3-5
Instructors: ; McNair, K. (PI)

AFRICAAM 213: Culture and Revolution in Africa (COMPLIT 213, FRENCH 213E, HISTORY 243E)

This course investigates the relationship between culture, revolutionary decolonization, and post-colonial trajectories. It probes the multilayered development of 20th and 21st-century African literature amid decolonization and Cold War cultural diplomacy initiatives and the debates they generated about African literary aesthetics, African languages, the production of history, and the role of the intellectual. We will journey through national cultural movements, international congresses, and pan-African festivals to explore the following questions: What role did writers and artists play in shaping the discourse of revolutionary decolonization throughout the continent and in the diaspora? How have literary texts, films, and works of African cultural thought shaped and engaged with concepts such as "African unity" and "African cultural renaissance"? How have these notions influenced the imaginaries of post-independence nations, engendered new subjectivities, and impacted gender and generational dynamics? How did the ways of knowing and modes of writing promoted and developed in these contexts shape African futures?
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II, WAY-SI
Instructors: ; Seck, F. (PI)

AFRICAAM 226: Mixed-Race Politics and Culture (AMSTUD 152K, CSRE 152K, ENGLISH 152K)

Today, almost one-third of Americans identify with a racial/ethnic minority group, and more than 9 million Americans identify with multiple races. What are the implications of such diversity for American politics and culture? This course approaches issues of race from an interdisciplinary perspective, employing research in the social sciences and humanities to assess how race shapes perceptions of identity as well as political behavior in 21st-century U.S. Issues surrounding the role of multiculturalism, immigration, acculturation, racial representation, and racial prejudice in American society. Topics include the political and social formation of race; racial representation in the media, arts, and popular culture; the rise and decline of the "one-drop rule" and its effect on political and cultural attachments; the politicization of census categories and the rise of the multiracial movement. If you have any questions about enrollment or need a permission number, please contact Farrah Moreno (farrahm@stanford.edu).
Terms: Spr | Units: 3 | UG Reqs: GER:DB-Hum, WAY-A-II, WAY-EDP
Instructors: ; Elam, M. (PI)

AFRICAAM 245: Understanding Racial and Ethnic Identity Development (CSRE 245, EDUC 245, PSYCH 245A)

This seminar will explore the impact and relative salience of racial/ethnic identity on select issues including: discrimination, social justice, mental health and academic performance. Theoretical perspectives on identity development will be reviewed, along with research on other social identity variables, such as social class, gender and regional identifications. New areas within this field such as the complexity of multiracial identity status and intersectional invisibility will also be discussed. Though the class will be rooted in psychology and psychological models of identity formation, no prior exposure to psychology is assumed and other disciplines-including cultural studies, feminist studies, and literature-will be incorporated into the course materials. Students will work with community partners to better understand the nuances of racial and ethnic identity development in different contexts. (Cardinal Course certified by the Haas Center)
Terms: Spr | Units: 3-5

AFRICAAM 247: Gender and Sexuality in African History (FEMGEN 247, FEMGEN 347, HISTORY 247, HISTORY 347)

This course examines the history of gender and sexuality in twentieth and twenty-first century Africa. It explores how concepts, identities, and practices of gender and sexuality have changed in shifting social, cultural, political, and economic contexts across the continent and in connection with global currents. This historical journey encompasses European colonialism, independence, postcolonial nation-building, and current times. Course materials include African novels, films, material culture and multinational scholarly research and primary sources. We will also engage multidisciplinary perspectives, methodologies, and theories as tools for critical thinking, writing and varied modes of producing knowledge. Gender and sexuality(ies) as examined in this course act as gateways to explore transformations in : selfhood, peoplehood, and life stage; health, medicine, reproduction, and the body; law and criminality; marriage, kinship, family, and community; politics, power and protest; feminism(s); popular culture; religion and belief; LGBTQI+ themes; and the history of emotions, including love, joy, desire, pain, and trauma.
Terms: Spr | Units: 4-5
Instructors: ; Jean-Baptiste, R. (PI)

AFRICAAM 254G: Black Magic: Ethnicity, Race, and Identity in Performance Cultures (AFRICAAM 154G, CSRE 154D, FEMGEN 154G, TAPS 154G, TAPS 354G)

In 2013, CaShawn Thompson devised a Twitter hashtag, #blackgirlmagic, to celebrate the beauty and intelligence of black women. Twitter users quickly adopted the slogan, using the hashtag to celebrate everyday moments of beauty, accomplishment, and magic. The slogan offered a contemporary iteration of an historical alignment: namely, the concept of "magic" with both Black people as well as "blackness." This course explores the legacy of Black magic--and black magic--through performance texts including plays, poetry, films, and novels. We will investigate the creation of magical worlds, the discursive alignment of magic with blackness, and the contemporary manifestation of a historical phenomenon. We will cover, through lecture and discussion, the history of black magic representation as well as the relationship between magic and religion. Our goal will be to understand the impact and history of discursive alignments: what relationship does "black magic" have to and for "black bodies"? How do we understand a history of performance practice as being caught up in complicated legacies of suspicion, celebration, self-definition? The course will give participants a grounding in black performance texts, plays, and theoretical writings. *This course will also satisfy the TAPS department WIM requirement.*
Terms: Spr | Units: 3-4 | UG Reqs: WAY-A-II, WAY-EDP
Instructors: ; Robinson, A. (PI)

AFRICAAM 255: Racial Identity in the American Imagination (AMSTUD 255D, CSRE 255D, HISTORY 255D, HISTORY 355D)

From Sally Hemings to Michelle Obama and Beyonce, this course explores the ways that racial identity has been experienced, represented, and contested throughout American history. Engaging historical, legal, and literary texts and films, this course examines major historical transformations that have shaped our understanding of racial identity. This course also draws on other imaginative modes including autobiography, memoir, photography, and music to consider the ways that racial identity has been represented in American culture.
Terms: Spr | Units: 4-5 | UG Reqs: GER:DB-SocSci, GER:EC-AmerCul, WAY-EDP
Instructors: ; Hobbs, A. (PI)

AFRICAAM 256: Black Contemporary Filmmakers (AMSTUD 256, FILMEDIA 257)

Despite the systemic inequalities of the Hollywood system, there is a robust, stylistically diverse cohort of African-American writer/directors at work, including Barry Jenkins, Ava DuVernay, and Ryan Coogler. Jenkins' films (Moonlight, If Beale Street Could Talk), are aesthetically lush, intimate, and understated. DuVernay (When They See Us) foregrounds racial history and injustice in her feature films, television, and documentary work. Coogler followed his realist Fruitvale Station with two powerful genre films with black protagonists (Creed, Black Panther - this last the highest-grossing film by a black director).
Terms: Spr | Units: 5

AFRICAAM 258: Black Feminist Theater and Theory (CSRE 258, FEMGEN 258X, TAPS 258)

From the rave reviews garnered by Angelina Weld Grimke's lynching play, Rachel to recent work by Lynn Nottage on Rwanda, black women playwrights have addressed key issues in modern culture and politics. We will analyze and perform work written by black women in the U.S., Britain and the Caribbean in the 20th and 21st centuries. Topics include: sexuality, surrealism, colonialism, freedom, violence, colorism, love, history, community and more. Playwrights include: Angelina Grimke, Lorriane Hansberry, Winsome Pinnock, Adrienne Kennedy, Suzan- Lori Parks, Ntozake Shange, Pearl Cleage, Sarah Jones, Anna DeVeare Smith, Alice Childress, Lydia Diamond and Zora Neale Hurston.)
Terms: Spr | Units: 4 | UG Reqs: WAY-A-II, WAY-EDP

AFRICAAM 267: Africa & China: Pasts and Presents

China's engagement with Africa during the last decade has generated media attention that generally portrays China as either Africa's economic saviour or as its new imperial overlord. This course will both survey these analyses but also suggest that the China-Africa phenomenon needs to be understood as a series of engagements ? economic, political, but also social and cultural ? between a range of Chinese and African actors that have both potential benefits and costs for all those involved. Interdisciplinary in nature, the course will explore the history of China's relationship with Africa and the continuities and breaks in this relationship. Instead of producing a monolithic picture for the whole African continent, the course will focus on various African countries such as Tanzania, Kenya, Zambia, Ethiopia, Congo, South Africa, Sudan, Ghana and Mali for more contextualised discussions. It will also problematise the idea of 'China' as solely representative of the People's Republic of China (PRC). It will begin with an overview of the literature in order to familiarise the students with the historiography. Then it will run in a chronological order, first discussing China's ancient connections with the African continent the before moving to the more crucial period of intense interactions in the mid-20th century. We will pay particular attention to questions such as socialist ideology, Afro-Asianism, economic competition, revolution, and liberation movements. The rest of the course will deal with China's political, economic and social activities on the African continent since early 2000 until today. The class will analyse economic relations in the form of mineral extraction, the extent and form of China's engagement with political change on the continent, and the ways in which Chinese migrants have interacted with African societies. It will also explore how Africans are seeking to shape their unequal relationship with Chinese influences and to negotiate advantages for themselves in both Chinese-influenced Africa and in China itself. The course will seek to locate China's recent engagement with Africa in the context of the continent's many centuries of interaction with global flows of goods, peoples, and ideas.
Terms: Spr | Units: 3-5
Instructors: ; Sun, Y. (PI)

AFRICAAM 294: Black Brazil: Afro-Brazilian Music, Literature, and Art (CSRE 194, ILAC 194G)

More enslaved people from Africa were forced to Brazil than any other country and Brazil was the last country to abolish the practice of slavery in the Americas. How do these two facts impact the cultural history of Brazil? How and why was the country mythologized as a 'racial democracy' in the twentieth century? This class engages these questions to explore the origins, development, and centrality of Afro-Brazilian culture. We will immerse ourselves in the cities of Salvador and Rio de Janeiro, explore samba and Carnaval, take a dive into syncretic religious practices such as Candomblé, observe dances like capoeira, and study literary and artistic expressions from an anti-racist perspective to gain a fuller picture of Brazilian society today. Taught in English.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II, WAY-EDP
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