FILMSTUD 441: Theories of Cinematic Spectacle
How cinematic spectacle has been theorized; the adoption of new technologies such as sound, color, or special effects; theories of the sublime and the grotesque. Spectacle as a vehicle for propaganda or pedagogy, and its relation to narrative and gender. The role of spectacle in experimental cinema and its deconstruction by Godard and others. Recommended: 4 or equivalent.
Terms: not given this year
|
Units: 5
|
Grading: Letter (ABCD/NP)
FILMSTUD 620: Area Core Examination Preparation
For Art History Ph.D. candidates. Prerequisite: consent of instructor.
Terms: Aut, Win, Spr, Sum
|
Units: 5
|
Repeatable for credit
|
Grading: Satisfactory/No Credit
FILMSTUD 660: Independent Study
For graduate students only. Approved independent research projects with individual faculty members.
Terms: Aut, Win, Spr, Sum
|
Units: 1-15
|
Repeatable for credit
|
Grading: Letter (ABCD/NP)
Instructors:
Bukatman, S. (PI)
;
Krawitz, J. (PI)
;
Levi, P. (PI)
;
Ma, J. (PI)
;
Meltzer, J. (PI)
;
Samuelson, K. (PI)
;
Tobin, A. (PI)
FILMSTUD 660E: Extended Seminar
May be repeated for credit. (Staff)
Terms: Aut, Win, Spr
|
Units: 4
|
Repeatable for credit
|
Grading: Letter (ABCD/NP)